Studio News

I thought I’d post a few pictures from my new studio here in Aberdeen. I’ve been working up here for a few months now and have really enjoyed getting back into painting with oils. Having my own studio again is wonderfully liberating, as I can work much more freely and splash the paint and thinners around without worrying about getting it all over my furniture at home! It’s also great to have all my work materials out of the house and to be able to find everything I need within arm’s reach.

I also became a member of the very highly regarded Peacock Print Studio earlier this year. Working there has been a real eye opener on many levels, and having the entire space to myself (thanks to Covid!) has felt like quite a privilege. But I’ll dedicate a post to all of that at a later date.

So, in the meantime, here are a few pictures of things I’ve been working on recently at my studio in Eagle House.

Rattray Head (WIP)

This first one (above) is an oil painting of Rattray Head Lighthouse, between Peterhead and Fraserburgh. Some of the pebbles in the foreground were carefully painted while others were literally lashed onto the canvas using a liner brush with a very runny mixture of oil paint and thinner.

This second Rattray Head picture is a larger version I decided to do after feeling quite happy with the first. Both need further fine tuning though. The lighthouse painting below it will be built up in painstakingly slow glazes to convey an altogether different mood using a different technique.

The following 5 pictures are the products of my end-of-the-day palate scrapings (as I like to call them). When I’m finished working on the main picture each day, I basically smear together all the colours left on my palate and add a little oil painting medium to produce what Whistler would call his ‘soup’. He would apply this liquid paint in streaks across his canvases to produce many of his nocturne paintings. This painterly ‘soup’ often produces the loveliest of greys which I then use as the ground for future paintings. These sky and beach pictures were done this past week from imagination and I’ve yet to decide how to finish them off.

Cloud and beach studies (WIP)
A rather messy corner of my studio
Bennachie (WIP)

The above picture is a quick sketch I did this week of beautiful Bennachie. I’ll work it up into a finished painting, but quite like the dreamy quality of it as it is. And below is another of Rattray Head from a different angle and then there’s Catterline, one of my favourite places to paint and to spend time.

Rattray Head and Catterline

So that’s what I’ve been doing this past week or two. Every week I intend to start a whole new batch of pictures and finish at least some from the previous weeks, and continue on in this vein for many years to come. So as long as I can keep my studio (and lungs and head!) free of turpentine fumes, I’ll also try to keep posting regular updates on what I’ve been working on and also where the work will be available to see and buy.

Watch this space!

The Old Iron Pier, Aberdour

My Work Featured in The Fortnightly Review

The Old Iron, Aberdour

One of the greatest joys of being an artist, alongside getting to do what you love on a daily basis, is when you get a request to use one of your pieces for something other than to adorn a wall.

Over the years, my work has been used to promote whisky (Tobermory) as well as various exhibitions, including the RSA and SSA annual open shows. More recently I was contacted by The Fortnightly Review with a request to use my etching of The Old Pier, Aberdour to illustrate a memoir they were about to publish by author John Matthias. Of course I gave my consent and was delighted to be given an opportunity to have my work published in such an august and highly respected literary journal.

The memoir itself is the fascinating and highly evocative story of a family who have had a very close personal connection with Aberdour and the old iron pier over the past 100 years. I loved reading how that decrepit old pile of rusted iron had once played a significant role in the First World War, allowing naval sailors to land closer to home in Fife before their battleships went on to dock at Rosyth further round the coast. Never in a million years would I have guessed at anything of this history and, had I not made that etching and posted a picture of it on my website, the editor would never have contacted me and I’d still be unaware of the intriguing past life of what is a very familiar landmark! I’ve said it before and I’ll say it again, art often opens up conversations that can lead to the forming of new relationships, business ventures or even inspire all kinds of other things which might not otherwise happen or … or in this case, be discovered.

I was particularly surprised to read that the entire Grand Fleet of the British navy – comprising scores of battleships and support vessels – had dropped anchor in the Firth of Forth on 11th November 1918 (Armistice Day). And how there had been “excuberant rejoicing” with fireworks and dancing on board the ships that lay across the length and breadth of the firth like a pontoon bridge when the Germans finally surrendered.

The Old Iron, Aberdour

I currently have 2 of these etchings available at half price in my Big Cartel shop. That’s just £100 each using discount code 5WXW5X. Click here to visit my shop or send me an email if you’d like more information and .

To find out more about the pier and to read this beautifully evocative memoir of life in and around Aberdour during wartime, and through the decades since, click here.

Here’s a link to some incredible footage showing the Grand Fleet at sea during WW1.

Bass Rock show at Fidra Fine Art, Gullane. Only 1 week left!

The Bass Rock (Nocturne)
Oil on wood panel
60x40cm
£1450

Just over a week to see this amazing show of 70 pictures by 30 artist at Fidra Fine Art in Gullane. All of whom have been inspired by the sheer beauty of the Bass Rock.

Bass Rock

4 September to 3 October

Featuring:

Julia Albert-Recht, Claire Beattie, George Birrell, John Boak, Georgina Bown, Davy Brown, Dominique Cameron, Alan Connell, Ann Cowan, Fee Dickson, Matthew Draper, Michael Durning, Ronnie Fulton, Andy Heald, David E Johnston, John Johnstone, Suzanne Kirk, Simon Laurie, Neil Macdonald, Julia McNairn White, Rachel Marshall, Ann Oram, Clive Ramage, Gregory Rankine, Pen Reid, Pascale Rentsch, Arran Ross, Jayne Stokes, Astrid Trügg and Darren Woodhead.

It has cast its spell over artists and writers such as Turner and Robert Louis Stevenson. In the 17th century, it was dubbed Scotland’s Alcatraz following Cromwell’s invasion of Scotland. Now the Bass Rock, which sits a few miles off the coast of North Berwick in East Lothian, is to be the subject of our latest exhibition.

Around 30 artists have been invited to present their unique view of the famous volcanic plug, which is home to 350,000 seabirds, including over 150,000 gannets – the largest ‘single rock’ colony of northern gannets on earth.

It is an irresistible, imposing, brooding and beautiful muse for artists and it has inspired a fascinating and varied collection of work for this show.

The exhibition continues until Sunday 3 October, I hope you will be able to come and view the work “in the flesh”.

Some more pictures from the show

arTay 2020 is online now … and you can see and buy 2 of my paintings there!

Here’s a quick note to tellk you about two paintings I have available to buy at arTay 2020. It’s an online only show, of course, but still runs for just 4 days (ending on Sunday 31st May). So you best get in quick if you want to buy one of these two or something else from one of the 80 artists also showing.

And here’s a link to what’s available and more details.

Dubh Artach Lighthouse (Nocturne), acrylic on wood panel 67x68cm in frame
St Monans, acrylic on wood panel 108x70cm in frame
 

Pictures available from Marchmont Gallery & #ArtistSupportPledge

The Old Town (Crescent Moon)

There’s no lockdown on art!

It’s been great to sell some of my work directly via the #artistsupportpledge on Instagram recently. And I’m very excited to unwrap my first pledge purchase today. I bought it having reached £1000 in sales through the scheme and, as promised, I’ll also be sending £100 to Dunfermline Food Bank this week. (See below for more details on how it all works.)

Despite the Covid19 lockdown, I do still have paintings and prints available to buy from Marchmont Gallery, Edinburgh. It’s currently closed to the public, but my pictures can still be viewed and purchased there online.

Click the link below to browse the brochure from my recent solo and contact the gallery if there’s something that takes your fancy.

Marchmont Gallery contact details:

56 Warrender Park Rd
Edinburgh, EH9 1EX
UK
Some work From Edinburgh to The Moon

And here’s a little more info on Artists Support Pledge

Due to the COVID-19 pandemic, many artists have found themselves without work, teaching, technical support and gallery work. Exhibitions and sales have disappeared. ARTIST SUPPORT PLEDGE is an attempt to help alleviate some of this.

The concept is a simple one. Artists post images of their work, on Instigram which they are willing to sell for no more than £200 each (not including shipping). Anyone can buy the work. Every time an artist reaches £1000 of sales, they pledge to spend £200 on another artist/s work.

Search for pictures using #artistsupportpledge; or use the same tag to sell your own work. Simple!

Marchmont Gallery Solo Show Preview is a Blast!

The preview gets under way

After a busy few months of painting, I had the opening of my solo show at Marchmont Gallery last Sunday. It was a fantastic afternoon and stayed busy throughout, with a number of people taking away paintings and prints. It was great to have so many people come along and I’d like to say a big “Thank You!” to all those who made it and to all at Marchmont Gallery for being great hosts!

Some of my paintings at Marchmont Gallery

I’ll be topping up the show over the coming weeks, but had to take a week off to recover from the inevitable post-show cold that kept me in bed for days afterwards. I have been thinking about what’s to come though and can’t wait to get back to the easel on Monday.

A wall of work

On the painting front, I’ve been really enjoying using acrylics on larger-scale plywood panels and have prepared 2 new ones to get started on. As is the case with these, I often like to use the golden ratio to determine picture dimensions and sometimes compositional elements too; here’s a recent example below, but there are others in the Marchmont show.

St Monans, Acrylic on panel 98 x 60.5cm

I am hoping to get away soon in my campervan to explore some new areas I haven’t painted before. Possibly a trip to Orkney or even further afield. The Faroe Islands are top of my list for etching inspiration and I can see a lot of printmaking happening over the summer months if I make it there.

At the framers before the show

If you get along to the show, do get in touch and let me know your thoughts. It’s always great to get any kind of feedback!

From Edinburgh (and Perth!) to The Moon

It’s been a very productive start to 2020 and I have two new shows coming up this month. There’s my solo show From Edinburgh To The Moon at Marchmont Gallery, which previews on Sunday 16th Feb. And I’ll also be taking part in a printmaking show at Frames Gallery, opening this Friday. All details below …

The Old Town (Crescent Moon) will be on Show at Marchmont Gallery

From Edinburgh to The Moon

I’m currently putting the finishing touches to the last few paintings that will be included in my solo show at Marchmont Gallery and titled From Edinburgh To The Moon. It’ll be a selection of recent mixed-media paintings (including these below) of Edinburgh and Scottish coastal scenes, as well as some hand-made etchings and prints. I will have at least 25 original pieces large and small hanging and can’t wait to see how they look as a collection. You are most welcome to come along to the opening on the 16th (1-4pm) where I’ll be happy to chat about my work and answer any questions. There will also be drinks and nibbles!

Solo Exhibition – Marchmont Gallery, Edinburgh (Preview 16 Feb 1-4pm, all welcome!)
Runs until 22 March.

Fife Dunfermline Printmakers Workshop at Frames Gallery

This Friday 7th marks the opening of the Fife Dunfermline Printmakers Workshop exhibition at the lovely Frames Gallery in Perth. The preview is from 6-8pm and there will be around 80 works including a great variety of printmaking techniques and a huge array of subject matter produced by my talented colleagues at the workshop in Dunfermline. I have the following 4 pieces in the show and, altogether, it looks like a fantastic exhibition of work. So go along if you’re in the Perth area and we’ll maybe see you on Friday.

Frames Gallery, Perth (Preview 6-8pm, all welcome!)
Runs until 29 February.

My Shop Is Now Open!

Towards Arthurs Seat

Only a couple of weeks left until Christmas! But that’s time enough to buy one of my very limited edition prints and etchings for someone special (including yourself!).

The Old Town, Edinburgh

There’s 12 pictures to chose from including these 4, some moon etchings and a few others. All details can be found here at Big Cartel.

Dean Village Sunset

Buy something unique and help support my work at the same time! If you order straight away there should be plenty time to get it before Christmas. But sooner is always better!

Ramsay Gardens from The Castle

Happy Christmas!

Tobermory Whisky, Edinburgh Art Fair and the UK’s 1st Ever Fine Art Crawl

Great news! Tobermory Distillery have invited me to exhibit at their inaugural Edinburgh Art Fair stand and to have my own pop-up gallery on the UK’s 1st ever Fine Art Pub Crawl. My work will be on display at Usquabae Whisky Bar, 2 Hope Street, Edinburgh from this Friday 22 November.

I love whisky and Tobermory has a special place on my palate (pardon the pun!). It was the first whisky I ever bought myself on a visit to the distillery several years ago. I also love that Tobermory is officially know as the Artisan Distiller, so it’s a fitting partnership indeed!

Here’s a link to the article in the Edinburgh Reporter

If you happen to be looking for a new piece of original fine art to treat yourself or someone else to this Christmas, go along to the Edinburgh Art Fair this weekend, or visit one of the pubs included on the Fine Art Crawl. And don’t forget to try the 12 Year Old Tobermory while you’re there!

Some giclee prints of selected works and a few etchings are also available at my Big Cartel shop. Slange!

Gallery Heinzel Winter Show

I have these two large pictures for sale at Gallery Heinzel’s upcoming Winter Show. Opens on the 9th Nov and runs until March 2020.

Three Views of The Bass Rock

Three Views of The Bass Rock
Oil and gold leaf on gesso-primed hand-made paper
(126x52cm framed)

The above painting has been over a year in the making. It glows and looks great in this frame with non-reflect art glass. The tiniest touch of gold leaf adds a very subtle beam and sparkle to each of the lighthouses. I’d liked to have kept this one for myself, but needs must!

Non-reflective glass allows more light and colour to bounce back from the picture rather than off the glass. This also means there’s no annoying reflections that prevent you seeing the picture properly. It’s very expensive but well worth the money and I’ll be using it more from now on.

Harvest Moon

Harvest Moon
Etching & Aquatint
(65x55cm image size)

This Harvest Moon etching is the 3rd variation I’ve made from a single copper plate. This edition is the result of a seemingly never-ending series of painful and time consuming trials with various ink colours (each pigment having its own peculiarities which can make or break a picture). I’m finally happy with this combination. Fellow printmakers have asked how I got the blackest ink and palest orange together without a gap or mixing the two. The simple answer is with great difficulty, as both colours are wiped onto (and off) the plate together for a single pressing. For every successful print two others went in the bin. This is by far the most difficult print I’ve ever made!

This is number 9/20 and is framed and available at the gallery, but there are more unframed copies available. I also have some Super Moons and only a very few Blue Moons left for sale. Contact Gallery Heinzel or myself directly if interested.

The show opens with a preview between 11-2pm at Gallery Heinzel this coming Saturday.