Just a quick note to wish you a very Happy New Year and also to say a huge !!THANK YOU!! to everyone who bought my paintings and, therefore, supported me greatly in my work throughout 2021.
Lots of very good things happened this past year, including my move to Aberdeen and settling into a great new studio here. I’ve also recently begun working with some local galleries (including Ballater and Braemar) and have lots of energy and inspiration for new pictures to paint and send to them, as well as to my regular galleries in the coming months.
Keep an eye out here for news of my latest works in progress and exhibitions, including Land & Sea which opens later this month at Heriot Gallery in Dundas Street, Edinburgh.
In the meantime, I wish you a safe, prosperous and very happy 2022!
I thought I’d post a few pictures from my new studio here in Aberdeen. I’ve been working up here for a few months now and have really enjoyed getting back into painting with oils. Having my own studio again is wonderfully liberating, as I can work much more freely and splash the paint and thinners around without worrying about getting it all over my furniture at home! It’s also great to have all my work materials out of the house and to be able to find everything I need within arm’s reach.
I also became a member of the very highly regarded Peacock Print Studio earlier this year. Working there has been a real eye opener on many levels, and having the entire space to myself (thanks to Covid!) has felt like quite a privilege. But I’ll dedicate a post to all of that at a later date.
So, in the meantime, here are a few pictures of things I’ve been working on recently at my studio in Eagle House.
This first one (above) is an oil painting of Rattray Head Lighthouse, between Peterhead and Fraserburgh. Some of the pebbles in the foreground were carefully painted while others were literally lashed onto the canvas using a liner brush with a very runny mixture of oil paint and thinner.
This second Rattray Head picture is a larger version I decided to do after feeling quite happy with the first. Both need further fine tuning though. The lighthouse painting below it will be built up in painstakingly slow glazes to convey an altogether different mood using a different technique.
The following 5 pictures are the products of my end-of-the-day palate scrapings (as I like to call them). When I’m finished working on the main picture each day, I basically smear together all the colours left on my palate and add a little oil painting medium to produce what Whistler would call his ‘soup’. He would apply this liquid paint in streaks across his canvases to produce many of his nocturne paintings. This painterly ‘soup’ often produces the loveliest of greys which I then use as the ground for future paintings. These sky and beach pictures were done this past week from imagination and I’ve yet to decide how to finish them off.
The above picture is a quick sketch I did this week of beautiful Bennachie. I’ll work it up into a finished painting, but quite like the dreamy quality of it as it is. And below is another of Rattray Head from a different angle and then there’s Catterline, one of my favourite places to paint and to spend time.
So that’s what I’ve been doing this past week or two. Every week I intend to start a whole new batch of pictures and finish at least some from the previous weeks, and continue on in this vein for many years to come. So as long as I can keep my studio (and lungs and head!) free of turpentine fumes, I’ll also try to keep posting regular updates on what I’ve been working on and also where the work will be available to see and buy.
This month I’m showing some of my work alongside 5 of Scotland’s finest and best-loved landscape and architecture specialists in a show at the excellent Fidra Fine Art gallery in Gullane.
Along with the 6 paintings below (all of which have been recently completed and were done especially for this show), I will have a few of my etchings included in what looks to be a really interesting exhibition. The show opens at Fidra Fine Art in Gullane this Saturday 25th Feb.
The other 5 artists taking part are George Birrell, Ann Cowan, Amy Dennis, Ann Oram and Allan J. Robertson. Though we’re all inspired by architecture, each of us has our own very distinct style and employ different creative techniques to create our work.
So if you happen to be in East Lothian between 26th Jan and 24 Feb then go along for a look (closed Mondays). I’ll be at the preview night this Friday (6-8pm), as will some of the other artists showing, so I’ll maybe see you at that.
Here’s a link to a piece in this week’s Dunfermline Press about my show Northern Lights -An Artistic Odyssey of Scotland’s Coast.
Text from article below:
BE captivated by the beauty of Scotland’s breathtaking seascapes and lighthouses at the Fire Station Creative’s latest exhibition.
‘Northern Lights: An Artistic Odyssey of Scotland’, the first solo exhibition by self-taught Dunfermline artist Clive Ramage, 45, launched at the weekend and will run until November 22.
The artworks on display are based on Clive’s year-long travels in his camper van around Scotland documenting the landscape and scenery from Stromness to the Mull of Galloway, after being awarded a grant by Fife Contemporary Arts and Crafts.
The inspiration for the project came from Clive’s childhood experiences growing up in Arbroath.
He said, “I’ve always been drawn to the sea. Each night, like clockwork, the Bell Rock, Isle of May and Fife Ness lights would intermittently flash their beams out across the cold, dark sea and I would watch – mesmerised at my bedroom window.
“Those magical, exotic lights across the sea have continued to tantalise and inspire me and I have always wanted to capture something of that magic and atmosphere in pictorial form.”
The effects of the weather also provided their own inspiration for Clive’s paintings.
“The colours and atmosphere of each location probably became the more important feature of the work,” he explained.
“It wasn’t so much the lights themselves that were intriguing me pictorially, but the wild spaces between them, the surrounding landscapes.”
Clive has previously exhibited in the Royal Scottish Academy, the Royal Glasgow Institute of the Fine Arts and the Royal Scottish Society of Painters in Watercolour.
He is also a member of the Fife Dunfermline Printmakers Workshops and rents a studio in the former fire station.
He added, “Fire Station Creative is such a beautifully renovated space for exhibiting artworks.
“The wonderful Fife coast and the East Neuk in particular have also proved to be a huge inspiration to me, so it will be great to be show some of that work here too.”
Gallery curator Ian Moir said, “We’re really proud to be showing off the talent that comes from our own studios.
“I think this exhibition will be well-received by the public. The subject matter is very accessible and the artworks have been extremely well-executed. It’s going to be a great show.”
Entry is free. The gallery is open from 10am to 5pm Wednesday to Saturday and 11am to 4pm on Sunday.
As well as having the solo paintings show on at Fire Station Creative, Dunfermline, right now, I will also have some of my Edinburgh etchings on show and available for sale at Edinburgh Art Fair this weekend.
Please click the links for more info! I’ll be demonstrating printmaking techniques there tomorrow, so stop by and say hello and have a go yourself if you can make it!
Only 2 weeks to go until my solo exhibition at Fire Station Creative. Here are some words and pictures to help shed some light on what will be hanging on the walls there. The preview will be held between 7.30-10pm on Friday 6th November and the show runs until Sunday 22 November. I hope to see there.
I grew up in Arbroath, so have always been drawn to the sea. Each night, like clockwork, the Bell Rock, the Isle of May and the Fife Ness lights would intermittently flash their beams out across the cold, dark sea miles and I would watch – mesmerised at my bedroom window. I’d follow the fishing boats as they puttered out into the firth from the harbour, eventually becoming little more than red and green dots that slowly edged beyond the moonlit horizon. The twinkling orange lamps of St Andrews and Kingsbarns would beckon to me from far away across the Firth of Tay and illuminate my dreams. Those mysterious, exotic lights across the sea have continued to tantalise and inspire me and I have always wanted to capture something of that magic and atmosphere in pictorial form. So my campervan travels around Scotland’s coast this year have provided me with a wealth of inspiration for new paintings and etchings; I feel I have barely begun to scratch the surface with the work for this exhibition.
I quickly discovered that it wasn’t so much the lights themselves that were interesting me pictorially, but their situations within the surrounding landscape and the wild spaces between them. Lighthouses proved to be a wonderful general theme for the trip and also a great focal point for some of the paintings, but the ‘interesting’ Scottish weather and the colours and atmosphere of each location probably became the more important feature of the work.
I was very fortunate to be awarded a grant by Fife Contemporary Arts and Crafts to help fund my travels, which took me from The Mull of Galloway at the south western tip of Scotland to Stromness in Orkney. I have yet to reach Muckle Flugga, Scotland’s most northernly lighthouse, but I will get there one of these days!
Here’s a map of all the Scottish lighthouses that I found at Ardnamurchan Point. There’s a lot of them! Almost 100 and pretty much all built by the Stevenson family within 100 years from the first (the Bell Rock) which was finished in 1810. I hope to get to as many as possible over the next few months as part of my project, The Lights That Never Go Out, An Artistic Odyssey From Muckle Flugga To The Mull of Galloway.
So after a day spent washing clothes and repacking the campervan after the Easter trip to the west coast, I’m off again to spend the next few days and nights sketching and photographing the lighthouses between Montrose and Fraserburgh. Tonight I’m hoping for a clear and starry sky (ie. no fog horn!) spent at the foot of Rattray Head.