Moray Village (iii) 5×7” Acrylic & ink on wood panel £380
David and the team at Ballater Gallery have been hard at work curating a unique show featuring over 250 ‘small but beautiful’ artworks from around 40 of Scotland’s most renowned artists.
Moray Village (ii)
SMALL IS BEAUTIFUL … and affordable!
With most prices being around the £250-£500 price range, this promises to be a hugely popular and successful show. Small Paintings opens officially on Friday 29 November. However, the catalogue goes live tonight (27th) at 6pm and all paintings can be purchased directly from it then and in advance of the show opening.
Moray Village (iv) 5×7” Acrylic & ink on wood panel £380 – SOLD
Each piece has been painted especially for the show and is “postcard-sized” (or thereabouts!) — and unframed — to help keep prices affordable. So this is a great way to start an art collection, or an opportunity to buy a piece by an artist whose work usually commands far higher prices. And if you’re looking for an extra special Christmas present, or to treat yourself because you do deserve it then … click here!
Moray Village (i) 5×7” Acrylic & ink on wood panel £380
MY CONTRIBUTION
I’ve contributed six newly finished pieces, including some vibrant village scenes of the Moray coast (see above), painted with ink and acrylics on wood panels and finished with a gloss varnish for added depth and shine.
Gale Force (i) 5×5” oil on canvas £350 – SOLD
The other two are part of my Gale Force series of stormy seascapes, featuring crashing waves and lighthouses in rich, impasto oil textures on canvas.
Gale Force (ii) 5×5” oil on canvas £350
Opening Night
David is kicking things off at The Viewing Room in Aberdeen this Friday 29th November from 6-8pm. With so much variety and so many paintings on show, this will be a fascinating exhibition! All are welcome to go along on the night and enjoy a glass of champagne while viewing this fantastic collection of stunning small works.
Just a quick note to say there’s only 2 more days to see my solo show ‘Northern Lights‘ at Graystone Gallery in Stockbridge, Edinburgh.
Edinburgh Nocturne (Aurora)
There’s around 40 works in total, including several new oil paintings, etchings and Watercolours.
I’ve also included 3 different coloured versions of my Glitter Moon series of prints, each framed in non-reflective, museum-quality glass and currently available to buy only at Graystone Gallery.
Glitter Moons – Yellow, Blue and Pink, etching and screenprint – 69x80cm (framed individually)
The etchings have proved to be very popular, with A Hot Summer’s Day, Elie (seen below) having garnered 4 red dots so far. I have to thank Duncan MacMillan for his positive review in The Scotsman, describing my etchings as “certainly impressive”!
If you’d like a little more detail about the show and see a lot more pictures then I’ve written a blog post which can be found here. Or you can go directly to the gallery’s Northern Lights catalogue here.
Opening times are listed below:
Graystone GAllery OPENING TIMES
Mon-Tues: Viewings and private sales by appointment
I was thrilled to get a positive review from Duncan Macmillan in The Scotsman this week after he visited my show on Saturday.
“Meanwhile, the Graystone Gallery in Hamilton Place in Edinburgh is a new venture and is currently showing prints and paintings by Clive Ramage. I have noticed Ramage’s prints several times in group shows and the assembly of them here is certainly impressive.”
As well as being Professor Emeritus of the History of Scottish Art at Edinburgh University, Duncan has also been The Scotsman’s leading art critic for several decades and has written many authoritative books on Scottish art. So it meant a lot to me to hear that he had enjoyed the show and was particularly taken with my etchings.
Super Moon
He has praised my moon etchings in Scotsman reviews in the past and also recently gave a favourable mention to my Dunnottar Castle print, which was shortlisted for the inaugural Scottish Landscape Awards.
I’ll be back at the gallery on Saturday 24 February (2-4pm) for an Artist Talk, where I’ll discuss how I made these paintings and prints and also my inspirations. I’ll be happy to answer any questions you might have if you come along. Please contact gallery owner Lesley at the address below to book your free ticket:
A welcoming window display with my latest oil painting of Muckle Flugga (finishedand framed just hours before the show opened!)
And despite the inclement weather it turned out to be a busy private viewing, with people travelling from as far as Aberdeen, Glasgow and Fife for a first look at my latest work.
Over 40 of My Paintings & Prints on Show
With around 40 original pieces hanging across the gallery, it’s a real showcase of everything I’ve been working towards over the past 15 years.
The show is divided into three areas: oils, mixed media and etchings …
… with the pictures hung according to those groupings and in roughly equal numbers.
Bass Rock, oil on canvas 80x80cm framed
Edinburgh Nocturne, oil on canvas 98x98cm framed
The Bell Rock, oil on canvas 98x98cm framed
All in the name
I chose the title Northern Lights as it aptly reflects the nature and atmosphere of the majority of the work included in the exhibition. There are 12 oil paintings in the show, including the 3 above, which feature either Scottish lighthouses or shimmering twilight views across the Firth of Forth.
Glitter Moons – Yellow, Blue and Pink, etching and screenprint – 69x80cm (framed individually)
I’ve also included 3 original prints from my ‘luminous’ Glitter Moon series (above), as well as numerous colourful watercolours of Edinburgh and the East Neuk of Fife.
Dean Village (Sunset), mixed media – 79x97cm
The Old Town, (Twilight) mixed media – 73x87cm
It’s not all about light and colour, however. In my etchings I focus more on the details, marks and tones that help to give each of the prints something distinctly different from all of my other work. On one wall you’ll find various craggy Scottish mountains and ruined castles, including Ben Nevis and Dunnottar. These are accompanied by atmospheric cityscapes of Edinburgh’s Old Town, Victoria Street and Dean Village …
… while on the opposite wall are more etchings of seascapes, including the old piers at both Culross and Aberdour (both shown below).
I’ll be back at the gallery on 24 February (2-4pm) for an Artist Talk, where I’ll discuss how I made these paintings and prints and also inspirations. I’ll be happy to answer any questions you might have too.
So if you’d like to attend then please get in touch with gallery owner Lesley at: lesley@graystonegallery.com
Northern Lights is on show now at Graystone Gallery in Edinburgh’s gorgeous Stockbridge and continues until 10 March 2024. If you manage to get along to see it then please get in touch and let me know what you think at cliveramage@gmail.com
Some words from Graystone Gallery about the show …
“Look closely at the oil paintings in Northern Lights and you can sense a love of Whistler’s London nocturnes. Clive imbues his oils of lighthouses and the darker seascapes with that same feeling of delicate stillness and calm, building it with layer upon layer of transparent glazes …
The ramshackle buildings and highly detailed compositions and colour schemes of Schiele and Klimt’s landscapes have also had a big influence, which can be seen in the watercolours of coastal villages and Edinburgh in particular …
In each of Clive’s works, there is a tangible sense of yearning, of a desire to create something that is beautiful, yet distant or unattainable. It’s there in those city lights twinkling and beckoning the viewer from far across the Firth of Forth …
But there is also a drama at play in these atmospheric pieces that comes from a deeply felt need to create a perfectly constructed arrangement, or a harmonious symphony, out of the interplay between the land, the sea and the elements. Or, perhaps, the essence of Clive’s work is simply his attempt to try to capture and hold on to some long-sought feeling of calm and serenity.”
This is the final week of my solo show Paintings & Prints From Scotland To The Moon at Inverness Creative Academy.
I’ll be on site from 2-3.30pm this Friday 14th July to give visitors a guided walk around the 40 pictures. I’ll discuss the many techniques I use to create the works as well as the inspirations and ideas behind them. I’ll also be more than happy to answer any questions about my practice and experience of working as a full-time artist.
It’s free entry so just show up at the cafe at 2pm and say hello. I’ll look forward to meeting you then!
Paintings & Prints From Scotland To The Moon is on until Saturday 15th July at 4pm.
Saturday 10th June marks the opening of my first ever solo show in Inverness.
With this body of work I hope to showcase both my varied interests and inspirations as a landscape artist, as well as the many techniques I use and often combine in their creation.
The Bell Rock (Twilight)
In conjunction with Wasps Artist Studios, I will present around 30 pieces in total. These will include dramatic new oil paintings of Neist Point and Isle Ornsay in Skye, alongside several mixed-media cityscapes of Edinburgh and surroundings.
Neist Point, Skye
Isle Ornsay (detail from wip)
Towards Arthur’s Seat, Edinburgh
Fidra Lighthouse
Also on show will be a selection of atmospheric etchings featuring, among other things, several Scottish lighthouses, castles and mountains.
Dunnottar Castle
Victoria Street, Edinburgh
North Face, Ben Nevis
There will also be 3 different coloured versions of my recent series of Glitter Moon limited-edition handmade prints, framed with non-reflective glass and available to buy for only the second time.
Glitter Moons – Yellow, Blue & Red, etching and screenprint, 47x57cm (individual image size)
So, all in all, there will be plenty to see across the two floors my show will occupy.
I will be at Inverness Creative Academy between 12-4pm for the opening on Saturday 10 June, so please come along if you are in the area. It would be great to see you there!
After almost a year of hard work and preparations, last Friday night saw the opening of my solo show at Frames Gallery in Perth. And what a fantastic night it turned out to be, with almost a quarter of the pictures sold within 2 hours!
But I have to admit that I am always a little anxious when it comes to opening nights, and especially when it’s just my work that’s on show.
There’s a lot of pressure to get everything finished, framed and on the walls on time and I feel that heavily on my shoulders for weeks in advance.
A quick spin around the show!
And there’s quite a lot of variety in my work too, so I’m also always wondering how all of those pictures will look when they’re hanging together in one room.
Glitter Moons, watercolours and etchings Etchings and oils with a sea theme in the main
Of course, I’m also hoping there’s going to be a good turnout for the opening, as a great atmosphere always helps to get any show off to the best start.
But in spite of my growing nerves as 6pm approached on the big day, I should really have known that I needn’t have worried! Hugh and his team at the gallery had done a brilliant job of hanging the show and I couldn’t have been happier with how all 45 pictures were presented!
The first picture to sold was one of the largest, Muckle Flugga, oil on canvas
And to add to my great feeling of relief and excitement I was delighted to see that there were already some red dots accompanying pictures before the doors officially opened!
It’s always lovely to chat to the people who have been to my previous shows and have bought my work in the past, and I love to meet those who’ve come along to see it for the first time.
Two more of my lighthouse oil paintings sold on opening night!
It’s really the one chance I get to hear what people think of my newest work and that feedback is always very helpful when it comes to starting new pictures.
All in all it was a lovely night, with lots of interest and by closing time at 8pm 10 pictures were sold, ranging in price from £250 for a framed etching of Victoria Street in Edinburgh to £3450 for my large oil painting of Muckle Flugga.
Glitter Moon – Black & Gold
Glitter Moon – Blue
I want to say a huge !!THANK YOU!! to Hugh, Julie and Jenny at the gallery for making it such a wonderful event and also to Lucy who so beautifully framed many of the pictures there! Massive thanks also to Kevin at Framing Point in Aberdeen for his incredible service and help over the past couple of years! I can’t recommend both highly enough!
And, finally, thank you so much to everyone who came along on the night, with some of you traveling a fair distance to get there! When you buy my pictures, or any artist’s, you really are helping to ensure that we can keep making more and the world would be a much duller place without art!
Here are some photos from the night. If you couldn’t make it along but still want to see the show, then you still have 2 weeks to go. And if you do go, please let me know what you think.
I am delighted to announce that my first solo show with Frames Gallery in Perth opens in less than a week and will run until 25th March! I have been exhibiting regularly with the gallery since the very earliest days of my artistic adventures, and working with Hugh and his team has always been a great pleasure.
I hope this diverse collection of over 40 paintings and original prints will not only demonstrate my development as a painter and printmaker over the past 15 years, but will also be something of a visual feast. However, that’ll be for you to decide!
Come along and enjoy a glass of wine at the private view this Friday 3rd March 6-8pm at Frames Gallery. It would be great to see you there!
Here is just a little taster of what will be on show …
Neist Point, Skye, oil on canvas
Muckle Flugga, oil on canvas
The Bell Rock, photopolymer etching
Glitter Moons – Yellow, Blue & Red, etching and screensprint
The North Face, Ben Nevis, etching and aquatint
The Old Town, Edinburgh (Twilight), mixed media over etching
Towards Arthur’s Seat & South Queensferry, mixed media over etching
It’s that time of year when everyone’s looking for a good deal. So I’ve decided to offer a HUGE 25% Black Friday DISCOUNT on all my giclée prints and etchings for a very limited time only. (Ends Sun 27th Nov at 11.55pm)
Dean Village (Sunset) – 65x50cm (usual price £150 – now £112.50)
So if you’re looking for an extra special and very personal Christmas present for yourself or a loved one then look no further!
The Old Town, Edinburgh – 65x50cm (usual price £150 – now £112.50)
Select anything from my Big Cartel shop using discount code BLACKFRIDAY and you’ll not only get this great saving but you’ll also receive it carefully wrapped and packaged well before Christmas.
Towards Arthur’s Seat, Edinburgh – 45x33cm (usual price £95 – now £71.25)
And that includes one of my very rare and highly saught after Blue Moon etchings! There’s just a couple of these available right now, so you’ll have to be quick off the mark to get one at this price – and with almost £150 off the usual price!
[PLEASE NOTE: my Blue Moon numbered edition has now SOLD OUT! See most recent post for details on how to reserve a a very rare Artist Proof Blue Moon!]
Blue Moon A/P – etching 57x47cm image size (usual price £595 – now £446.25)
Tomorrow marks the start of the Pittenweem Arts Festival (6-13th August) and I’m very happy to be taking part alongside fellow members of Fife Dunfermline Printmakers Workshop. I’m looking forward to seeing all the work we have on show at the preview this evening.
All are welcome to come along tonight for an early viewing between 6.30-9pm at Lesser Church Hall, James St, Pittenweem.
Dunnottar Castle
Above are 2 of the large framed prints I have in the show, St Monans and Dunnottar Castle. Both etchings were produced in July especially for this event.
I’ll also be showing my Blue Moon etching (below). There are only a few left from this very limited edition of 20 numbered prints, so if you want to own one you best hurry to bag yours!
Blue Moon
I have a few other mounted prints available from the venue including the following, all of which are fairly local to the area:
A Hot Summer’s Day, Elie
The Old Wooden Pier, Culross
Edinburgh Castle
The Old Iron Pier, Aberdour
If you can get to Pittenweem during the festival you will find art filling the streets and almost every home above the beautiful harbour and beyond. It’s a fantastic event and well worth the trip for a great day out!
This is the final week of my solo show Paintings & Prints From Scotland To The Moon at Inverness Creative Academy.
