Duncan Macmillan Reviews ‘Northern Lights’ in The Scotsman

I was thrilled to get a positive review from Duncan Macmillan in The Scotsman this week after he visited my show on Saturday.

“Meanwhile, the Graystone Gallery in Hamilton Place in Edinburgh is a new venture and is currently showing prints and paintings by Clive Ramage. I have noticed Ramage’s prints several times in group shows and the assembly of them here is certainly impressive.”

As well as being Professor Emeritus of the History of Scottish Art at Edinburgh University, Duncan has also been The Scotsman’s leading art critic for several decades and has written many authoritative books on Scottish art. So it meant a lot to me to hear that he had enjoyed the show and was particularly taken with my etchings.

Super Moon

He has praised my moon etchings in Scotsman reviews in the past and also recently gave a favourable mention to my Dunnottar Castle print, which was shortlisted for the inaugural Scottish Landscape Awards.

I’ll be back at the gallery on Saturday 24 February (2-4pm) for an Artist Talk, where I’ll discuss how I made these paintings and prints and also my inspirations. I’ll be happy to answer any questions you might have if you come along. Please contact gallery owner Lesley at the address below to book your free ticket:

lesley@graystonegallery.com

Scottish Landscape Awards at the City Art Centre, Edinburgh (4 Nov 2023 – 3 March 2024)

Saturday 4 November saw the opening of the inaugural Scottish Landscape Awards (SLAs) at Edinburgh’s City Art Centre.

And I was delighted to be able to attend the highly anticipated private view of this prestigious new exhibition the evening before, having had my etching of Dunnottar Castle shortlisted for the SLAs back in July.

It was one of only 133 artworks to be shortlisted from almost 3000 entries and, although it didn’t win a prize, I was extremely proud to see it hanging in a fantastic spot in one of the country’s best and most visited public galleries.

Dunnottar Castle, etching and aquatint

It was a wonderful evening of catching up with some old friends in my former Edinburgh stomping ground, as well as meeting a few of my own favourite artists for the first time. It also allowed me to see what’s happening right now at the sharp end of Scottish landscape painting and printmaking.

The variety of work on show at the Scottish Landscape Awards – not to mention the talent and skill employed to create it – ensure that this is a hugely enjoyable exhibition for artists and art lovers alike, showcasing the country’s huge diversity in subject matter and the many different and intriguing techniques used to create the pieces.

My partner Pam who accompanied me on the night

And, of course, its always great to see your work shown alongside your peers and some of this country’s most successful and admired artists.

Barbra Rae announcing the SLA winners (photo by Greg Macvean)

My image of Dunnottar Castle came about as part of a commission I was awarded by Aberdeen Art Galleries & Museums in January 2023. Click here to learn more about and the various printmaking methods I used in its creation. I am also very proud to have an artist’s proof of this print, along with the 3 others I produced for that commission, in Aberdeen Art Galleries & Museums’ permanent art collection.

Describing my working methods to the Friends of Aberdeen Art Galleries & Museums at the city’s Treasure Hub earlier this year on completion of the commission

This has been a particularly busy and hugely rewarding year for me so far: with two successful solo shows under my belt at Frames Gallery in Perth and Inverness Creative Academy; the aforementioned commission from Aberdeen Art Galleries & Museums; and another for luxury Edinburgh-based leather goods brand Strathberry Ltd (of which there will be more to report soon).

At the Scottish Landscape Awards private view with my show catalogue and print of Dunnottar Castle

And having my work included in the inaugural Scottish Landscape Awards exhibition, as well as featured in the gorgeous catalogue that accompanies the show, means that this has also been my most successful year to date.

Meffan Winter Show 2023

But it doesn’t end there for 2023, or for this particular print! I am happy to say that Dunnottar Castle is also featured in the Meffan Art Gallery annual winter show, which opened in Forfar on Friday 10 November.

As for the rest of the year, I will be working hard to produce new paintings and prints for my next solo show, which is at Graystone Gallery in Edinburgh in February. Details to follow, but I am excited to be the first artist to have a solo show at their brand-new gallery premises in Stockbridge.

The Scottish Landscape Awards is on until 3 March 2024 at the City Art Centre, Edinburgh. Click here to buy a gorgeous catalogue featuring every picture in the exhibition.

Dunnottar Castle, in a limited edition of only 40 signed and numbered prints, is currently available to purchase (in a frame) at the City Art Centre, Edinburgh and the Meffan Institute, Forfar. Unframed prints can also be bought directly from my shop by clicking here.

Frames Gallery Solo Show – Invitation to the Private View (3 March 2023 6-8pm)

I am delighted to announce that my first solo show with Frames Gallery in Perth opens in less than a week and will run until 25th March! I have been exhibiting regularly with the gallery since the very earliest days of my artistic adventures, and working with Hugh and his team has always been a great pleasure.

I hope this diverse collection of over 40 paintings and original prints will not only demonstrate my development as a painter and printmaker over the past 15 years, but will also be something of a visual feast. However, that’ll be for you to decide!

Come along and enjoy a glass of wine at the private view this Friday 3rd March 6-8pm at Frames Gallery. It would be great to see you there!

Here is just a little taster of what will be on show …

Neist Point, Skye, oil on canvas

 

Muckle Flugga, oil on canvas

 

The Bell Rock, photopolymer etching

 

Glitter Moons – Yellow, Blue & Red, etching and screensprint

 

The North Face, Ben Nevis, etching and aquatint

 

The Old Town, Edinburgh (Twilight), mixed media over etching

 

Towards Arthur’s Seat & South Queensferry, mixed media over etching

 

Bothy paintings, mixed media on paper

Click here for the whole exhibition and picture details!

Black Friday Sale – 25% Discount off all my prints online!!

It’s that time of year when everyone’s looking for a good deal. So I’ve decided to offer a HUGE 25% Black Friday DISCOUNT on all my giclée prints and etchings for a very limited time only. (Ends Sun 27th Nov at 11.55pm)

Dean Village (Sunset) – 65x50cm (usual price £150 – now £112.50)

So if you’re looking for an extra special and very personal Christmas present for yourself or a loved one then look no further!

The Old Town, Edinburgh – 65x50cm (usual price £150 – now £112.50)

Select anything from my Big Cartel shop using discount code BLACKFRIDAY and you’ll not only get this great saving but you’ll also receive it carefully wrapped and packaged well before Christmas.

Towards Arthur’s Seat, Edinburgh – 45x33cm (usual price £95 – now £71.25)

And that includes one of my very rare and highly saught after Blue Moon etchings! There’s just a couple of these available right now, so you’ll have to be quick off the mark to get one at this price – and with almost £150 off the usual price!

[PLEASE NOTE: my Blue Moon numbered edition has now SOLD OUT! See most recent post for details on how to reserve a a very rare Artist Proof Blue Moon!]

Blue Moon A/P – etching 57x47cm image size (usual price £595 – now £446.25)

These are just a few of the pictures available so click here to see them all and remember to use discount code BLACKFRIDAY

My BLACKFRIDAY discount ends Sunday 27 November at 11.55pm!

Scotsman review: Blue Moon … among highlights of the Pittenweem Arts Festival!

Blue Moon, etching & aquating 57.5 x 47 cm (22.5 x 18.5 inches)

I was over the moon to read a lovely review of my work in Monday’s Scotsman by Susan Mansfield in her review of Pittenweem Arts Festival. Here’s a link to the whole article (which also mentions several of my fellow Dunfermline Print Workshop members) and the relevant part relating to my work in particular is below:

Scotsman review

“The theme of the sea also comes up again and again in the work of Fife Dunfermline Printmakers Workshop in the Lesser Hall in James Street. Also part of the invited programme, this artist-run cooperative brings together a range of artists working in different styles and media. Particular highlights include Clive Ramage’s striking etching of the moon and Catherine King’s large monotype landscape, capturing weather, clouds and water in saturated shades of blue and grey.”

And I am also delighted to report that 3 of my Blue Moon prints sold on the very first day! That means there’s only 2 left to buy from the very limited edition of just 20 numbered prints!

One of 3 Blue Moons sold at Pittenweem on opening day. I wish this framed one had been left there for the whole show! I’ll have another framed for my NEOS event in September though, where I’ll also have some artist’s proofs for sale. Some lovely work also on show here by my Dunfermline printmaking colleagues Catherine King (left), Olga Krasanova (bottom right) and Peter Kirley (top right).

This moon etching really does seem to glow as brightly as the real thing and it makes a beautiful and bold statement on any wall. It comes from an extremely limited numbered edition of 20 and they have consistently sold at the few shows I’ve entered them.

Here’s a video of me pulling a print from the copper plate just last week …

There are now only 2 numbered prints left, plus a few artists proofs (which I’ll be holding on to for my North East Open Studios (NEOS) event 10-19 Sept 2022 – more details to come!).

Me with my moon print at the preview on Friday night

So if you want your very own Blue Moon to gaze at whenever you like then get in touch with me now or follow the link to my shop and bag yours before they’re all gone!

My Dunnottar Castle print at Pittenweem alongside work bt Peter Kirley (left) and Bethany Snaddon (right)

………………………………………….

Original, hand-made etching printed on 310gsm Hanhmuhle etching paper.

Limited to an extremely small edition of only 20 prints.

Image size: 57.5 x 47 cm (22.5 x 18.5 inches)
Paper Size 71 x 53.5 cm / (28 x 22 inches)

Shipping: The print is sold unframed, but lovingly wrapped and rolled in tissue and packaged in a tough cardboard tube for protection. UK p&p is £20 and shipping time is around 2 weeks. International delivery is £25 but allow up to 3 weeks.

arTay 2022 – Part of Perth Festival Of The Arts

Where There Is Light, oil on wood panel – 78cm x 78cm (framed)

After 2 year’s absence from the art show calendar, I really can’t wait for arTay 2022, which opens at 10am in Perth this coming Thursday 19th May and runs until 7.30pm on Sunday 22nd.

Every May, and as if by magic, a large marquee appears next to Perth’s Concert Hall and is filled to the brim with a great assortment of fantastic artworks.

Dubh Artach, oil on wood panel – 75x75cm (framed)

But all the real magic is what’s on show inside the marquee!

With more than 70 artists taking part and a few hundred pictures to hang and label, it’s a challenge to get it all done and looking great in just a few hours. It’s not all hard work though and there’s always a great atmosphere, with Hugh and his team making it all the more fun by providing lots of coffee and cakes to keep us all going until the show is hung. Remarkably – considering the often competative nature of a typical ‘hang’, and with so many artistic egos to be found in one relatively small compass – I have yet to witness a punch up!

Rattray Head, oil on canvas – 57cm x 57cm (framed)

As well as helping to hang the show on Wednesday, I’m also very much looking forward to catching up with lots of artist friends and maybe matching some new faces to familiar pictures and names too.

So these are the four paintings I’ll have in the show. Three fairly large atmospheric lighthouse oils and my latest dreamscape (or ‘longing’) painting of Edinburgh, as seen at night from across the Firth of Forth.

[Contact Hugh at Frames Gallery, Perth for more details, or if you would like to reserve one of these paintings. Tel: 01738 631085]

Edinburgh Nocturne, oil on canvas – 95x95cm (framed)=

If you happen to be in or near Perth then do come along and see a huge variety of great work by some of the country’s best artists. Along with many of the other artists, I’ll be at the ‘arTay Party’ preview on Friday 20th from 6pm.
Hope to see some of you there too!

Frames Gallery

10 Victoria Street, Perth, Scotland, PH2 8LW
01738 631085
info@framesgallery.co.uk

The Beggar’s Mantle Fringed With Gold

A recently finished commission: East Neuk (Waxing Moon and Stars)

Until recently, I’d never heard of “The Beggar’s Mantle Fringed With Gold”. It was King James VI of Scotland who coined that description of Fife’s coast; the ragged shoreline being the frayed cloak from which the begging hand of Fife is held out in hope that the sea will provide sustenance. The gold lining perfectly captures the beautiful fishing villages that fringe the East Neuk, especially when the phosphorescent orange street lamps are aglow and the houses are lit up and cosy on a cold winter’s night.

I came to hear of it one Saturday morning a few weeks ago when my phone pinged to inform me that another painting had sold from my Big Cartel shop. As always, I got in touch with the buyer right away and, after discussing postage and various other details, asked where he’d come across my work.

Back to the beginning

The reply was so very unexpected and it not only made my day but also gave me the biggest confidence boost an artist could wish for.

The answer had its roots way back when I first started exhibiting in 2008. In fact, it was at the first exhibition I ever entered (the annual open at Kirkcaldy Museum and Art Gallery) that Jim had spotted my work. It was an oil painting of a row of typically-colourful cottages all huddled together along the shore, looking almost fearful of the next incoming tide. I’d given it the title Awaiting The Turn of The Tide with that thought in mind.

East Neuk (Starry Night)

A few days after the opening I returned to see the whole show and was thrilled to find my first ever red dot. The painting really seemed to glow and stand out quite nicely in that large space. I walked out with my feet in the air and feeling this idea of being an artist I’d had for a while might just work!

But you never really think about all the other people who might stop and have a look at your efforts in a gallery. So it came as a big surprise to hear that it was way back then that my new buyer informed me he had first seen my work. He had gone in on a mission to find inspiration for a song he was trying to write for a performance he’d soon be giving at that year’s Stanza Poetry Festival in St Andrews. The song had to capture that ‘beggar’s mantle fringed with gold’ feeling. He told me that it was my painting of glowing cottages tumbling down into the sea that had helped him to visualise an idea of what he wanted to capture in words. He went off and wrote the lyrics below for Dances With Angels, performed it at Stanza and that, as they say, was that. 

East Neuk (Crescent Moon)

But now, 12 years later and living in Kent, he told me he’d always remembered that painting (someone else had bought it) and was now in a position to buy one of my East Neuk pictures for himself. In fact, he’d had a hard job choosing between the two I had for sale on my website and a couple of days later he ended up buying the other one as well. (The two paintings directly above.)

That he’d remembered my work all that time was incredibly uplifting for me. But that it had also helped him to write his lovely song was just wonderful to discover all these years later.

And so One thing leads to another

Jim has since gifted me a cd of his work, much of which has been covered by internationally renowned folk singer June Tabor. It’s a wonderful, highly evocative album and I’d recommend it to anyone who loves great music and the romance of the sea – and the East Neuk of Fife in particular. It’s called Diamonds In The Night by Andy Shanks and Jim Russell and is available to download at Amazon or from Greentrax Records. Dances With Angels isn’t on this album, but here’s a link to a Youtube video of Andy and Jim performing it live in Orkney back in 2000.

I think it’s great when work made in one art form inspires and informs that made in another. And to have had a wee part in that myself is a lovely thing! 

I’ll be listening to Diamonds in The Night a lot this winter while I work, and I’m sure it will in turn inspire many more pictures that are still to be conjured up and painted into existence.

Dances With Angels, words by Jim Russell

The whole town is tumbling down to the sea,

Footsteps we left in the sand

Are gone when the moon pulls up the tide

Changing the paths we had planned.

Where is my comfort? There’s no angels here,

Unless they’re all hiding their wings,

Or dancing in small towns with strangers like me,

Hoping tomorrow brings.

Dances with angels

Dances with angels

They say angels dance by the steeple clock moon

With lighthouses flashing like stars,

Casting shadows and shapes and turning in time

To the staggering songs from the bars.

Now we travel with care and the tracks of our lives

Are a cage, but if you break free,

Go tumbling and turning then soaring like gulls,

Crow stepping down to the sea!

But where is my comfort? There’s no angels here,

Unless their all hiding their wings,

Or dancing in small towns with strangers like me,

Hoping tomorrow brings.

Dances with Angels

Dances with Angels

The streets are all dancing

The children are dancing

The songs from the bars spin around with the stars.

The ghosts are all dancing

The ministers dancing

The waves are all dancing

Tonight the whole town is dancing.

Pictures From My Solo Show

I wanted to share some photos from my recent solo show in Edinburgh for those who weren’t able to see it in person. There were 45 pieces hanging in total and it was the biggest collection on my work to be shown in one place to date. 

Three Studies of The Bass Rock

A wall of East Neuk paintings

It was hugely beneficial for me in a creative sense to hang the show myself (well, with a lot of help from my friend Celie) as it gave me the opportunity to put the pieces together into groups that worked as mini collections on each wall.  Every picture being part of a wider context. It took 2 solid days to hang the exhibition and I was glad to see that my combined output over the past 2 years or so also worked as a whole. This is something I have often wondered about (and I’m sure that’s the case for many other artists who work across a variety of media in relative isolation as I do). But the visitor feedback was also very positive in this sense, which helped to make the whole experience an absolute pleasure for me.

Three versions of the full Moon

Of course, selling several pieces and meeting lots of lovely people and hearing their thoughts was also wonderful. As a result, I’m really looking forward to putting together my next solo show in the coming year.

A wall of landscape oil paintings

In the meantime, I have lots more work out there in 6 different galleries this Christmas. A full list and links to those current exhibitions can be found here

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Royal Scottish Academy Open 2017 etc

Dean Village, Edinburgh (Sunset)

I’m delighted that my latest Dean Village hand-painted etching (Sunset) has been accepted to be exhibited at the Royal Scottish Academy Annual Open 2017.  It’s the 4th in a series of 10, each of which depicts the scene at a different time of day or season.

I’m especially pleased that this painting was accepted as I think it it’s the best piece of work I have done to date. It’s certainly the one I’m most satisfied with, insofar as it’s the closest I’ve gotten to achieving what I had in mind when I began the series last year. I’m also really pleased to have work in this particular RSA Open as it’s on during the Edinburgh Festival, so it’s going to be very busy.

I won’t make it to the opening of the exhibition unfortunately, but I’ll look forward to seeing the exhibition when I return from my summer holiday. I’m off to Belgium and Holland to get up close and personal with all my favourite paintings by artists like Bosch, Brueghel, Avercamp, Rembrandt and Vermeer. I’m especially looking forward to going back to the Rijksmuseum which was mostly closed for refurbishment the last time I visited, so I only saw a fraction of the artworks they normally have on show. 

I’m currently reading the weighty Van Gogh, The Life tome and so this is also going to be a bit of an artistic pilgrimage to the places where he lived, worked and painted in those 2 countries. I’m hoping to come back brimming with ideas and inspiration and, despite the huge amount of anticipation I have for going on this trip, I’m already looking forward to getting back to work when I return.

I’ll try and post a few pictures from my trip here and on my Instagram page, so watch this space.

Pittenweem Arts Festival

On another note, I just delivered a batch of etchings and paintings to The Coach House Gallery in Pittenweem, which will be on show there during the Pittenweem Art Festival.  So drop in for a look if you’re planning a visit (which runs between 5-12th August). And if you haven’t been to Pittenweem or the festival before then it’s well worth the trip. The village is stunning and the interiors of some of the houses perched on the hill above the harbour are well worth a visit in their own right. There’s over 100 artists showing, as well as music and other events so there’s plenty to see and do.

Happy Holidays!!

Exhibitions and Other News

Museum on The Mound, 65x25cm, mixed media over line etching

Here’s a quick update on a few things that have happened recently and will be happening over the next few weeks.

Grand Art

Grand Art Exhibition opens tomorrow at Strathearn Gallery, Crieff

I have a few pieces in this show at the lovely Strathearn Gallery including these 2 above and below. It’s on until 21st May, so do drop in tomorrow for the opening or before the show closes in a month.

Tobermory, 65x25cm, mixed media over line etching

Quay Gallery

I also have new work on show at The Quay Gallery, Aberdour, including this large oil of The Bass Rock (a favourite subject!).

The Bass Rock (Sunset) 80x80cm, oil on canvas
The Bass Rock (Sunset) 80x80cm, oil on canvas

Studio Move

The other news is that I have left Fire Station Creative and will no longer be taking part in exhibitions or open studios at there. I will, however, be opening my new studio doors (in Edinburgh) to the public at some point in the future, so keep an eye out for news on that front.

And Finally …

Many thanks to those who visited the recent show at Gallery at Fifty Five in Stonehaven. The feedback was fantastic and I look forward to exhibiting there again in 2018.

Until then, I’ll be working on new pieces including more versions of the 2 hand-painted etchings above and those I’ve done of Edinburgh and the East Neuk, along with more oils based on my recent travels to Yorkshire, Cornwall and Northumberland. There will no doubt be a few more lighthouse paintings and new etchings in the pipeline too.

There’s more to report as far as exhibitions coming up are concerned and an exciting piece of news (for me at east!) about my work featuring in a new glossy magazine … but I’ll leave that for next time.

You can always find more updates and pictures of my latest works in progress etc by following me on:

Instagram: https://www.instagram.com/cliveramageartist/?hl=en

Facebook: https://m.facebook.com/clive.ramageart.9?ref=bookmarks

 

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