New Work – Clive Ramage Art

Frames Gallery Solo Show – Invitation to the Private View (3 March 2023 6-8pm)

I am delighted to announce that my first solo show with Frames Gallery in Perth opens in less than a week and will run until 25th March! I have been exhibiting regularly with the gallery since the very earliest days of my artistic adventures, and working with Hugh and his team has always been a great pleasure.

I hope this diverse collection of over 40 paintings and original prints will not only demonstrate my development as a painter and printmaker over the past 15 years, but will also be something of a visual feast. However, that’ll be for you to decide!

Come along and enjoy a glass of wine at the private view this Friday 3rd March 6-8pm at Frames Gallery. It would be great to see you there!

Here is just a little taster of what will be on show …

Glitter Moons – Yellow, Blue & Red, etching and screensprint

The North Face, Ben Nevis, etching and aquatint

The Old Town, Edinburgh (Twilight), mixed media over etching

Towards Arthur’s Seat & South Queensferry, mixed media over etching

Click here for the whole exhibition and picture details!

Blue Moon SOLD OUT!

My Blue Moon numbered edition has now SOLD OUT!!

I will have a few artist proofs available to buy soon and they can be reserved by contacting me directly. Click here to reserve yours now!

However, the first and original Super Moon is still available to buy here!

And, if you’re quick, you still have time to grab one before Christmas!
Better still, you can get 25% off the usual price using discount code BLACKFRIDAY

… but only until tomorrow at 11.55pm!

And there’s 25% OFF all my other prints too!

Click here for a bargain!

Black Friday Sale – 25% Discount off all my prints online!!

It’s that time of year when everyone’s looking for a good deal. So I’ve decided to offer a HUGE 25% Black Friday DISCOUNT on all my giclée prints and etchings for a very limited time only. (Ends Sun 27th Nov at 11.55pm)

Dean Village (Sunset) – 65x50cm (usual price £150 – now £112.50)

So if you’re looking for an extra special and very personal Christmas present for yourself or a loved one then look no further!

The Old Town, Edinburgh – 65x50cm (usual price £150 – now £112.50)

Select anything from my Big Cartel shop using discount code BLACKFRIDAY and you’ll not only get this great saving but you’ll also receive it carefully wrapped and packaged well before Christmas.

Towards Arthur’s Seat, Edinburgh – 45x33cm (usual price £95 – now £71.25)

And that includes one of my very rare and highly saught after Blue Moon etchings! There’s just a couple of these available right now, so you’ll have to be quick off the mark to get one at this price – and with almost £150 off the usual price!

[PLEASE NOTE: my Blue Moon numbered edition has now SOLD OUT! See most recent post for details on how to reserve a a very rare Artist Proof Blue Moon!]

Blue Moon A/P – etching 57x47cm image size (usual price £595 – now £446.25)

These are just a few of the pictures available so click here to see them all and remember to use discount code BLACKFRIDAY

My BLACKFRIDAY discount ends Sunday 27 November at 11.55pm!

Spectacular Winter Show with Graystone Gallery at ‘The Art Hotel’, 24 Royal Terrace, Edinburgh

I am very excited to be showing several of my oil paintings and handmade prints with Edinburgh’s newest purveyor of fine art, Graystone Gallery. Owner Lesley has found a truly inspired space for her inaugural show in what has to be the most exquisite and stylish boutique hotel I’ve ever seen!

And you are invited to the Private View at 24 Royal Terrace this coming Thursday (details below).

On any given day, the walls of 24 Royal Terrace, aka The Art Hotel, are full of colour and when I dropped off my own works for this winter show last Friday I was astonished (in a very good way!) to see such a huge variety of great art in one incredible setting. The pictures above give only a tiny taste of what it’s really like in there!

Glitter Moon – Blue
Etching and screen print
58 x 48cm (image size)

The hotel owner, who has personally collected art from around the world and curated each and every room herself, not only has excellent taste but has created a highly unique setting in which you can indulge yourself over a cocktail or a fine whisky while taking in some fabulous contemporary art.

The Bass Rock (Nocturne)
Oil on wood panel
74 x 74cm framed

Alongside some pretty huge and important works by the likes of John Bellany and Alan Davie, there’s a highly ecclectic mix of landscapes, figurative and abstract pieces that should pique the interest of any art enthusiast. I could easily have spent a day in there myself!

Dubh Artach
Oil on wood panel
74 x 74cm framed

For this first Graystone Gallery pop-up show a number of the walls have been rehung with works by around 20 contemporary artists from Scotland and beyond, including 9 by yours truly.

Where There Is Light
Oil on wood panel
78cm x 78cm framed

So if you love art and happen to be in Edinburgh this coming Thursday evening then you need to get along to the private view (details below)!

Rattray Head (Cirrus Clouds)
Oil on canvas
79 x79cm framed

If you can’t make that then the show will run until 2 Jan 2023. And, as you can see below, Lesley has also organised a number of events to run alongside this show, including an Artist’s Night, at which I and a couple of others will discuss our techniques and inspirations.

It all promises to be a very special feast for the eyes and one not to be missed this festive period!

New Work with Ballater Gallery at Aberdeen Art Fair 2022

I am delighted to be showing two recently finished large oil paintings for the first time with Ballater Gallery at this weekend’s Aberdeen Art Fair (details below)

Dunnottar Castle

Dunnottar Castle is quite possibly THE perfect landscape painter’s subject. Sitting atop a magestic outcrop of rusty red sandstone, surrounded by constantly changing seas and skies, it’s sheer immensity and magnificence are breathtaking – the scene simply demands to be painted!

My favourite place to paint!

The above painting is the view from the little bridge that spans the deep gully and leads to the cliffs on the western side of the castle. Those cliffs have also been a favourite haunt of mine over the past few months and are a great spot to paint en plein air (below).

Me painting en plein air at Dunnottar Castle

After spending several months working on this particular painting – and trying do the scene the justice it deserves – it will be great to see it hanging at the Aberdeen Art Fair (AAF) from this Friday.

Preview 6–9pm at Aberdeen Music Hall

Muckle Flugga – the UK’s northernmost lighthouse

Muckle Flugga – oil on canvas – 80x80cm (unframed size)

Also on show at Aberdeen Art Fair with Ballater Gallery will be this newly finished oil painting of the mighty Muckle Flugga!

Muckle Flugga (Old Norse Mikla Flugey, meaning “large steep-sided island”) is the northernmost point of the British Isles and, in my own humble opinion, has to be one of the most dramatic lighthouse locations on Earth.

I hope to have captured something of the rugged nature of the rock itself, but also of the precariousness of that lonely lighthouse perched upon it. The perpetual crashing of great ocean waves has done little to change this scene since the lighthouse was built in 1854. But nothing lasts for ever – apart from oil paintings hopefully!

Maybe see you at the preview!

Details for Aberdeen Art Fair

Preview Evening: Friday 2^nd September 6pm – 9pm
Opening times: 10 – 5pm Saturday 3^rd & Sunday 4^thSeptember

Find Ballater Gallery on Stand 12.

Free entry for all for both the preview evening and Saturday/Sunday

Scotsman review: Blue Moon … among highlights of the Pittenweem Arts Festival!

Blue Moon, etching & aquating 57.5 x 47 cm (22.5 x 18.5 inches)

I was over the moon to read a lovely review of my work in Monday’s Scotsman by Susan Mansfield in her review of Pittenweem Arts Festival. Here’s a link to the whole article (which also mentions several of my fellow Dunfermline Print Workshop members) and the relevant part relating to my work in particular is below:

“The theme of the sea also comes up again and again in the work of Fife Dunfermline Printmakers Workshop in the Lesser Hall in James Street. Also part of the invited programme, this artist-run cooperative brings together a range of artists working in different styles and media. Particular highlights include Clive Ramage’s striking etching of the moon and Catherine King’s large monotype landscape, capturing weather, clouds and water in saturated shades of blue and grey.”

And I am also delighted to report that 3 of my Blue Moon prints sold on the very first day! That means there’s only 2 left to buy from the very limited edition of just 20 numbered prints!

One of 3 Blue Moons sold at Pittenweem on opening day. I wish this framed one had been left there for the whole show! I’ll have another framed for my NEOS event in September though, where I’ll also have some artist’s proofs for sale. Some lovely work also on show here by my Dunfermline printmaking colleagues Catherine King (left), Olga Krasanova (bottom right) and Peter Kirley (top right).

This moon etching really does seem to glow as brightly as the real thing and it makes a beautiful and bold statement on any wall. It comes from an extremely limited numbered edition of 20 and they have consistently sold at the few shows I’ve entered them.

Here’s a video of me pulling a print from the copper plate just last week …

There are now only 2 numbered prints left, plus a few artists proofs (which I’ll be holding on to for my North East Open Studios (NEOS) event 10-19 Sept 2022 – more details to come!).

Me with my moon print at the preview on Friday night

So if you want your very own Blue Moon to gaze at whenever you like then get in touch with me now or follow the link to my shop and bag yours before they’re all gone!

My Dunnottar Castle print at Pittenweem alongside work bt Peter Kirley (left) and Bethany Snaddon (right)

………………………………………….

Original, hand-made etching printed on 310gsm Hanhmuhle etching paper.

Limited to an extremely small edition of only 20 prints.

Image size: 57.5 x 47 cm (22.5 x 18.5 inches)
Paper Size 71 x 53.5 cm / (28 x 22 inches)

Shipping: The print is sold unframed, but lovingly wrapped and rolled in tissue and packaged in a tough cardboard tube for protection. UK p&p is £20 and shipping time is around 2 weeks. International delivery is £25 but allow up to 3 weeks.

Pittenweem Arts Festival

Tomorrow marks the start of the Pittenweem Arts Festival (6-13th August) and I’m very happy to be taking part alongside fellow members of Fife Dunfermline Printmakers Workshop. I’m looking forward to seeing all the work we have on show at the preview this evening.

All are welcome to come along tonight for an early viewing between 6.30-9pm at Lesser Church Hall, James St, Pittenweem.

Above are 2 of the large framed prints I have in the show, St Monans and Dunnottar Castle. Both etchings were produced in July especially for this event.

I’ll also be showing my Blue Moon etching (below). There are only a few left from this very limited edition of 20 numbered prints, so if you want to own one you best hurry to bag yours!

I have a few other mounted prints available from the venue including the following, all of which are fairly local to the area:

If you can get to Pittenweem during the festival you will find art filling the streets and almost every home above the beautiful harbour and beyond. It’s a fantastic event and well worth the trip for a great day out!

More details about the festival and invited guest artists can be found here!

arTay 2022 – Part of Perth Festival Of The Arts

After 2 year’s absence from the art show calendar, I really can’t wait for arTay 2022, which opens at 10am in Perth this coming Thursday 19th May and runs until 7.30pm on Sunday 22nd.

Every May, and as if by magic, a large marquee appears next to Perth’s Concert Hall and is filled to the brim with a great assortment of fantastic artworks.

Dubh Artach, oil on wood panel – 75x75cm (framed)

But all the real magic is what’s on show inside the marquee!

With more than 70 artists taking part and a few hundred pictures to hang and label, it’s a challenge to get it all done and looking great in just a few hours. It’s not all hard work though and there’s always a great atmosphere, with Hugh and his team making it all the more fun by providing lots of coffee and cakes to keep us all going until the show is hung. Remarkably – considering the often competative nature of a typical ‘hang’, and with so many artistic egos to be found in one relatively small compass – I have yet to witness a punch up!

*Rattray Head*, oil on canvas – 57cm x 57cm (framed)

As well as helping to hang the show on Wednesday, I’m also very much looking forward to catching up with lots of artist friends and maybe matching some new faces to familiar pictures and names too.

So these are the four paintings I’ll have in the show. Three fairly large atmospheric lighthouse oils and my latest dreamscape (or ‘longing’) painting of Edinburgh, as seen at night from across the Firth of Forth.

[Contact Hugh at Frames Gallery, Perth for more details, or if you would like to reserve one of these paintings. Tel: 01738 631085]

Edinburgh Nocturne, oil on canvas – 95x95cm (framed)=

If you happen to be in or near Perth then do come along and see a huge variety of great work by some of the country’s best artists. Along with many of the other artists, I’ll be at the ‘arTay Party’ preview on Friday 20th from 6pm.
Hope to see some of you there too!

Frames Gallery

10 Victoria Street, Perth, Scotland, PH2 8LW
01738 631085
info@framesgallery.co.uk

Rutland Square, Edinburgh – A Commission

Commissions are not something I’ve done a lot of in the past. It’s not that I haven’t been asked, but more that I’ve felt the burden of meeting a client’s expectations a little overwhelming. I think I really just convinced myself over the years that I prefer to do my own thing, which really translates as wishing to remain steadfastly in my comfort zone of doing what I like for myself because … well, there’s no good reason at all!

So when I was asked if I’d be interested in producing a painting of a rather nice block of flats in Edinburgh’s Rutland Square I deliberated for a moment, before deciding it was time to bite the bullet and take up the challenge.

Stage 1.

Initial pencil drawing on Saunders Waterford 425 gsm rough watercolour paper.

It’s always great to hear how new clients come to find my work and it transpired that this time it came down to a good old Google search for “Edinburgh art”. Quite a few of my paintings came up and that was enough to persuade the client to get in touch.

Stage 2.

I then drew over the main pencil lines in permanent ink.

Of course, I do like to draw and paint subjects that interest me and, happily, I liked the building in question and was delighted to have been asked. It’s a lovely compliment, after all, to be commissioned to provide a present for a very special person who will hopefully be able to cherish it for years to come! And it goes without saying that the payment is always most welcome too!

So here are the rest of the stages towards completion …

Stage 3.

Initial watercolour washes. The paper was still wet when I took this photo, hence the slightly wobbly look. 425 gsm paper is very thick and doesn’t really need to be stretched. It will ruckle up a little bit with the application of water, but then dry perfectly flat again.

Stage 4.

More washes added to the building and the window panes blocked in. It’s starting to take shape.

Stage 5

Feeling quite happy with the results so far, but knowing there’s still a lot of work to be done on the details front. I’m not sure why there’s a large puddle of bright orange in my palette as it’s not a colour I used in this picture.

Stage 6.

The finished piece. I have to admit that I really enjoyed working on this over the past few days and, having overcome my reluctance to take on commissions, I very much look forward to doing more of them.

If you like what you see here and wish to commission something personal for yourself (or someone very special) then please feel free to get in touch and we can hopefully make it happen!

New Work at Ballater Gallery

These three paintings went off to the wonderful Ballater Gallery this weekend. Between them I think they give a fair representation of the kind of work I’ve been doing lately.

Bennachie, oil on canvas (24×12” unframed) – buzzard or seagull?

Bennachie is possibly Aberdeenshire’s most prominent and, among the locals, favourite hill. It’s a fairly easy walk through a seemingly enchanted woodland, before steepening significantly towards the top. With it’s very distinctive torr (known as Mither Tap) it’s a hill that can be easily spotted from just about every other hilltop in the Grampians.

I’ve never seen such an abundance and variety of mushrooms and toadstools as I found under its lower slopes last autumn, and I can’t wait to get back up there on a hot summer’s day. It’s a magical place and I hope to have captured a little of that in this newly finished oil painting of the view as seen from across fields ripe and ready for harvest near Inverurie.

Bell Rock (Nocturne) oil on wood panel (24×24” unframed) – Arbroath’s flickering lights far right – SOLD 🔴

The Bell Rock lighthouse is one of my favourite subjects for so many reasons. I grew up in Arbroath, from where Robert Stevenson and his team planned then carved the dovetailed stones to build this 36m high wonder of the industrial world. They then shipped them 11 miles across often very dangerous seas to the reef and, when complete, it became the very first rock-based lighthouse in the world. It took the full 3 years between 1807-10 to build and that was no mean feat, considering the base is fully submerged every high tide and also for much of the remainder of each day.

While this very spot has set the stage for many a tragedy (including scores of shipwrecks and even a helicopter crash in 1955; the rotars hit the anaeometer on top of the tower) I have tried to capture it at a more serene, benevolent moment. The brilliant beam flashes out across 18 nautical miles every 5 seconds to warn passing ships of the very real dangers that lie just a few inches beneath those calm, dark waters.

Dean Village (Twilight), mixed media over etching (26×20” unframed) – over 500 individual window panes, I’ve counted!

Dean Village in Edinburgh is another favourite place of mine, as I’m sure it must be for many. It’s a view that will be very familiar to anyone walking or driving across the Dean Bridge as they enter the city centre from the north. Looking over the bridge at the myriad jumble of buildings your eyes are met with seemingly countless windows. I like to imagine the lives of all those others who might be gazing dreamily back out from each and every one of them.

I’ve painted this scene several times, each version capturing the same place, but at a different time of day and giving the same composition a completely different feel or atmosphere.