So if you’re looking for an extra special and very personal Christmas present for yourself or a loved one then look no further!
Select anything from my Big Cartel shop using discount code BLACKFRIDAY and you’ll not only get this great saving but you’ll also receive it carefully wrapped and packaged well before Christmas.
And that includes one of my very rare and highly saught after Blue Moon etchings! There’s just a couple of these available right now, so you’ll have to be quick off the mark to get one at this price – and with almost £150 off the usual price!
[PLEASE NOTE: my Blue Moon numbered edition has now SOLD OUT! See most recent post for details on how to reserve a a very rare Artist Proof Blue Moon!]
I am very excited to be showing several of my oil paintings and handmade prints with Edinburgh’s newest purveyor of fine art, Graystone Gallery. Owner Lesley has found a truly inspired space for her inaugural show in what has to be the most exquisite and stylish boutique hotel I’ve ever seen!
And you are invited to the Private View at 24 Royal Terrace this coming Thursday (details below).
On any given day, the walls of 24 Royal Terrace, aka The Art Hotel, are full of colour and when I dropped off my own works for this winter show last Friday I was astonished (in a very good way!) to see such a huge variety of great art in one incredible setting. The pictures above give only a tiny taste of what it’s really like in there!
The hotel owner, who has personally collected art from around the world and curated each and every room herself, not only has excellent taste but has created a highly unique setting in which you can indulge yourself over a cocktail or a fine whisky while taking in some fabulous contemporary art.
Alongside some pretty huge and important works by the likes of John Bellany and Alan Davie, there’s a highly ecclectic mix of landscapes, figurative and abstract pieces that should pique the interest of any art enthusiast. I could easily have spent a day in there myself!
For this first Graystone Gallery pop-up show a number of the walls have been rehung with works by around 20 contemporary artists from Scotland and beyond, including 9 by yours truly.
So if you love art and happen to be in Edinburgh this coming Thursday evening then you need to get along to the private view (details below)!
If you can’t make that then the show will run until 2 Jan 2023. And, as you can see below, Lesley has also organised a number of events to run alongside this show, including an Artist’s Night, at which I and a couple of others will discuss our techniques and inspirations.
It all promises to be a very special feast for the eyes and one not to be missed this festive period!
Dunnottar Castle is quite possibly THE perfect landscape painter’s subject. Sitting atop a magestic outcrop of rusty red sandstone, surrounded by constantly changing seas and skies, it’s sheer immensity and magnificence are breathtaking – the scene simply demands to be painted!
My favourite place to paint!
The above painting is the view from the little bridge that spans the deep gully and leads to the cliffs on the western side of the castle. Those cliffs have also been a favourite haunt of mine over the past few months and are a great spot to paint en plein air (below).
After spending several months working on this particular painting – and trying do the scene the justice it deserves – it will be great to see it hanging at the Aberdeen Art Fair (AAF) from this Friday.
Muckle Flugga (Old Norse Mikla Flugey, meaning “large steep-sided island”) is the northernmost point of the British Isles and, in my own humble opinion, has to be one of the most dramatic lighthouse locations on Earth.
I hope to have captured something of the rugged nature of the rock itself, but also of the precariousness of that lonely lighthouse perched upon it. The perpetual crashing of great ocean waves has done little to change this scene since the lighthouse was built in 1854. But nothing lasts for ever – apart from oil paintings hopefully!
All are welcome to come along tonight for an early viewing between 6.30-9pm at Lesser Church Hall, James St, Pittenweem.
Above are 2 of the large framed prints I have in the show, St Monans and Dunnottar Castle. Both etchings were produced in July especially for this event.
I’ll also be showing my Blue Moon etching (below). There are only a few left from this very limited edition of 20 numbered prints, so if you want to own one you best hurry to bag yours!
I have a few other mounted prints available from the venue including the following, all of which are fairly local to the area:
If you can get to Pittenweem during the festival you will find art filling the streets and almost every home above the beautiful harbour and beyond. It’s a fantastic event and well worth the trip for a great day out!
After 2 year’s absence from the art show calendar, I really can’t wait for arTay 2022, which opens at 10am in Perth this coming Thursday 19th May and runs until 7.30pm on Sunday 22nd.
Every May, and as if by magic, a large marquee appears next to Perth’s Concert Hall and is filled to the brim with a great assortment of fantastic artworks.
But all the real magic is what’s on show inside the marquee!
With more than 70 artists taking part and a few hundred pictures to hang and label, it’s a challenge to get it all done and looking great in just a few hours. It’s not all hard work though and there’s always a great atmosphere, with Hugh and his team making it all the more fun by providing lots of coffee and cakes to keep us all going until the show is hung. Remarkably – considering the often competative nature of a typical ‘hang’, and with so many artistic egos to be found in one relatively small compass – I have yet to witness a punch up!
As well as helping to hang the show on Wednesday, I’m also very much looking forward to catching up with lots of artist friends and maybe matching some new faces to familiar pictures and names too.
So these are the four paintings I’ll have in the show. Three fairly large atmospheric lighthouse oils and my latest dreamscape (or ‘longing’) painting of Edinburgh, as seen at night from across the Firth of Forth.
[Contact Hugh at Frames Gallery, Perth for more details, or if you would like to reserve one of these paintings. Tel: 01738 631085]
If you happen to be in or near Perth then do come along and see a huge variety of great work by some of the country’s best artists. Along with many of the other artists, I’ll be at the ‘arTay Party’ preview on Friday 20th from 6pm.
Hope to see some of you there too!
I’m delighted to have one of my pieces used as the cover art for a fantastic new album by Scottish musician Tom Baird.
Tom got in touch with me last November, having spotted some of my work in a Facebook post by Braemar Gallery. At that point he was just finishing off the recordings and was looking for something different for the cover that would help illustrate the overall feel of his collection of new songs.
He particularly liked my Little Cottage series and East Neuk pictures and thought one of them would make a good cover. The album’s working title at this point was This Old Town, the name of one of the tunes, and he initially considered the East Neuk (Shooting Star) picture below for that.
But in the end it became House Music (Tom has a home recording studio and did all the work on the album there) and so it seemed a perfect fit to have one of my Little Cottage pictures to illustrate that. He felt Autumn Bothy By The Sea stood out because the yellow roof against the blue sky was particularly striking and, I have to say, I’m delighted with the final result!
The album has 12 great songs, all brilliantly written, performed and produced by Tom. It won’t be out until 10th June, but he kindly gave me a few copies and I’ve had it on repeat since getting it. I’ve been very impressed by the diversity and quality of all the album tracks, but my current favourite is the new single Peace Pipe. It’s short and snappy and a real belter of a tune, with a few surprising twists and turns in the music and also the philosophical (with a large dose of irony!) lyrics too. Several of Tom’s songs have been played regularly by Steve Lamacq on BBC 6 Music and on Radio Scotland and you can hear Peace Pipe and lots of his other excellent releases right now on Spotify.
I always fancied doing a book or an album cover so what an absolute privilege to have one of my pictures on the front of this great album by a very talanted songwriter!
Find out more about Tom and have a listen to his great music yourself by clicking the links below:
These three paintings went off to the wonderful Ballater Gallery this weekend. Between them I think they give a fair representation of the kind of work I’ve been doing lately.
Bennachie is possibly Aberdeenshire’s most prominent and, among the locals, favourite hill. It’s a fairly easy walk through a seemingly enchanted woodland, before steepening significantly towards the top. With it’s very distinctive torr (known as Mither Tap) it’s a hill that can be easily spotted from just about every other hilltop in the Grampians.
I’ve never seen such an abundance and variety of mushrooms and toadstools as I found under its lower slopes last autumn, and I can’t wait to get back up there on a hot summer’s day. It’s a magical place and I hope to have captured a little of that in this newly finished oil painting of the view as seen from across fields ripe and ready for harvest near Inverurie.
The Bell Rock lighthouse is one of my favourite subjects for so many reasons. I grew up in Arbroath, from where Robert Stevenson and his team planned then carved the dovetailed stones to build this 36m high wonder of the industrial world. They then shipped them 11 miles across often very dangerous seas to the reef and, when complete, it became the very first rock-based lighthouse in the world. It took the full 3 years between 1807-10 to build and that was no mean feat, considering the base is fully submerged every high tide and also for much of the remainder of each day.
While this very spot has set the stage for many a tragedy (including scores of shipwrecks and even a helicopter crash in 1955; the rotars hit the anaeometer on top of the tower) I have tried to capture it at a more serene, benevolent moment. The brilliant beam flashes out across 18 nautical miles every 5 seconds to warn passing ships of the very real dangers that lie just a few inches beneath those calm, dark waters.
Dean Village in Edinburgh is another favourite place of mine, as I’m sure it must be for many. It’s a view that will be very familiar to anyone walking or driving across the Dean Bridge as they enter the city centre from the north. Looking over the bridge at the myriad jumble of buildings your eyes are met with seemingly countless windows. I like to imagine the lives of all those others who might be gazing dreamily back out from each and every one of them.
I’ve painted this scene several times, each version capturing the same place, but at a different time of day and giving the same composition a completely different feel or atmosphere.
I currently have several of my etchings in a fantastic new printmaking show at Frames Gallery in Perth.
I was very happy to see some red dots below some of my pieces at the private view, including the ones below, and also to be showing alongside some of my favourite Scottish printmakers.
It really is an excellent and varied exhibition, showcasing some of the best in contemporary printmaking techinques and styles and I’m delighted to be taking part. Click here to see the works on show and do drop by if you are in Perth.
As these are editioned prints there are several of each still available, so get in touch with Frames Gallery if you are interested in anything you see here (or there!).
Here are a few more of the framed etchings I have on show at the gallery, and click here if you’d like to see the whole show online.