A Commission from the Commissioners
Back in early 2024, I slipped a simple flyer through the doors of the Northern Lighthouse Board’s Edinburgh headquarters, affectionately known as 84 George Street by those who work there. It was an invitation to a talk for my upcoming solo exhibition, Northern Lights — a collection celebrating the beauty, history, and resilience of Scotland’s lighthouses.
I had no idea that this small act would lead to one of the most meaningful commissions of my career.
A few weeks later, CEO Mike Bullock and Heritage Trust chair Alastair Beveridge attended my gallery talk. During the event, I shared the story of an earlier architectural commission for Strathberry Ltd. When I unrolled a full-size print of that painting, it caught their eye. Alastair even bought the print on the spot!
Not long after, they invited me to discuss creating a bespoke painting of their George Street headquarters — a building steeped in history and purpose.
Stepping Inside 84 George Street
Walking into the NLB’s HQ is like stepping into a hidden world. From the elegant Georgian exterior, you’d never guess just how vast and intricate the interior is. Room after room tells a story, many filled with antique furniture and commissioned artworks that span more than 250 years of maritime history.
It’s not just a building — it’s the operational nerve centre for every lighthouse in Scotland and the Isle of Man, a place where history and innovation coexist.
Bringing the Vision to Life
For a building and commission like this, getting the perspective right was crucial. Using my drone, I captured images from multiple angles, ensuring I could represent everything — from the roofline to the subtle details of the lower levels — without distortion.
Some of my favourite touches include the subtle flash of the Bell Rock lighthouse decoration, glowing in the night sky, and the gold leaf accents used to portray the brass door furnishings. The deep blue evening sky contrasts beautifully with the warm sienna tones of the stonework. And then there were the flags — trickier to paint than they look — which needed to be clear and recognisable while still looking as though they were naturally blowing in the wind.
The Finished Painting
It took about four weeks to complete the painting, with a few much-needed sanity breaks along the way! Getting the geometry of the paving slabs right was also a challenge, but a rainy day in Edinburgh gave me great reference photos — the wet stones reflected the light perfectly, adding depth and richness to the foreground of the piece.
The final painting captures what I hoped for: a sense of atmosphere and purpose, where architectural beauty meets the vital work of the NLB in guiding mariners safely home.
A Personal Milestone Achieved on Handover
This commission wasn’t just another art project; it was the fulfilment of a lifelong ambition to work with the Northern Lighthouse Board.
As someone who grew up in Arbroath, watching the Bell Rock lighthouse flash every night from my bedroom window, and who has long been fascinated by Scotland’s lighthouses — thanks in part to Bella Bathurst’s The Lighthouse Stevensons — this collaboration felt like everything coming full circle.
Handing the painting over to Mike and Alastair was a proud and humbling moment. I’m delighted with how the painting turned out, and even happier that the team at the NLB felt the same when I delivered it personally to 84 George Street.
A Proud Moment
I recently returned to NLB HQ and was genuinely moved to see my painting hanging just inside the main entrance. It’s a little surreal to know that my work has now become part of the building’s story.
The moment was topped off when I opened the Summer 2025 edition of the NLB Journal and spotted a feature about the painting and its handover. Several staff members have since ordered prints — some to be given as retirement gifts for NLB staff — a gesture that feels like the highest compliment an artist can receive.
Prints Now Available
If you’re as obsessed with lighthouses as I am and would like to have a beautiful Giclee print of the Northern Lighthouse Board’s Edinburgh HQ, just send me an email at: cliveramage@gmail.com and we can arrange for one to be sent out to you.
Next Up
I’ll be sharing another post soon, showing the step-by-step process of how this painting came to life — from initial sketches to the final framed piece — so keep an eye out for that update.
My image of 
Dunnottar Castle, in a limited edition of only 40 signed and numbered prints, is currently available to purchase (in a frame) at the City Art Centre, Edinburgh and the Meffan Institute, Forfar. Unframed prints can also be bought directly from my shop by 
This is the final week of my solo show Paintings & Prints From Scotland To The Moon at Inverness Creative Academy.
