Duncan Macmillan Reviews ‘Northern Lights’ in The Scotsman

I was thrilled to get a positive review from Duncan Macmillan in The Scotsman this week after he visited my show on Saturday.

“Meanwhile, the Graystone Gallery in Hamilton Place in Edinburgh is a new venture and is currently showing prints and paintings by Clive Ramage. I have noticed Ramage’s prints several times in group shows and the assembly of them here is certainly impressive.”

As well as being Professor Emeritus of the History of Scottish Art at Edinburgh University, Duncan has also been The Scotsman’s leading art critic for several decades and has written many authoritative books on Scottish art. So it meant a lot to me to hear that he had enjoyed the show and was particularly taken with my etchings.

Super Moon

He has praised my moon etchings in Scotsman reviews in the past and also recently gave a favourable mention to my Dunnottar Castle print, which was shortlisted for the inaugural Scottish Landscape Awards.

I’ll be back at the gallery on Saturday 24 February (2-4pm) for an Artist Talk, where I’ll discuss how I made these paintings and prints and also my inspirations. I’ll be happy to answer any questions you might have if you come along. Please contact gallery owner Lesley at the address below to book your free ticket:

lesley@graystonegallery.com

Northern Lights – A Solo Exhibition at Graystone Gallery, Edinburgh

Last Friday night saw the opening of my latest solo show Northern Lights at Graystone Gallery in Stockbridge, Edinburgh.

A welcoming window display with my latest oil painting of Muckle Flugga (finishedand framed  just hours before the show opened!)

And despite the inclement weather it turned out to be a busy private viewing, with people travelling from as far as Aberdeen, Glasgow and Fife for a first look at my latest work.

Over 40 of My Paintings & Prints on Show

With around 40 original pieces hanging across the gallery, it’s a real showcase of everything I’ve been working towards over the past 15 years.

The show is divided into three areas: oils, mixed media and etchings …

… with the pictures hung according to those groupings and in roughly equal numbers.

All in the name

I chose the title Northern Lights as it aptly reflects the nature and atmosphere of the majority of the work included in the exhibition. There are 12 oil paintings in the show, including the 3 above, which feature either Scottish lighthouses or shimmering twilight views across the Firth of Forth.

Glitter Moons – Yellow, Blue and Pink, etching and screenprint – 69x80cm (framed individually)

I’ve also included 3 original prints from my ‘luminous’ Glitter Moon series (above), as well as numerous colourful watercolours of Edinburgh and the East Neuk of Fife.

It’s not all about light and colour, however. In my etchings I focus more on the details, marks and tones that help to give each of the prints something distinctly different from all of my other work. On one wall you’ll find various craggy Scottish mountains and ruined castles, including Ben Nevis and Dunnottar. These are accompanied by atmospheric cityscapes of Edinburgh’s Old Town, Victoria Street and Dean Village …

The North Face, Ben Nevis, etching 44×18.5cm

… while on the opposite wall are more etchings of seascapes, including the old piers at both Culross and Aberdour (both shown below).

I’ll be back at the gallery on 24 February (2-4pm) for an Artist Talk, where I’ll discuss how I made these paintings and prints and also inspirations. I’ll be happy to answer any questions you might have too.

So if you’d like to attend then please get in touch with gallery owner Lesley at: lesley@graystonegallery.com

Northern Lights is on show now at Graystone Gallery in Edinburgh’s gorgeous Stockbridge and continues until 10 March 2024. If you manage to get along to see it then please get in touch and let me know what you think at cliveramage@gmail.com 

Some words from Graystone Gallery about the show …

“Look closely at the oil paintings in Northern Lights and you can sense a love of Whistler’s London nocturnes. Clive imbues his oils of lighthouses and the darker seascapes with that same feeling of delicate stillness and calm, building it with layer upon layer of transparent glazes …

Edinburgh Nocturne (Aurora), oil on canvas 98x98cm framed (detail)

The ramshackle buildings and highly detailed compositions and colour schemes of Schiele and Klimt’s landscapes have also had a big influence, which can be seen in the watercolours of coastal villages and Edinburgh in particular …

Ramsay Garden (ii), mixed media – 79x38cm framed

His intricate, detailed etchings, such as Dunnottar Castle, tell their own romantic stories, the individual marks carving out a brooding landscape …

Dunnottar Castle, etching – 77x59cm framed

In each of Clive’s works, there is a tangible sense of yearning, of a desire to create something that is beautiful, yet distant or unattainable. It’s there in those city lights twinkling and beckoning the viewer from far across the Firth of Forth …

The Bass Rock, oil on canvas 80x80cm framed

But there is also a drama at play in these atmospheric pieces that comes from a deeply felt need to create a perfectly constructed arrangement, or a harmonious symphony, out of the interplay between the land, the sea and the elements. Or, perhaps, the essence of Clive’s work is simply his attempt to try to capture and hold on to some long-sought feeling of calm and serenity.”

Graystone Gallery
52 Hamilton Place
Edinburgh
EH3 5AX
GENERAL OPENING TIMES

Weds-Fri: 11:00-18:00
Sat: 10:00-17:00
Sun: 12:00-16:00

Mon-Tues: Viewings and private sales by appointment

Happy New Year and Happy New Studio!

Just a quick post to wish you all a very Happy New Year!

In my newly set up studio at Langstane Place, Aberdeen

I am especially grateful to those of you who have very kindly supported me by purshcasing my work this past year and in previous years too! Every single painting and print that you buy really does help me to continue to keep making new work, and for that I am extremely grateful! And, while I love what I do, it’s not always easy to keep going, especially in this economic climate.

Pam helping me out (as she always does!) in the new studio

But very special thanks must be given to my truly wonderful, kind and ever-supportive partner Pam. Without her help in so many ways, without her great patience, kindness and generosity and her all-round gorgousness life would simply be so much harder indeed! I love you Pammy and want to say the biggest !!THANK YOU!! from the bottom of my heart for everything you have done and still do for me! You really are the best!!

There’s plenty more to write about just now and I’ll post a fuller update on my recent studio move and some upcoming solo shows very soon. But in the meantime, I wish you all a very Happy New Year and here’s to a highly creative, productive, successful and – not least – fun-filled 2023!

arTay 2022 – Part of Perth Festival Of The Arts

Where There Is Light, oil on wood panel – 78cm x 78cm (framed)

After 2 year’s absence from the art show calendar, I really can’t wait for arTay 2022, which opens at 10am in Perth this coming Thursday 19th May and runs until 7.30pm on Sunday 22nd.

Every May, and as if by magic, a large marquee appears next to Perth’s Concert Hall and is filled to the brim with a great assortment of fantastic artworks.

Dubh Artach, oil on wood panel – 75x75cm (framed)

But all the real magic is what’s on show inside the marquee!

With more than 70 artists taking part and a few hundred pictures to hang and label, it’s a challenge to get it all done and looking great in just a few hours. It’s not all hard work though and there’s always a great atmosphere, with Hugh and his team making it all the more fun by providing lots of coffee and cakes to keep us all going until the show is hung. Remarkably – considering the often competative nature of a typical ‘hang’, and with so many artistic egos to be found in one relatively small compass – I have yet to witness a punch up!

Rattray Head, oil on canvas – 57cm x 57cm (framed)

As well as helping to hang the show on Wednesday, I’m also very much looking forward to catching up with lots of artist friends and maybe matching some new faces to familiar pictures and names too.

So these are the four paintings I’ll have in the show. Three fairly large atmospheric lighthouse oils and my latest dreamscape (or ‘longing’) painting of Edinburgh, as seen at night from across the Firth of Forth.

[Contact Hugh at Frames Gallery, Perth for more details, or if you would like to reserve one of these paintings. Tel: 01738 631085]

Edinburgh Nocturne, oil on canvas – 95x95cm (framed)=

If you happen to be in or near Perth then do come along and see a huge variety of great work by some of the country’s best artists. Along with many of the other artists, I’ll be at the ‘arTay Party’ preview on Friday 20th from 6pm.
Hope to see some of you there too!

Frames Gallery

10 Victoria Street, Perth, Scotland, PH2 8LW
01738 631085
info@framesgallery.co.uk

House Music, a new album by Tom Baird

House Music by Tom Baird

I’m delighted to have one of my pieces used as the cover art for a fantastic new album by Scottish musician Tom Baird.

Tom got in touch with me last November, having spotted some of my work in a Facebook post by Braemar Gallery. At that point he was just finishing off the recordings and was looking for something different for the cover that would help illustrate the overall feel of his collection of new songs.

He particularly liked my Little Cottage series and East Neuk pictures and thought one of them would make a good cover. The album’s working title at this point was This Old Town, the name of one of the tunes, and he initially considered the East Neuk (Shooting Star) picture below for that.

East Neuk (Shooting Star)

But in the end it became House Music (Tom has a home recording studio and did all the work on the album there) and so it seemed a perfect fit to have one of my Little Cottage pictures to illustrate that. He felt Autumn Bothy By The Sea stood out because the yellow roof against the blue sky was particularly striking and, I have to say, I’m delighted with the final result!

House Music album back

The album has 12 great songs, all brilliantly written, performed and produced by Tom. It won’t be out until 10th June, but he kindly gave me a few copies and I’ve had it on repeat since getting it. I’ve been very impressed by the diversity and quality of all the album tracks, but my current favourite is the new single Peace Pipe. It’s short and snappy and a real belter of a tune, with a few surprising twists and turns in the music and also the philosophical (with a large dose of irony!) lyrics too. Several of Tom’s songs have been played regularly by Steve Lamacq on BBC 6 Music and on Radio Scotland and you can hear Peace Pipe and lots of his other excellent releases right now on Spotify.

I always fancied doing a book or an album cover so what an absolute privilege to have one of my pictures on the front of this great album by a very talanted songwriter!

Find out more about Tom and have a listen to his great music yourself by clicking the links below:

Tom Baird Bandcamp