Studio News

I thought I’d post a few pictures from my new studio here in Aberdeen. I’ve been working up here for a few months now and have really enjoyed getting back into painting with oils. Having my own studio again is wonderfully liberating, as I can work much more freely and splash the paint and thinners around without worrying about getting it all over my furniture at home! It’s also great to have all my work materials out of the house and to be able to find everything I need within arm’s reach.

I also became a member of the very highly regarded Peacock Print Studio earlier this year. Working there has been a real eye opener on many levels, and having the entire space to myself (thanks to Covid!) has felt like quite a privilege. But I’ll dedicate a post to all of that at a later date.

So, in the meantime, here are a few pictures of things I’ve been working on recently at my studio in Eagle House.

Rattray Head (WIP)

This first one (above) is an oil painting of Rattray Head Lighthouse, between Peterhead and Fraserburgh. Some of the pebbles in the foreground were carefully painted while others were literally lashed onto the canvas using a liner brush with a very runny mixture of oil paint and thinner.

This second Rattray Head picture is a larger version I decided to do after feeling quite happy with the first. Both need further fine tuning though. The lighthouse painting below it will be built up in painstakingly slow glazes to convey an altogether different mood using a different technique.

The following 5 pictures are the products of my end-of-the-day palate scrapings (as I like to call them). When I’m finished working on the main picture each day, I basically smear together all the colours left on my palate and add a little oil painting medium to produce what Whistler would call his ‘soup’. He would apply this liquid paint in streaks across his canvases to produce many of his nocturne paintings. This painterly ‘soup’ often produces the loveliest of greys which I then use as the ground for future paintings. These sky and beach pictures were done this past week from imagination and I’ve yet to decide how to finish them off.

Cloud and beach studies (WIP)
A rather messy corner of my studio
Bennachie (WIP)

The above picture is a quick sketch I did this week of beautiful Bennachie. I’ll work it up into a finished painting, but quite like the dreamy quality of it as it is. And below is another of Rattray Head from a different angle and then there’s Catterline, one of my favourite places to paint and to spend time.

Rattray Head and Catterline

So that’s what I’ve been doing this past week or two. Every week I intend to start a whole new batch of pictures and finish at least some from the previous weeks, and continue on in this vein for many years to come. So as long as I can keep my studio (and lungs and head!) free of turpentine fumes, I’ll also try to keep posting regular updates on what I’ve been working on and also where the work will be available to see and buy.

Watch this space!

New Work, New Gallery and More News …

The year has only just begun but 2019 has proved to be pretty busy for me already. The recent Architectural Landscape show at Fidra Fine Art saw some of my work heading off to new homes and then I spent the remainder of February visiting lots of different galleries and delivering new paintings and etchings to some of them too. Details below …

Three Studies of The Bass Rock, oil and gold leaf (126x52cm framed)

But first, take a look at what’s currently on my easel. It has taken over a year on and off to get it finished with lots of thinly painted glazes, drying time in between and fine tuning. Then more glazes … etc etc! But all it needs now is my signature. Gold leaf has been used extremely sparingly, but there’s just enough to provide the subtlest suggestion of a beam of light coming from each of the lighthouses when viewed at a certain angle. If you are interested in owning this oil painting then please feel free to get in touch via the contact page or email me at:
cliveramage@gmail.com

Three Studies of the Bass Rock (detail left)

Three Studies of the Bass Rock (detail middle)

Three Studies of the Bass Rock (detail right)

February turned out to be a great month of sales. I was particularly happy to hear from Marchmont Gallery that 3 of my differently coloured moon etchings had been bought by one client to be hung alongside each other. That made my day as they were bought only a couple of days after being dropped off and it was the first time I’ve had all 3 moon variations for sale at the same time. (If you happen to be the new owner and read this then I’d love a photo of them on your wall if possible – and thank you for buying them too, of course!).

Towards Arthur’s Seat (34x25cm)

I also recently begun to sell limited-edition, signed Giclee prints with Aquila Gallery in Jeffrey Street, Edinburgh. They have the above and following 2 pictures for sale at the moment, but more will follow soon. Marchmont Gallery also have these pictures and I’ll be dropping off more moon etchings there as soon as they are all hot off the press and dry (a week or 2 from now).

The Old Town, Edinburgh (65x50cm)

Dean Village, Edinburgh  (65x50cm)

Lastly, Morningside Gallery, also in Edinburgh, have a selection of my latest acrylic paintings for sale, including a recent one of the Bell Rock Lighthouse, along with some East Neuk of Fife and Edinburgh pictures. Click the link to see what’s available there.

That’s all my news for now.

I’m about to start on a new series of works and will keep you updated here as things take shape. I’ll also be contacting a number of galleries who’s collections and artists I’ve admired for a while, and hopefully I’ll have work available in some of them soon too. Watch this space!