An Artistic Journey with the Northern Lighthouse Board (NLB)

Getting ready to step inside 84 George Street to discuss a potential commission with the NLB Commissioners.
A Commission from the Commissioners

Back in early 2024, I slipped a simple flyer through the doors of the Northern Lighthouse Board’s Edinburgh headquarters, affectionately known as 84 George Street by those who work there. It was an invitation to a talk for my upcoming solo exhibition, Northern Lights — a collection celebrating the beauty, history, and resilience of Scotland’s lighthouses.

I had no idea that this small act would lead to one of the most meaningful commissions of my career.

A few weeks later, CEO Mike Bullock and Heritage Trust chair Alastair Beveridge attended my gallery talk. During the event, I shared the story of an earlier architectural commission for Strathberry Ltd. When I unrolled a full-size print of that painting, it caught their eye. Alastair even bought the print on the spot!

Not long after, they invited me to discuss creating a bespoke painting of their George Street headquarters — a building steeped in history and purpose.

The Strathberry HQ painting that caught the attention of the NLB team during my talk.
Stepping Inside 84 George Street

Walking into the NLB’s HQ is like stepping into a hidden world. From the elegant Georgian exterior, you’d never guess just how vast and intricate the interior is. Room after room tells a story, many filled with antique furniture and commissioned artworks that span more than 250 years of maritime history.

It’s not just a building — it’s the operational nerve centre for every lighthouse in Scotland and the Isle of Man, a place where history and innovation coexist.

A hidden world inside — where heritage and innovation meet to keep Scotland’s lighthouses shining.
Bringing the Vision to Life

For a building and commission like this, getting the perspective right was crucial. Using my drone, I captured images from multiple angles, ensuring I could represent everything — from the roofline to the subtle details of the lower levels — without distortion.

Finished pen-and-ink outline ready for approval before painting began.

Some of my favourite touches include the subtle flash of the Bell Rock lighthouse decoration, glowing in the night sky, and the gold leaf accents used to portray the brass door furnishings. The deep blue evening sky contrasts beautifully with the warm sienna tones of the stonework. And then there were the flags — trickier to paint than they look — which needed to be clear and recognisable while still looking as though they were naturally blowing in the wind.

The Bell Rock lighthouse detail above the doorway — in my painting, it flashes every five seconds, just like the real thing.
The Finished Painting
The completed painting, with warm sienna tones and deep evening blues capturing the atmosphere of the building at night.

It took about four weeks to complete the painting, with a few much-needed sanity breaks along the way! Getting the geometry of the paving slabs right was also a challenge, but a rainy day in Edinburgh gave me great reference photos — the wet stones reflected the light perfectly, adding depth and richness to the foreground of the piece.

The final painting captures what I hoped for: a sense of atmosphere and purpose, where architectural beauty meets the vital work of the NLB in guiding mariners safely home.

Handover day — Alastair Beveridge (left), me, and Mike Bullock (right) outside the NLB headquarters.
A Personal Milestone Achieved on Handover

This commission wasn’t just another art project; it was the fulfilment of a lifelong ambition to work with the Northern Lighthouse Board.

As someone who grew up in Arbroath, watching the Bell Rock lighthouse flash every night from my bedroom window, and who has long been fascinated by Scotland’s lighthouses — thanks in part to Bella Bathurst’s The Lighthouse Stevensons — this collaboration felt like everything coming full circle.

Handing the painting over to Mike and Alastair was a proud and humbling moment. I’m delighted with how the painting turned out, and even happier that the team at the NLB felt the same when I delivered it personally to 84 George Street.

A Proud Moment

I recently returned to NLB HQ and was genuinely moved to see my painting hanging just inside the main entrance. It’s a little surreal to know that my work has now become part of the building’s story.

My painting hanging proudly just inside the entrance at 84 George Street.

The moment was topped off when I opened the Summer 2025 edition of the NLB Journal and spotted a feature about the painting and its handover. Several staff members have since ordered prints — some to be given as retirement gifts for NLB staff — a gesture that feels like the highest compliment an artist can receive.

The Summer 2025 edition of the NLB Journal featuring my painting and its handover.
Prints Now Available

If you’re as obsessed with lighthouses as I am and would like to have a beautiful Giclee print of the Northern Lighthouse Board’s Edinburgh HQ, just send me an email at: cliveramage@gmail.com and we can arrange for one to be sent out to you.

Next Up

I’ll be sharing another post soon, showing the step-by-step process of how this painting came to life — from initial sketches to the final framed piece — so keep an eye out for that update.

Making Headlines

Here’s a link to a piece in this week’s Dunfermline Press about my show Northern Lights -An Artistic Odyssey of Scotland’s Coast.

With my painting The Bass Rock Light
With my painting The Bass Rock Light

 

Text from article below:

BE captivated by the beauty of Scotland’s breathtaking seascapes and lighthouses at the Fire Station Creative’s latest exhibition.

‘Northern Lights: An Artistic Odyssey of Scotland’, the first solo exhibition by self-taught Dunfermline artist Clive Ramage, 45, launched at the weekend and will run until November 22.

The artworks on display are based on Clive’s year-long travels in his camper van around Scotland documenting the landscape and scenery from Stromness to the Mull of Galloway, after being awarded a grant by Fife Contemporary Arts and Crafts.

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The inspiration for the project came from Clive’s childhood experiences growing up in Arbroath.

He said, “I’ve always been drawn to the sea. Each night, like clockwork, the Bell Rock, Isle of May and Fife Ness lights would intermittently flash their beams out across the cold, dark sea and I would watch – mesmerised at my bedroom window.

“Those magical, exotic lights across the sea have continued to tantalise and inspire me and I have always wanted to capture something of that magic and atmosphere in pictorial form.”

The effects of the weather also provided their own inspiration for Clive’s paintings.

“The colours and atmosphere of each location probably became the more important feature of the work,” he explained.

“It wasn’t so much the lights themselves that were intriguing me pictorially, but the wild spaces between them, the surrounding landscapes.”

Clive has previously exhibited in the Royal Scottish Academy, the Royal Glasgow Institute of the Fine Arts and the Royal Scottish Society of Painters in Watercolour.

He is also a member of the Fife Dunfermline Printmakers Workshops and rents a studio in the former fire station.

He added, “Fire Station Creative is such a beautifully renovated space for exhibiting artworks.

“The wonderful Fife coast and the East Neuk in particular have also proved to be a huge inspiration to me, so it will be great to be show some of that work here too.”

Gallery curator Ian Moir said, “We’re really proud to be showing off the talent that comes from our own studios.

“I think this exhibition will be well-received by the public. The subject matter is very accessible and the artworks have been extremely well-executed. It’s going to be a great show.”

Entry is free. The gallery is open from 10am to 5pm Wednesday to Saturday and 11am to 4pm on Sunday.

Northern Lights – Now showing at Fire Station Creative, Dunfermline

Here are a selection of some of the paintings currently on show at Fire Station Creative. All are for sale.

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Edinburgh Art Fair

The Old Town, Edinburgh
The Old Town, Edinburgh

As well as having the solo paintings show on at Fire Station Creative, Dunfermline, right now, I will also have some of my Edinburgh etchings on show and available for sale at Edinburgh Art Fair this weekend.

Please click the links for more info! I’ll be demonstrating printmaking techniques there tomorrow, so stop by and say hello and have a go yourself if you can make it!

Hope to see you there!

Clive