Dunnottar Castle is quite possibly THE perfect landscape painter’s subject. Sitting atop a magestic outcrop of rusty red sandstone, surrounded by constantly changing seas and skies, it’s sheer immensity and magnificence are breathtaking – the scene simply demands to be painted!
My favourite place to paint!
The above painting is the view from the little bridge that spans the deep gully and leads to the cliffs on the western side of the castle. Those cliffs have also been a favourite haunt of mine over the past few months and are a great spot to paint en plein air (below).
After spending several months working on this particular painting – and trying do the scene the justice it deserves – it will be great to see it hanging at the Aberdeen Art Fair (AAF) from this Friday.
Muckle Flugga (Old Norse Mikla Flugey, meaning “large steep-sided island”) is the northernmost point of the British Isles and, in my own humble opinion, has to be one of the most dramatic lighthouse locations on Earth.
I hope to have captured something of the rugged nature of the rock itself, but also of the precariousness of that lonely lighthouse perched upon it. The perpetual crashing of great ocean waves has done little to change this scene since the lighthouse was built in 1854. But nothing lasts for ever – apart from oil paintings hopefully!
“The theme of the sea also comes up again and again in the work of Fife Dunfermline Printmakers Workshop in the Lesser Hall in James Street. Also part of the invited programme, this artist-run cooperative brings together a range of artists working in different styles and media. Particular highlights include Clive Ramage’s striking etching of the moon and Catherine King’s large monotype landscape, capturing weather, clouds and water in saturated shades of blue and grey.”
And I am also delighted to report that 3 of my Blue Moon prints sold on the very first day! That means there’s only 2 left to buy from the very limited edition of just 20 numbered prints!
This moon etching really does seem to glow as brightly as the real thing and it makes a beautiful and bold statement on any wall. It comes from an extremely limited numbered edition of 20 and they have consistently sold at the few shows I’ve entered them.
Here’s a video of me pulling a print from the copper plate just last week …
There are now only 2 numbered prints left, plus a few artists proofs (which I’ll be holding on to for my North East Open Studios (NEOS) event 10-19 Sept 2022 – more details to come!).
So if you want your very own Blue Moon to gaze at whenever you like then get in touch with me now or follow the link to my shop and bag yours before they’re all gone!
Original, hand-made etching printed on 310gsm Hanhmuhle etching paper.
Limited to an extremely small edition of only 20 prints.
Image size: 57.5 x 47 cm (22.5 x 18.5 inches)
Paper Size 71 x 53.5 cm / (28 x 22 inches)
Shipping: The print is sold unframed, but lovingly wrapped and rolled in tissue and packaged in a tough cardboard tube for protection. UK p&p is £20 and shipping time is around 2 weeks. International delivery is £25 but allow up to 3 weeks.
All are welcome to come along tonight for an early viewing between 6.30-9pm at Lesser Church Hall, James St, Pittenweem.
Above are 2 of the large framed prints I have in the show, St Monans and Dunnottar Castle. Both etchings were produced in July especially for this event.
I’ll also be showing my Blue Moon etching (below). There are only a few left from this very limited edition of 20 numbered prints, so if you want to own one you best hurry to bag yours!
I have a few other mounted prints available from the venue including the following, all of which are fairly local to the area:
If you can get to Pittenweem during the festival you will find art filling the streets and almost every home above the beautiful harbour and beyond. It’s a fantastic event and well worth the trip for a great day out!
After 2 year’s absence from the art show calendar, I really can’t wait for arTay 2022, which opens at 10am in Perth this coming Thursday 19th May and runs until 7.30pm on Sunday 22nd.
Every May, and as if by magic, a large marquee appears next to Perth’s Concert Hall and is filled to the brim with a great assortment of fantastic artworks.
But all the real magic is what’s on show inside the marquee!
With more than 70 artists taking part and a few hundred pictures to hang and label, it’s a challenge to get it all done and looking great in just a few hours. It’s not all hard work though and there’s always a great atmosphere, with Hugh and his team making it all the more fun by providing lots of coffee and cakes to keep us all going until the show is hung. Remarkably – considering the often competative nature of a typical ‘hang’, and with so many artistic egos to be found in one relatively small compass – I have yet to witness a punch up!
As well as helping to hang the show on Wednesday, I’m also very much looking forward to catching up with lots of artist friends and maybe matching some new faces to familiar pictures and names too.
So these are the four paintings I’ll have in the show. Three fairly large atmospheric lighthouse oils and my latest dreamscape (or ‘longing’) painting of Edinburgh, as seen at night from across the Firth of Forth.
[Contact Hugh at Frames Gallery, Perth for more details, or if you would like to reserve one of these paintings. Tel: 01738 631085]
If you happen to be in or near Perth then do come along and see a huge variety of great work by some of the country’s best artists. Along with many of the other artists, I’ll be at the ‘arTay Party’ preview on Friday 20th from 6pm.
Hope to see some of you there too!
I currently have several of my etchings in a fantastic new printmaking show at Frames Gallery in Perth.
I was very happy to see some red dots below some of my pieces at the private view, including the ones below, and also to be showing alongside some of my favourite Scottish printmakers.
It really is an excellent and varied exhibition, showcasing some of the best in contemporary printmaking techinques and styles and I’m delighted to be taking part. Click here to see the works on show and do drop by if you are in Perth.
As these are editioned prints there are several of each still available, so get in touch with Frames Gallery if you are interested in anything you see here (or there!).
Here are a few more of the framed etchings I have on show at the gallery, and click here if you’d like to see the whole show online.
The Urban, Land and Sea show at Heriot Gallery in Dundas Street, Edinburgh, closes this Saturday. I have several pieces in it inlucing these two large and colourful scenes of Dean Village, Edinburgh and North Berwick.
If you are in town the whole show is well worth a visit!
Click here for details and to see what’s in the show.
Just a quick note to wish you a very Happy New Year and also to say a huge !!THANK YOU!! to everyone who bought my paintings and, therefore, supported me greatly in my work throughout 2021.
Lots of very good things happened this past year, including my move to Aberdeen and settling into a great new studio here. I’ve also recently begun working with some local galleries (including Ballater and Braemar) and have lots of energy and inspiration for new pictures to paint and send to them, as well as to my regular galleries in the coming months.
Keep an eye out here for news of my latest works in progress and exhibitions, including Land & Sea which opens later this month at Heriot Gallery in Dundas Street, Edinburgh.
In the meantime, I wish you a safe, prosperous and very happy 2022!
Just a quick update to say I am very excited to be working with Heriot Gallery in Dundas Street, Edinburgh. They recently got in touch to say they admired my work and requested some for their current Winter Show.
So I delivered these paintings yesterday and very much looking forward to continuing to work with owners Angela and Lorna. I haven’t shown any work in Edinburgh since moving to Aberdeen earlier this year, so it’s great to have some of my locally-inspired pieces available in the Capital once again.
The show runs until 29th Jan 2022, after which I’ll also be including new work in their follow-up exhibition Land & Sea in February 2022.
I’m currently working on some new Edinburgh-based oil paintings for that, so watch this space for further details … !
I’m delighted to be showing my very first linocut print as part of the fascinating INSECTARIUM: Fear and Fascination show at the Scottish Ornithologists’ Club in Aberlady. It’s already fantastic place to visit on a lovely sunny day, but this exhibition featuring a miriad of beautifully depicted creepy crawlies makes taking a trip to East Lothian all the more worthwhile.
More details below …
3 June – 25 July 2021 | Viewing Room Thursday – Sunday 10 – 5pm
Free entry and no booking is required Scottish Ornithologists’ Club, Waterston House, Aberlady, EH32 0PY
Insectarium: Fascination and Fear
Insectarium: Fascination and Fear presents artworks created by SSA members in response to the conflicting feelings that insects inspire in us.
If most of the time we ignore them, insects loom large on the human psyche. We adorn them with contrasting qualities: jewel-like beetles or scary spiders, carriers of disease or inspirational designs, collectors’ items or targets for eradication. Beautiful or repulsive, dangerous or inspiring, insects are above all essential to life on earth, and certainly our own. They play such a big part in the natural world that studies highlighting their recent decline have prompted worry among conservationists and the general public.
The exhibition offers a collection of works in a wide range of media that reflects our complex feelings towards these small but crucial creatures.
Insectarium is a new collaboration with the Scottish Ornithologists’ Club and was co-curated by SSA Past President Sharon Quigley and council member Catherine Sargeant. The exhibition was originally due to take place last May but had to be rescheduled due to Covid-19.
The Scottish Ornithologists’ Club (SOC) is a charity promoting the study and enjoyment of birds in Scotland. Waterston House, the Headquarters of the SOC in Aberlady, is a resource centre for birdwatching that is open to the public and offers a library, a shop and an art gallery dedicated to wildlife.
Elaine Allison | Paul Charlton | Tess Chodan | Finlay Coupar | Helle Crawford | Louisa Crispin | Robert Crozier | Helen Denerley | Rhona Fairgrieve | Jane Gardiner | Joyce Gunn Cairns | Zsofia Jakab | Tzipporah Johnston | Gavin Johnston | Olga Krasanova | Miriam Mallalieu | Kit Martin | Karen Maxted | Norman McBeath | Greta McMillan | Claire McVinnie | Janet Melrose | Noelle Odling | Clive Ramage | Douglas Reed | Catherine Sargeant | Chris Shields | Jenny Smith | Gill Walton | Eleanor Whitworth | Lynne Windsor | Natalie Wingate | Yingchun Zhu
Here’s a quick note to tellk you about two paintings I have available to buy at arTay 2020. It’s an online only show, of course, but still runs for just 4 days (ending on Sunday 31st May). So you best get in quick if you want to buy one of these two or something else from one of the 80 artists also showing.