I currently have several of my etchings in a fantastic new printmaking show at Frames Gallery in Perth.
I was very happy to see some red dots below some of my pieces at the private view, including the ones below, and also to be showing alongside some of my favourite Scottish printmakers.
It really is an excellent and varied exhibition, showcasing some of the best in contemporary printmaking techinques and styles and I’m delighted to be taking part. Click here to see the works on show and do drop by if you are in Perth.
As these are editioned prints there are several of each still available, so get in touch with Frames Gallery if you are interested in anything you see here (or there!).
Here are a few more of the framed etchings I have on show at the gallery, and click here if you’d like to see the whole show online.
I love to see how the moon appears to change colour, size and character as it moves through the sky on its nightly arc. For me, the moon is a thing of ever changing beauty, mystery and inspiration.
But where I am now it’s a cold, drizzly November night and unfortunately there’s no moon to see at all as yet, though she is up there in all her glory. So here’s one I made earlier. Inspired by a moonlit night in Marrakech 8 years ago.
I remember being mesmerised watching it rise slowly and lazily above the flat-roofed souks of the Djemaa El Fna in Marrakech. It was a clear late-November night, but the town’s main square was as busy and colourful as I’d heard it always is. Above the seething masses of lost-looking tourists, locals on the make, donkeys and carts, charmers and snakes, children begging, children fighting, shopkeepers bartering and the constant barrage of mopeds and bicycles, horses and goats, the moon’s bright glow cast a beguiling spell over my first Moroccan night. The warm breath of camels condensed then wafted up on the chilly breeze that had begun to sweep down from the High Atlas mountains 30 miles away. Pungent aromas steamed from cauldrons filled to the brim with earthy-tasting snails for curious tourists to try. Spicey flavours sizzled from market stall tagines and exotic vapours oozed out from deep inside the crowded souks. Here I was, only 4 hours after leaving Scotland where the same full moon cast a very different spell across the icy land that would soon be blanketed in deep and heavy snow for over a month.
And a quarter of a million miles above us, indifferent to the bustling world below, the moon appeared frozen in the sky. Familiar features intoned with the cool transparent hues of Prussian Blue, spread thin across a face of brilliant white. And as I looked up, she appeared to look down, watching everyone everywhere that ever was or ever will be. And in turn, each tiny, insignificant character continued to play out their roles, heads down in the darkening night.
I am delighted to have had this piece, ‘Super Moon’ (etching and aquatint, image size 48x58cm) accepted for the 118th Society of Scottish Artists Open Exhibition. It runs from 21st Dec-18th Jan 2016 and is held in in the galleries on the top floor of the Royal Scottish Academy on Princes Street, Edinburgh.
It’s been a very busy few months! I’ve settled into my great new studio at Fire Station Creative and have been working hard on preperations for my first big solo show there in November. More to come on that later!
My priority this past week has been to finish and frame some new works for the upcoming exhibition at the beautiful Frames Gallery, Perth. It opens this Friday 12th September and I cordially invite you to come along to the preview if you are able to (6-8pm). I handed my 4 pictures in yesterday and the place was full to brimming with amazing looking work. It’s all very affordable too, everything being under £500.
But now that’s done, I can look forward to the preview on Friday evening and then I’ll be getting back on with my lighthouses project (which will also include non-lighthouse paintings of coastal scenes!).
Anyway, here’s what I’ve included in the Frames show: