All are welcome to come along tonight for an early viewing between 6.30-9pm at Lesser Church Hall, James St, Pittenweem.
Above are 2 of the large framed prints I have in the show, St Monans and Dunnottar Castle. Both etchings were produced in July especially for this event.
I’ll also be showing my Blue Moon etching (below). There are only a few left from this very limited edition of 20 numbered prints, so if you want to own one you best hurry to bag yours!
I have a few other mounted prints available from the venue including the following, all of which are fairly local to the area:
If you can get to Pittenweem during the festival you will find art filling the streets and almost every home above the beautiful harbour and beyond. It’s a fantastic event and well worth the trip for a great day out!
Just a quick update to say I am very excited to be working with Heriot Gallery in Dundas Street, Edinburgh. They recently got in touch to say they admired my work and requested some for their current Winter Show.
So I delivered these paintings yesterday and very much looking forward to continuing to work with owners Angela and Lorna. I haven’t shown any work in Edinburgh since moving to Aberdeen earlier this year, so it’s great to have some of my locally-inspired pieces available in the Capital once again.
The show runs until 29th Jan 2022, after which I’ll also be including new work in their follow-up exhibition Land & Sea in February 2022.
I’m currently working on some new Edinburgh-based oil paintings for that, so watch this space for further details … !
Until recently, I’d never heard of “The Beggar’s Mantle Fringed With Gold”. It was King James VI of Scotland who coined that description of Fife’s coast; the ragged shoreline being the frayed cloak from which the begging hand of Fife is held out in hope that the sea will provide sustenance. The gold lining perfectly captures the beautiful fishing villages that fringe the East Neuk, especially when the phosphorescent orange street lamps are aglow and the houses are lit up and cosy on a cold winter’s night.
I came to hear of it one Saturday morning a few weeks ago when my phone pinged to inform me that another painting had sold from my Big Cartel shop. As always, I got in touch with the buyer right away and, after discussing postage and various other details, asked where he’d come across my work.
Back to the beginning
The reply was so very unexpected and it not only made my day but also gave me the biggest confidence boost an artist could wish for.
The answer had its roots way back when I first started exhibiting in 2008. In fact, it was at the first exhibition I ever entered (the annual open at Kirkcaldy Museum and Art Gallery) that Jim had spotted my work. It was an oil painting of a row of typically-colourful cottages all huddled together along the shore, looking almost fearful of the next incoming tide. I’d given it the title Awaiting The Turn of The Tide with that thought in mind.
A few days after the opening I returned to see the whole show and was thrilled to find my first ever red dot. The painting really seemed to glow and stand out quite nicely in that large space. I walked out with my feet in the air and feeling this idea of being an artist I’d had for a while might just work!
But you never really think about all the other people who might stop and have a look at your efforts in a gallery. So it came as a big surprise to hear that it was way back then that my new buyer informed me he had first seen my work. He had gone in on a mission to find inspiration for a song he was trying to write for a performance he’d soon be giving at that year’s Stanza Poetry Festival in St Andrews. The song had to capture that ‘beggar’s mantle fringed with gold’ feeling. He told me that it was my painting of glowing cottages tumbling down into the sea that had helped him to visualise an idea of what he wanted to capture in words. He went off and wrote the lyrics below for Dances With Angels, performed it at Stanza and that, as they say, was that.
But now, 12 years later and living in Kent, he told me he’d always remembered that painting (someone else had bought it) and was now in a position to buy one of my East Neuk pictures for himself. In fact, he’d had a hard job choosing between the two I had for sale on my website and a couple of days later he ended up buying the other one as well. (The two paintings directly above.)
That he’d remembered my work all that time was incredibly uplifting for me. But that it had also helped him to write his lovely song was just wonderful to discover all these years later.
Here’s a quick note to tellk you about two paintings I have available to buy at arTay 2020. It’s an online only show, of course, but still runs for just 4 days (ending on Sunday 31st May). So you best get in quick if you want to buy one of these two or something else from one of the 80 artists also showing.
It’s been great to sell some of my work directly via the #artistsupportpledge on Instagram recently. And I’m very excited to unwrap my first pledge purchase today. I bought it having reached £1000 in sales through the scheme and, as promised, I’ll also be sending £100 to Dunfermline Food Bank this week. (See below for more details on how it all works.)
Despite the Covid19 lockdown, I do still have paintings and prints available to buy from Marchmont Gallery, Edinburgh. It’s currently closed to the public, but my pictures can still be viewed and purchased there online.
Click the link below to browse the brochure from my recent solo and contact the gallery if there’s something that takes your fancy.
And here’s a little more info on Artists Support Pledge
Due to the COVID-19 pandemic, many artists have found themselves without work, teaching, technical support and gallery work. Exhibitions and sales have disappeared. ARTIST SUPPORT PLEDGE is an attempt to help alleviate some of this.
The concept is a simple one. Artists post images of their work, on Instigram which they are willing to sell for no more than £200 each (not including shipping). Anyone can buy the work. Every time an artist reaches £1000 of sales, they pledge to spend £200 on another artist/s work.
Search for pictures using #artistsupportpledge; or use the same tag to sell your own work. Simple!
After a busy few months of painting, I had the opening of my solo show at Marchmont Gallery last Sunday. It was a fantastic afternoon and stayed busy throughout, with a number of people taking away paintings and prints. It was great to have so many people come along and I’d like to say a big “Thank You!” to all those who made it and to all at Marchmont Gallery for being great hosts!
I’ll be topping up the show over the coming weeks, but had to take a week off to recover from the inevitable post-show cold that kept me in bed for days afterwards. I have been thinking about what’s to come though and can’t wait to get back to the easel on Monday.
On the painting front, I’ve been really enjoying using acrylics on larger-scale plywood panels and have prepared 2 new ones to get started on. As is the case with these, I often like to use the golden ratio to determine picture dimensions and sometimes compositional elements too; here’s a recent example below, but there are others in the Marchmont show.
I am hoping to get away soon in my campervan to explore some new areas I haven’t painted before. Possibly a trip to Orkney or even further afield. The Faroe Islands are top of my list for etching inspiration and I can see a lot of printmaking happening over the summer months if I make it there.
If you get along to the show, do get in touch and let me know your thoughts. It’s always great to get any kind of feedback!
It’s been a very productive start to 2020 and I have two new shows coming up this month. There’s my solo show From Edinburgh To The Moon at Marchmont Gallery, which previews on Sunday 16th Feb. And I’ll also be taking part in a printmaking show at Frames Gallery, opening this Friday. All details below …
From Edinburgh to The Moon
I’m currently putting the finishing touches to the last few paintings that will be included in my solo show at Marchmont Gallery and titled From Edinburgh To The Moon. It’ll be a selection of recent mixed-media paintings (including these below) of Edinburgh and Scottish coastal scenes, as well as some hand-made etchings and prints. I will have at least 25 original pieces large and small hanging and can’t wait to see how they look as a collection. You are most welcome to come along to the opening on the 16th (1-4pm) where I’ll be happy to chat about my work and answer any questions. There will also be drinks and nibbles!
Solo Exhibition – Marchmont Gallery, Edinburgh (Preview 16 Feb 1-4pm, all welcome!) Runs until 22 March.
Fife Dunfermline Printmakers Workshop at Frames Gallery
This Friday 7th marks the opening of the Fife Dunfermline Printmakers Workshop exhibition at the lovely Frames Gallery in Perth. The preview is from 6-8pm and there will be around 80 works including a great variety of printmaking techniques and a huge array of subject matter produced by my talented colleagues at the workshop in Dunfermline. I have the following 4 pieces in the show and, altogether, it looks like a fantastic exhibition of work. So go along if you’re in the Perth area and we’ll maybe see you on Friday.
Frames Gallery, Perth (Preview 6-8pm, all welcome!) Runs until 29 February.
It’s been a very busy few months! I’ve settled into my great new studio at Fire Station Creative and have been working hard on preperations for my first big solo show there in November. More to come on that later!
My priority this past week has been to finish and frame some new works for the upcoming exhibition at the beautiful Frames Gallery, Perth. It opens this Friday 12th September and I cordially invite you to come along to the preview if you are able to (6-8pm). I handed my 4 pictures in yesterday and the place was full to brimming with amazing looking work. It’s all very affordable too, everything being under £500.
But now that’s done, I can look forward to the preview on Friday evening and then I’ll be getting back on with my lighthouses project (which will also include non-lighthouse paintings of coastal scenes!).
Anyway, here’s what I’ve included in the Frames show: