painting – Clive Ramage Art

A Lasting Reminder of Tall Ships Aberdeen 2025: Fine Art Prints Now Available

Festival of Sail: The Tall Ships Races, Aberdeen 2025 – Click image to purchase a signed print

It’s hard to believe that it’s already a year since Aberdeen welcomed the Tall Ships back to the city, and I am delighted to finally announce that I now have two beautiful print editions available to purchase.

Click here to view both options at my Big Cartel shop.

Read on for more on this prestigious commission to create the official Tall Ships Races, Aberdeen 2025 painting, and for details on how to get your own print!

When Port of Aberdeen commissioned me to create a painting to commemorate the event, I wanted it to become a lasting reminder of an occasion that meant so much to the city. More than simply celebrating the magnificent ships, I hoped it would reflect the excitement, community spirit and sense of civic pride that made those four days so memorable.

The finished painting looks across the harbour from Blaikie’s Quay towards Regent Quay, with Aberdeen’s distinctive granite skyline providing the backdrop. The ships, city and harbour are shown as they were, while colourful bunting, signs and bustling crowds help convey the harbour at its busiest and most vibrant. I wanted the finished painting to feel like Aberdeen at its very best during the Tall Ships – full of colour, joy and life.

When the painting was unveiled earlier this year, Bob Sanguinetti, Chief Executive of Port of Aberdeen, kindly said that I had “perfectly captured the essence of the event which can now be enjoyed for generations to come.” Hearing those words meant a great deal because they echoed exactly what I had hoped to achieve.

Bob Sanguinetti (CEO Port of Aberdeen), Councillor Martin Grieg, Clive Ramage (that’s me) and Adrian Watson (CEO, Aberdeen Inspired) unveil the painting and have a first look at my new print of it at Aberdeen Maritime Museum in July 2026.

Since then, one of the questions I’ve been asked most often is whether prints of the painting would be available. I’m delighted to say that they now are.

I’ve produced two fine art editions: a larger signed and numbered A1 Limited Edition of just 150 prints, professionally reproduced on beautiful Hahnemühle fine art paper, and an A2 open edition, offering the same image in a slightly smaller format while maintaining the same exceptional print quality.

Each of the larger A1 Limited Edition prints comes with a signed, dated and numbered Certificate of Authenticity.

Whether you visited the Tall Ships, volunteered during the event, boarded or even sailed on one of the vessels or simply have a love of Aberdeen and its maritime heritage, I hope these prints provide a lasting reminder of an extraordinary few days in the city’s history.

Both editions are now available to order from my online shop. Prints can also be purchased and framed at:

Framing Point, Rosemount Viaduct, Aberdeen

Frameworks, Bishopton Kinneler, AB210TX

Quay Gallery, Stonehaven

As always, thank you for following and supporting my work and I hope you like the picture.

The original painting is currently on display at Aberdeen Maritime Museum.

An Artistic Journey with the Northern Lighthouse Board (NLB)

Getting ready to step inside 84 George Street to discuss a potential commission with the NLB Commissioners.

A Commission from the Commissioners

Back in early 2024, I slipped a simple flyer through the doors of the Northern Lighthouse Board’s Edinburgh headquarters, affectionately known as 84 George Street by those who work there. It was an invitation to a talk for my upcoming solo exhibition, Northern Lights — a collection celebrating the beauty, history, and resilience of Scotland’s lighthouses.

I had no idea that this small act would lead to one of the most meaningful commissions of my career.

A few weeks later, CEO Mike Bullock and Heritage Trust chair Alastair Beveridge attended my gallery talk. During the event, I shared the story of an earlier architectural commission for Strathberry Ltd. When I unrolled a full-size print of that painting, it caught their eye. Alastair even bought the print on the spot!

Not long after, they invited me to discuss creating a bespoke painting of their George Street headquarters — a building steeped in history and purpose.

The Strathberry HQ painting that caught the attention of the NLB team during my talk.

Stepping Inside 84 George Street

Walking into the NLB’s HQ is like stepping into a hidden world. From the elegant Georgian exterior, you’d never guess just how vast and intricate the interior is. Room after room tells a story, many filled with antique furniture and commissioned artworks that span more than 250 years of maritime history.

It’s not just a building — it’s the operational nerve centre for every lighthouse in Scotland and the Isle of Man, a place where history and innovation coexist.

A hidden world inside — where heritage and innovation meet to keep Scotland’s lighthouses shining.

Bringing the Vision to Life

For a building and commission like this, getting the perspective right was crucial. Using my drone, I captured images from multiple angles, ensuring I could represent everything — from the roofline to the subtle details of the lower levels — without distortion.

Finished pen-and-ink outline ready for approval before painting began.

Some of my favourite touches include the subtle flash of the Bell Rock lighthouse decoration, glowing in the night sky, and the gold leaf accents used to portray the brass door furnishings. The deep blue evening sky contrasts beautifully with the warm sienna tones of the stonework. And then there were the flags — trickier to paint than they look — which needed to be clear and recognisable while still looking as though they were naturally blowing in the wind.

The Bell Rock lighthouse detail above the doorway — in my painting, it flashes every five seconds, just like the real thing.

The Finished Painting

The completed painting, with warm sienna tones and deep evening blues capturing the atmosphere of the building at night.

It took about four weeks to complete the painting, with a few much-needed sanity breaks along the way! Getting the geometry of the paving slabs right was also a challenge, but a rainy day in Edinburgh gave me great reference photos — the wet stones reflected the light perfectly, adding depth and richness to the foreground of the piece.

The final painting captures what I hoped for: a sense of atmosphere and purpose, where architectural beauty meets the vital work of the NLB in guiding mariners safely home.

Handover day — Alastair Beveridge (left), me, and Mike Bullock (right) outside the NLB headquarters.

A Personal Milestone Achieved on Handover

This commission wasn’t just another art project; it was the fulfilment of a lifelong ambition to work with the Northern Lighthouse Board.

As someone who grew up in Arbroath, watching the Bell Rock lighthouse flash every night from my bedroom window, and who has long been fascinated by Scotland’s lighthouses — thanks in part to Bella Bathurst’s The Lighthouse Stevensons — this collaboration felt like everything coming full circle.

Handing the painting over to Mike and Alastair was a proud and humbling moment. I’m delighted with how the painting turned out, and even happier that the team at the NLB felt the same when I delivered it personally to 84 George Street.

A Proud Moment

I recently returned to NLB HQ and was genuinely moved to see my painting hanging just inside the main entrance. It’s a little surreal to know that my work has now become part of the building’s story.

My painting hanging proudly just inside the entrance at 84 George Street.

The moment was topped off when I opened the Summer 2025 edition of the NLB Journal and spotted a feature about the painting and its handover. Several staff members have since ordered prints — some to be given as retirement gifts for NLB staff — a gesture that feels like the highest compliment an artist can receive.

The Summer 2025 edition of the NLB Journal featuring my painting and its handover.

Prints Now Available

If you’re as obsessed with lighthouses as I am and would like to have a beautiful Giclee print of the Northern Lighthouse Board’s Edinburgh HQ, just send me an email at: cliveramage@gmail.com and we can arrange for one to be sent out to you.

Next Up

I’ll be sharing another post soon, showing the step-by-step process of how this painting came to life — from initial sketches to the final framed piece — so keep an eye out for that update.

Scottish Landscape Awards at the City Art Centre, Edinburgh (4 Nov 2023 – 3 March 2024)

Saturday 4 November saw the opening of the inaugural Scottish Landscape Awards (SLAs) at Edinburgh’s City Art Centre.

And I was delighted to be able to attend the highly anticipated private view of this prestigious new exhibition the evening before, having had my etching of Dunnottar Castle shortlisted for the SLAs back in July.

It was one of only 133 artworks to be shortlisted from almost 3000 entries and, although it didn’t win a prize, I was extremely proud to see it hanging in a fantastic spot in one of the country’s best and most visited public galleries.

It was a wonderful evening of catching up with some old friends in my former Edinburgh stomping ground, as well as meeting a few of my own favourite artists for the first time. It also allowed me to see what’s happening right now at the sharp end of Scottish landscape painting and printmaking.

The variety of work on show at the Scottish Landscape Awards – not to mention the talent and skill employed to create it – ensure that this is a hugely enjoyable exhibition for artists and art lovers alike, showcasing the country’s huge diversity in subject matter and the many different and intriguing techniques used to create the pieces.

My partner Pam who accompanied me on the night

And, of course, its always great to see your work shown alongside your peers and some of this country’s most successful and admired artists.

Barbra Rae announcing the SLA winners (photo by Greg Macvean)

My image of Dunnottar Castle came about as part of a commission I was awarded by Aberdeen Art Galleries & Museums in January 2023. Click here to learn more about and the various printmaking methods I used in its creation. I am also very proud to have an artist’s proof of this print, along with the 3 others I produced for that commission, in Aberdeen Art Galleries & Museums’ permanent art collection.

Describing my working methods to the Friends of Aberdeen Art Galleries & Museums at the city’s Treasure Hub earlier this year on completion of the commission

This has been a particularly busy and hugely rewarding year for me so far: with two successful solo shows under my belt at Frames Gallery in Perth and Inverness Creative Academy; the aforementioned commission from Aberdeen Art Galleries & Museums; and another for luxury Edinburgh-based leather goods brand Strathberry Ltd (of which there will be more to report soon).

At the Scottish Landscape Awards private view with my show catalogue and print of *Dunnottar Castle*

And having my work included in the inaugural Scottish Landscape Awards exhibition, as well as featured in the gorgeous catalogue that accompanies the show, means that this has also been my most successful year to date.

But it doesn’t end there for 2023, or for this particular print! I am happy to say that Dunnottar Castle is also featured in the Meffan Art Gallery annual winter show, which opened in Forfar on Friday 10 November.

As for the rest of the year, I will be working hard to produce new paintings and prints for my next solo show, which is at Graystone Gallery in Edinburgh in February. Details to follow, but I am excited to be the first artist to have a solo show at their brand-new gallery premises in Stockbridge.

The Scottish Landscape Awards is on until 3 March 2024 at the City Art Centre, Edinburgh. Click here to buy a gorgeous catalogue featuring every picture in the exhibition.

Dunnottar Castle, in a limited edition of only 40 signed and numbered prints, is currently available to purchase (in a frame) at the City Art Centre, Edinburgh and the Meffan Institute, Forfar. Unframed prints can also be bought directly from my shop by clicking here.

St Columba’s Hospice Art Show – opens in Edinburgh this Sat 28 October

Just a quick update to say I have 4 etchings for sale as part of the annual St Columba’s Hospice charity fundraising event, which opens to the public this Saturday 28th October at 10am.

The Bell Rock, photopolymer etching (42x42cm)

I’ve been taking part in this fantastic event every year for almost a decade and it’s always a great show. This year promises to be bigger and better than ever with paintings and prints by over 70 artists, alongside a selection of sculptures, ceramics and tapestries.

Victoria Street, Edinburgh, etching (16x21cm)

Buying art, helping others

At least 50% of every penny spent on art over this weekend goes directly to the charity, so it’s a great way to buy something you’ll love and cherish forever while helping the hospice continue to do its incredible work.

This year I have contributed the 4 pieces you can see here. But you’ve only got 2 days to see the show in person and snap them up (although the works can be viewed and purchased online between 10am Saturday 28th October and Friday 3rd November). Click here for the direct link to the online exhibition!

So if you’re in Edinburgh or fancy a day out then get along to the stunning St Columba’s Hospice building this coming Saturday or Sunday between 10-4pm and treat yourself to something beautiful … you know you deserve it! It’s worth the trip for the incredible views across the Firth of Forth alone!

Here’s where to find the art show. It’s free to enter and on-street parking is available:

17 Boswall Road, Edinburgh EH5 3RW

Opening Night of my Solo Show – Frames Gallery, Perth – 3 March 2023

After almost a year of hard work and preparations, last Friday night saw the opening of my solo show at Frames Gallery in Perth. And what a fantastic night it turned out to be, with almost a quarter of the pictures sold within 2 hours!

But I have to admit that I am always a little anxious when it comes to opening nights, and especially when it’s just my work that’s on show.

There’s a lot of pressure to get everything finished, framed and on the walls on time and I feel that heavily on my shoulders for weeks in advance.

A quick spin around the show!

And there’s quite a lot of variety in my work too, so I’m also always wondering how all of those pictures will look when they’re hanging together in one room.

Glitter Moons, watercolours and etchings

Etchings and oils with a sea theme in the main

Of course, I’m also hoping there’s going to be a good turnout for the opening, as a great atmosphere always helps to get any show off to the best start.

But in spite of my growing nerves as 6pm approached on the big day, I should really have known that I needn’t have worried! Hugh and his team at the gallery had done a brilliant job of hanging the show and I couldn’t have been happier with how all 45 pictures were presented!

The first picture to sold was one of the largest, Muckle Flugga, oil on canvas

And to add to my great feeling of relief and excitement I was delighted to see that there were already some red dots accompanying pictures before the doors officially opened!

It’s always lovely to chat to the people who have been to my previous shows and have bought my work in the past, and I love to meet those who’ve come along to see it for the first time.

Two more of my lighthouse oil paintings sold on opening night!

It’s really the one chance I get to hear what people think of my newest work and that feedback is always very helpful when it comes to starting new pictures.

All in all it was a lovely night, with lots of interest and by closing time at 8pm 10 pictures were sold, ranging in price from £250 for a framed etching of Victoria Street in Edinburgh to £3450 for my large oil painting of Muckle Flugga.

I want to say a huge !!THANK YOU!! to Hugh, Julie and Jenny at the gallery for making it such a wonderful event and also to Lucy who so beautifully framed many of the pictures there! Massive thanks also to Kevin at Framing Point in Aberdeen for his incredible service and help over the past couple of years! I can’t recommend both highly enough!

And, finally, thank you so much to everyone who came along on the night, with some of you traveling a fair distance to get there! When you buy my pictures, or any artist’s, you really are helping to ensure that we can keep making more and the world would be a much duller place without art!

Here are some photos from the night. If you couldn’t make it along but still want to see the show, then you still have 2 weeks to go. And if you do go, please let me know what you think.

Frames Gallery Solo Show – Invitation to the Private View (3 March 2023 6-8pm)

I am delighted to announce that my first solo show with Frames Gallery in Perth opens in less than a week and will run until 25th March! I have been exhibiting regularly with the gallery since the very earliest days of my artistic adventures, and working with Hugh and his team has always been a great pleasure.

I hope this diverse collection of over 40 paintings and original prints will not only demonstrate my development as a painter and printmaker over the past 15 years, but will also be something of a visual feast. However, that’ll be for you to decide!

Come along and enjoy a glass of wine at the private view this Friday 3rd March 6-8pm at Frames Gallery. It would be great to see you there!

Here is just a little taster of what will be on show …

Glitter Moons – Yellow, Blue & Red, etching and screensprint

The North Face, Ben Nevis, etching and aquatint

The Old Town, Edinburgh (Twilight), mixed media over etching

Towards Arthur’s Seat & South Queensferry, mixed media over etching

Click here for the whole exhibition and picture details!

Black Friday Sale – 25% Discount off all my prints online!!

It’s that time of year when everyone’s looking for a good deal. So I’ve decided to offer a HUGE 25% Black Friday DISCOUNT on all my giclée prints and etchings for a very limited time only. (Ends Sun 27th Nov at 11.55pm)

Dean Village (Sunset) – 65x50cm (usual price £150 – now £112.50)

So if you’re looking for an extra special and very personal Christmas present for yourself or a loved one then look no further!

The Old Town, Edinburgh – 65x50cm (usual price £150 – now £112.50)

Select anything from my Big Cartel shop using discount code BLACKFRIDAY and you’ll not only get this great saving but you’ll also receive it carefully wrapped and packaged well before Christmas.

Towards Arthur’s Seat, Edinburgh – 45x33cm (usual price £95 – now £71.25)

And that includes one of my very rare and highly saught after Blue Moon etchings! There’s just a couple of these available right now, so you’ll have to be quick off the mark to get one at this price – and with almost £150 off the usual price!

[PLEASE NOTE: my Blue Moon numbered edition has now SOLD OUT! See most recent post for details on how to reserve a a very rare Artist Proof Blue Moon!]

Blue Moon A/P – etching 57x47cm image size (usual price £595 – now £446.25)

These are just a few of the pictures available so click here to see them all and remember to use discount code BLACKFRIDAY

My BLACKFRIDAY discount ends Sunday 27 November at 11.55pm!

Spectacular Winter Show with Graystone Gallery at ‘The Art Hotel’, 24 Royal Terrace, Edinburgh

I am very excited to be showing several of my oil paintings and handmade prints with Edinburgh’s newest purveyor of fine art, Graystone Gallery. Owner Lesley has found a truly inspired space for her inaugural show in what has to be the most exquisite and stylish boutique hotel I’ve ever seen!

And you are invited to the Private View at 24 Royal Terrace this coming Thursday (details below).

On any given day, the walls of 24 Royal Terrace, aka The Art Hotel, are full of colour and when I dropped off my own works for this winter show last Friday I was astonished (in a very good way!) to see such a huge variety of great art in one incredible setting. The pictures above give only a tiny taste of what it’s really like in there!

Glitter Moon – Blue
Etching and screen print
58 x 48cm (image size)

The hotel owner, who has personally collected art from around the world and curated each and every room herself, not only has excellent taste but has created a highly unique setting in which you can indulge yourself over a cocktail or a fine whisky while taking in some fabulous contemporary art.

The Bass Rock (Nocturne)
Oil on wood panel
74 x 74cm framed

Alongside some pretty huge and important works by the likes of John Bellany and Alan Davie, there’s a highly ecclectic mix of landscapes, figurative and abstract pieces that should pique the interest of any art enthusiast. I could easily have spent a day in there myself!

Dubh Artach
Oil on wood panel
74 x 74cm framed

For this first Graystone Gallery pop-up show a number of the walls have been rehung with works by around 20 contemporary artists from Scotland and beyond, including 9 by yours truly.

Where There Is Light
Oil on wood panel
78cm x 78cm framed

So if you love art and happen to be in Edinburgh this coming Thursday evening then you need to get along to the private view (details below)!

Rattray Head (Cirrus Clouds)
Oil on canvas
79 x79cm framed

If you can’t make that then the show will run until 2 Jan 2023. And, as you can see below, Lesley has also organised a number of events to run alongside this show, including an Artist’s Night, at which I and a couple of others will discuss our techniques and inspirations.

It all promises to be a very special feast for the eyes and one not to be missed this festive period!

New Work with Ballater Gallery at Aberdeen Art Fair 2022

I am delighted to be showing two recently finished large oil paintings for the first time with Ballater Gallery at this weekend’s Aberdeen Art Fair (details below)

Dunnottar Castle

Dunnottar Castle is quite possibly THE perfect landscape painter’s subject. Sitting atop a magestic outcrop of rusty red sandstone, surrounded by constantly changing seas and skies, it’s sheer immensity and magnificence are breathtaking – the scene simply demands to be painted!

My favourite place to paint!

The above painting is the view from the little bridge that spans the deep gully and leads to the cliffs on the western side of the castle. Those cliffs have also been a favourite haunt of mine over the past few months and are a great spot to paint en plein air (below).

Me painting en plein air at Dunnottar Castle

After spending several months working on this particular painting – and trying do the scene the justice it deserves – it will be great to see it hanging at the Aberdeen Art Fair (AAF) from this Friday.

Preview 6–9pm at Aberdeen Music Hall

Muckle Flugga – the UK’s northernmost lighthouse

Muckle Flugga – oil on canvas – 80x80cm (unframed size)

Also on show at Aberdeen Art Fair with Ballater Gallery will be this newly finished oil painting of the mighty Muckle Flugga!

Muckle Flugga (Old Norse Mikla Flugey, meaning “large steep-sided island”) is the northernmost point of the British Isles and, in my own humble opinion, has to be one of the most dramatic lighthouse locations on Earth.

I hope to have captured something of the rugged nature of the rock itself, but also of the precariousness of that lonely lighthouse perched upon it. The perpetual crashing of great ocean waves has done little to change this scene since the lighthouse was built in 1854. But nothing lasts for ever – apart from oil paintings hopefully!

Maybe see you at the preview!

Details for Aberdeen Art Fair

Preview Evening: Friday 2^nd September 6pm – 9pm
Opening times: 10 – 5pm Saturday 3^rd & Sunday 4^thSeptember

Find Ballater Gallery on Stand 12.

Free entry for all for both the preview evening and Saturday/Sunday

Pittenweem Arts Festival

Tomorrow marks the start of the Pittenweem Arts Festival (6-13th August) and I’m very happy to be taking part alongside fellow members of Fife Dunfermline Printmakers Workshop. I’m looking forward to seeing all the work we have on show at the preview this evening.

All are welcome to come along tonight for an early viewing between 6.30-9pm at Lesser Church Hall, James St, Pittenweem.

Above are 2 of the large framed prints I have in the show, St Monans and Dunnottar Castle. Both etchings were produced in July especially for this event.

I’ll also be showing my Blue Moon etching (below). There are only a few left from this very limited edition of 20 numbered prints, so if you want to own one you best hurry to bag yours!

I have a few other mounted prints available from the venue including the following, all of which are fairly local to the area:

If you can get to Pittenweem during the festival you will find art filling the streets and almost every home above the beautiful harbour and beyond. It’s a fantastic event and well worth the trip for a great day out!

More details about the festival and invited guest artists can be found here!