All are welcome to come along tonight for an early viewing between 6.30-9pm at Lesser Church Hall, James St, Pittenweem.
Above are 2 of the large framed prints I have in the show, St Monans and Dunnottar Castle. Both etchings were produced in July especially for this event.
I’ll also be showing my Blue Moon etching (below). There are only a few left from this very limited edition of 20 numbered prints, so if you want to own one you best hurry to bag yours!
I have a few other mounted prints available from the venue including the following, all of which are fairly local to the area:
If you can get to Pittenweem during the festival you will find art filling the streets and almost every home above the beautiful harbour and beyond. It’s a fantastic event and well worth the trip for a great day out!
I currently have several of my etchings in a fantastic new printmaking show at Frames Gallery in Perth.
I was very happy to see some red dots below some of my pieces at the private view, including the ones below, and also to be showing alongside some of my favourite Scottish printmakers.
It really is an excellent and varied exhibition, showcasing some of the best in contemporary printmaking techinques and styles and I’m delighted to be taking part. Click here to see the works on show and do drop by if you are in Perth.
As these are editioned prints there are several of each still available, so get in touch with Frames Gallery if you are interested in anything you see here (or there!).
Here are a few more of the framed etchings I have on show at the gallery, and click here if you’d like to see the whole show online.
The Urban, Land and Sea show at Heriot Gallery in Dundas Street, Edinburgh, closes this Saturday. I have several pieces in it inlucing these two large and colourful scenes of Dean Village, Edinburgh and North Berwick.
If you are in town the whole show is well worth a visit!
Click here for details and to see what’s in the show.
Until recently, I’d never heard of “The Beggar’s Mantle Fringed With Gold”. It was King James VI of Scotland who coined that description of Fife’s coast; the ragged shoreline being the frayed cloak from which the begging hand of Fife is held out in hope that the sea will provide sustenance. The gold lining perfectly captures the beautiful fishing villages that fringe the East Neuk, especially when the phosphorescent orange street lamps are aglow and the houses are lit up and cosy on a cold winter’s night.
I came to hear of it one Saturday morning a few weeks ago when my phone pinged to inform me that another painting had sold from my Big Cartel shop. As always, I got in touch with the buyer right away and, after discussing postage and various other details, asked where he’d come across my work.
Back to the beginning
The reply was so very unexpected and it not only made my day but also gave me the biggest confidence boost an artist could wish for.
The answer had its roots way back when I first started exhibiting in 2008. In fact, it was at the first exhibition I ever entered (the annual open at Kirkcaldy Museum and Art Gallery) that Jim had spotted my work. It was an oil painting of a row of typically-colourful cottages all huddled together along the shore, looking almost fearful of the next incoming tide. I’d given it the title Awaiting The Turn of The Tide with that thought in mind.
A few days after the opening I returned to see the whole show and was thrilled to find my first ever red dot. The painting really seemed to glow and stand out quite nicely in that large space. I walked out with my feet in the air and feeling this idea of being an artist I’d had for a while might just work!
But you never really think about all the other people who might stop and have a look at your efforts in a gallery. So it came as a big surprise to hear that it was way back then that my new buyer informed me he had first seen my work. He had gone in on a mission to find inspiration for a song he was trying to write for a performance he’d soon be giving at that year’s Stanza Poetry Festival in St Andrews. The song had to capture that ‘beggar’s mantle fringed with gold’ feeling. He told me that it was my painting of glowing cottages tumbling down into the sea that had helped him to visualise an idea of what he wanted to capture in words. He went off and wrote the lyrics below for Dances With Angels, performed it at Stanza and that, as they say, was that.
But now, 12 years later and living in Kent, he told me he’d always remembered that painting (someone else had bought it) and was now in a position to buy one of my East Neuk pictures for himself. In fact, he’d had a hard job choosing between the two I had for sale on my website and a couple of days later he ended up buying the other one as well. (The two paintings directly above.)
That he’d remembered my work all that time was incredibly uplifting for me. But that it had also helped him to write his lovely song was just wonderful to discover all these years later.
Here’s a quick note to tellk you about two paintings I have available to buy at arTay 2020. It’s an online only show, of course, but still runs for just 4 days (ending on Sunday 31st May). So you best get in quick if you want to buy one of these two or something else from one of the 80 artists also showing.
This month I’m showing some of my work alongside 5 of Scotland’s finest and best-loved landscape and architecture specialists in a show at the excellent Fidra Fine Art gallery in Gullane.
Along with the 6 paintings below (all of which have been recently completed and were done especially for this show), I will have a few of my etchings included in what looks to be a really interesting exhibition. The show opens at Fidra Fine Art in Gullane this Saturday 25th Feb.
The other 5 artists taking part are George Birrell, Ann Cowan, Amy Dennis, Ann Oram and Allan J. Robertson. Though we’re all inspired by architecture, each of us has our own very distinct style and employ different creative techniques to create our work.
So if you happen to be in East Lothian between 26th Jan and 24 Feb then go along for a look (closed Mondays). I’ll be at the preview night this Friday (6-8pm), as will some of the other artists showing, so I’ll maybe see you at that.
I’ve also had my work shown in 2 other prestigious annual exhibitions held at the RSA this year, the RSA and RSW. So it’s been a great year on that front, but I’m hoping 2019 will be my best yet.
The new year will kick off with a show at Fidra Fine Art, Gullane, on the 25th of January, where 6 new paintings will be shown alongside works by 5 other artists who specialise in architectural landscapes, including my friend Ann Oram and some other artists I’ve yet to meet (George Birrell, Ann Cowan, Amy Dennis and Allan J Robertson). I’ve been working flat out on these pictures for the past few weeks and will post some of them here in due coarse.
In the meantime, thank you to all those of you who have supported me and my work this year and every other so far with your purchases and with your encouragement! I hope you all have a wonderful Christmas and a very Happy New Year!
I wanted to share some photos from my recent solo show in Edinburgh for those who weren’t able to see it in person. There were 45 pieces hanging in total and it was the biggest collection on my work to be shown in one place to date.
It was hugely beneficial for me in a creative sense to hang the show myself (well, with a lot of help from my friend Celie) as it gave me the opportunity to put the pieces together into groups that worked as mini collections on each wall. Every picture being part of a wider context. It took 2 solid days to hang the exhibition and I was glad to see that my combined output over the past 2 years or so also worked as a whole. This is something I have often wondered about (and I’m sure that’s the case for many other artists who work across a variety of media in relative isolation as I do). But the visitor feedback was also very positive in this sense, which helped to make the whole experience an absolute pleasure for me.
Of course, selling several pieces and meeting lots of lovely people and hearing their thoughts was also wonderful. As a result, I’m really looking forward to putting together my next solo show in the coming year.
In the meantime, I have lots more work out there in 6 different galleries this Christmas. A full list and links to those current exhibitions can be found here
Tomorrow will be the last full day of my show at the Edinburgh Ski Club.
It has been fantastic to have quite a large body of my work on show in one place again 2 years since my last solo. I’m glad to say the comments and feedback have been very positive from people who already know my work and the many who have come in out of the cold from the street to have a first look.
So if you are able to come along tomorrow or before 2pm on Wednesday 29th November when I’ll begin to take it down then please do come in.
Here are a couple more pictures and a video to give an idea of how it looks …
(Please ignore the heavy breathing in the video!!)
Clive Ramage will be exhibiting more that 50 works of art in a solo ‘pop-up’ exhibition at Edinburgh Ski Club this November.
Works From The Studio is the latest solo show of works by Dunfermline-based painter and printmaker, Clive Ramage. The show will include some of Clive’s atmospheric paintings of lighthouses, along with his popular Edinburgh and East Neuk scenes and a variety of hand-coloured etchings. This will be the biggest collection of Clive’s works to be shown in one place to date.
The self-taught artist originally from Arbroath said:
“I am very excited about the show having put the whole thing together myself. It has been quite a challenge! Not only painting and framing 50 pictures but planning and publicising the event to ensure it’s looks right and is a success. There’s still a lot of work to do with only a week to go, but I’ll get a helping hand with hanging it from my friend and fellow painter Celie. It will be great to see all the work I have created over the past year or so all together in the one space.”
Clive mainly works from his home-based studio in Dunfermline and is also a member of the Fife Dunfermline Printmakers Workshop. He frequently travels around Scotland in his camper van (or mobile studio) seeking inspiration in the country’s wild and remote corners and it’s often dramatic weather. Many of the paintings in this exhibition have been inspired by these trips along with Edinburgh and the villages of Fife’s coast.
Describing his work, Clive says:
“I usually start drawing from a reference sketch done on site, but as soon as I am happy with the general composition I paint purely from imagination. As I work my way through a painting, the colours and atmosphere become the focus for me. The final result is my own emotional response to a place and my attempt to capture it’s unique atmosphere.”
Clive exhibits regularly at the RSA, SSA, RGI and the RSW annual shows. He frequently sells his work with many galleries around Scotland with his prints and paintings hanging in private collections around the world.
Works From The Studio will be open to the public from 11am-5pm daily between Thursday 23rd November – Tuesday 28th at Edinburgh Ski Club, 2 Howe Street EH3 6TD