I wanted to share some photos from my recent solo show in Edinburgh for those who weren’t able to see it in person. There were 45 pieces hanging in total and it was the biggest collection on my work to be shown in one place to date.
It was hugely beneficial for me in a creative sense to hang the show myself (well, with a lot of help from my friend Celie) as it gave me the opportunity to put the pieces together into groups that worked as mini collections on each wall. Every picture being part of a wider context. It took 2 solid days to hang the exhibition and I was glad to see that my combined output over the past 2 years or so also worked as a whole. This is something I have often wondered about (and I’m sure that’s the case for many other artists who work across a variety of media in relative isolation as I do). But the visitor feedback was also very positive in this sense, which helped to make the whole experience an absolute pleasure for me.
Of course, selling several pieces and meeting lots of lovely people and hearing their thoughts was also wonderful. As a result, I’m really looking forward to putting together my next solo show in the coming year.
In the meantime, I have lots more work out there in 6 different galleries this Christmas. A full list and links to those current exhibitions can be found here
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Tomorrow will be the last full day of my show at the Edinburgh Ski Club.
It has been fantastic to have quite a large body of my work on show in one place again 2 years since my last solo. I’m glad to say the comments and feedback have been very positive from people who already know my work and the many who have come in out of the cold from the street to have a first look.
So if you are able to come along tomorrow or before 2pm on Wednesday 29th November when I’ll begin to take it down then please do come in.
Here are a couple more pictures and a video to give an idea of how it looks …
(Please ignore the heavy breathing in the video!!)
I have a few pieces in this show at the lovely Strathearn Gallery including these 2 above and below. It’s on until 21st May, so do drop in tomorrow for the opening or before the show closes in a month.
I also have new work on show at The Quay Gallery, Aberdour, including this large oil of The Bass Rock (a favourite subject!).
The other news is that I have left Fire Station Creative and will no longer be taking part in exhibitions or open studios at there. I will, however, be opening my new studio doors (in Edinburgh) to the public at some point in the future, so keep an eye out for news on that front.
And Finally …
Many thanks to those who visited the recent show at Gallery at Fifty Five in Stonehaven. The feedback was fantastic and I look forward to exhibiting there again in 2018.
Until then, I’ll be working on new pieces including more versions of the 2 hand-painted etchings above and those I’ve done of Edinburgh and the East Neuk, along with more oils based on my recent travels to Yorkshire, Cornwall and Northumberland. There will no doubt be a few more lighthouse paintings and new etchings in the pipeline too.
There’s more to report as far as exhibitions coming up are concerned and an exciting piece of news (for me at east!) about my work featuring in a new glossy magazine … but I’ll leave that for next time.
You can always find more updates and pictures of my latest works in progress etc by following me on:
I’m happy to say I have a number of exhibitions in the pipeline for this year and this lot of newly framed work will be heading off to a gallery near you in the coming week. I’ll have some of this work in the Gallery at Fifty Five Spring show opening in Stonehaven on 4th March.
There’s also arTay during Perth Festival of the Arts which takes place in May, and either side of that I’ll have work in the Pittenweem Arts & Galleries Weekend along with fellow Fire Station resident artists in April, and at the Fire Station Creative gallery which will be happening around Open Studios time in June. I’ll post the specifics for all of these nearer the times.
In the meantime, I’ll be working mainly on new oil paintings and etchings, including lots based on my recent Cornwall, Devon and East Lothian trips in the campervan.
A little bit of background on the project Steven Blench designed and I printed as an etching and which has been included at the SSA open exhibition this year. It was great to get the piece on the front cover of the exhibition catalogue and also hung up at the entrance to the show as a huge blow up on vinyl.
Steven and his wife Ffion design and make plasterworks including highly ornate cornices and ceiling roses, among other things. They were to exhibit some of their work in Edinburgh earlier this year and Steven asked me if I had any ideas as to how they could render what they do in a 2D format to hang in a frame alongside their other work.
I pictured an etching featuring several of Steven’s ceiling rose designs as a good way to show off the incredible detail at it’s best. Etching on copper gives a very precise line and Steven’s designs obviously required a huge amount of accuracy. So I prepared a large piece of copper plate onto which Steven enscribed his designs before I etched it and ran off a couple of prints.
We hoped to get something we could at least hang in that exhibition, but when the print was pulled it was probably much better than either of us had expected (see top picture). Steven and I agreed that this could be an interesting collaboration with more prints to come as a sideline to what we normally do. He took one of the prints home and, a couple of days later, came back with it having dusted down some lines and areas leaving the final design more prominent (bottom left).
This process informs the next, which is to render the 2D design into a 3D plasterwork (top photo).
The print was exactly what we had hoped for but then one of those happy accidents occured that added that something extra to the final piece. I’d been keen to show the prints to Steven asap, so they hadn’t been allowed to dry properly. I resoaked and dried them out on an old piece of plywood, not realising there was a residue of sepia watercolour on it. This soft tone bled out across the wet paper giving the prints a lovely ‘antique’ feel.
Prints are available from the RSA building on Princes Street until 24/11/16
£260 unframed (£350 framed)
The past few weeks have been extremely busy what with deadlines for various exhibitions, including those organised by the RSA, the SSA, the National Original Print Exhibition and the International Print Biennial. On top of that, my work has been included in 2 exhibitions in support of Maggies Cancer Care and the St Columbas Hospice in Edinburgh. I was delighted to have sold 4 large works in these, raising over £1500 in the process to share between these two deserving causes.
July will hopefully prove to be just as busy. But that’s over a week away and there’s lots of painting to be done now. I’m currently working on a series of small hand-painted etchings that have been sat in my drawers for the past couple of years gathering dust. The most recent of which has since been dusted with gold leaf and can be seen along with some of the others in the Watercolours & Etchings gallery. Some of these will be distributed to galleries in the next week or so. But if you like anything you see on my website do feel free to get in touch with me at firstname.lastname@example.org
I’ll also be working on the latest Dean Village hand-painted etching this week, which will be a blue and gold night time version (similar colours to that East Neuk etching mentioned above). This will be the 4th one of the 10 of these I have planned. I’m excited to see how this one and the 6 others will turn out. Watch this space as I’ll post updates here of how they are progressing.
Here is my latest version of Dean Village in Edinburgh. It’s another hand-painted etching and I have focused here on the pinks and blues of the setting sun. I have also added a detail of the bottom right-hand corner of the painting below to show better how the colours are built up in layers using various methods.
We will also be opening our doors once again at the Fire Station Open Studios event over the whole of next weekend from the evening of Friday 27th and all day Sat/Sun 28 & 29th (10-4pm). Celie and me have completely covered our studio’s walls along with half the walls in the building with work to see and buy! Do come along if you’re in the area, or make a special trip and I assure you it will be worth it. Lots of very good work and interesting artists to see and meet and also great entertainment in the cafe throughout the weekend.
Finally, I will be exhibiting and hopefully selling my work alongside a selection of other artists in support of the St Columbas Hospice from the 3-5th June. Please come along to any or all of these events and remember to say hello if you do.
The 125th Society of Scottish Artists (SSA) annual exhibition is about to come to an end (this Monday 18th Jan). To have had my Super Moon print accepted and then described by renowned art historian Duncan Macmillan in his Scotsman review of the exhibition as “elegant” and “lovely” is the career highlight so far for me. I’m now looking forward to a full year of working hard on several new large-scale copper etchings, a new series of oil paintings and many watercolours based on my upcoming travels.
Get in touch if you would like to have your very own Super Moon.
I am delighted to have had this piece, ‘Super Moon’ (etching and aquatint, image size 48x58cm) accepted for the 118th Society of Scottish Artists Open Exhibition. It runs from 21st Dec-18th Jan 2016 and is held in in the galleries on the top floor of the Royal Scottish Academy on Princes Street, Edinburgh.