I’m delighted that my latest Dean Village hand-painted etching (Sunset) has been accepted to be exhibited at the Royal Scottish Academy Annual Open 2017. It’s the 4th in a series of 10, each of which depicts the scene at a different time of day or season.
I’m especially pleased that this painting was accepted as I think it it’s the best piece of work I have done to date. It’s certainly the one I’m most satisfied with, insofar as it’s the closest I’ve gotten to achieving what I had in mind when I began the series last year. I’m also really pleased to have work in this particular RSA Open as it’s on during the Edinburgh Festival, so it’s going to be very busy.
I won’t make it to the opening of the exhibition unfortunately, but I’ll look forward to seeing the exhibition when I return from my summer holiday. I’m off to Belgium and Holland to get up close and personal with all my favourite paintings by artists like Bosch, Brueghel, Avercamp, Rembrandt and Vermeer. I’m especially looking forward to going back to the Rijksmuseum which was mostly closed for refurbishment the last time I visited, so I only saw a fraction of the artworks they normally have on show.
I’m currently reading the weighty Van Gogh, The Life tome and so this is also going to be a bit of an artistic pilgrimage to the places where he lived, worked and painted in those 2 countries. I’m hoping to come back brimming with ideas and inspiration and, despite the huge amount of anticipation I have for going on this trip, I’m already looking forward to getting back to work when I return.
I’ll try and post a few pictures from my trip here and on my Instagram page, so watch this space.
On another note, I just delivered a batch of etchings and paintings to The Coach House Gallery in Pittenweem, which will be on show there during the Pittenweem Art Festival. So drop in for a look if you’re planning a visit (which runs between 5-12th August). And if you haven’t been to Pittenweem or the festival before then it’s well worth the trip. The village is stunning and the interiors of some of the houses perched on the hill above the harbour are well worth a visit in their own right. There’s over 100 artists showing, as well as music and other events so there’s plenty to see and do.
Here’s a quick update on a few things that have happened recently and will be happening over the next few weeks.
Grand Art Exhibition opens tomorrow at Strathearn Gallery, Crieff
I have a few pieces in this show at the lovely Strathearn Gallery including these 2 above and below. It’s on until 21st May, so do drop in tomorrow for the opening or before the show closes in a month.
I also have new work on show at The Quay Gallery, Aberdour, including this large oil of The Bass Rock (a favourite subject!).
The other news is that I have left Fire Station Creative and will no longer be taking part in exhibitions or open studios at there. I will, however, be opening my new studio doors (in Edinburgh) to the public at some point in the future, so keep an eye out for news on that front.
Many thanks to those who visited the recent show at Gallery at Fifty Five in Stonehaven. The feedback was fantastic and I look forward to exhibiting there again in 2018.
Until then, I’ll be working on new pieces including more versions of the 2 hand-painted etchings above and those I’ve done of Edinburgh and the East Neuk, along with more oils based on my recent travels to Yorkshire, Cornwall and Northumberland. There will no doubt be a few more lighthouse paintings and new etchings in the pipeline too.
There’s more to report as far as exhibitions coming up are concerned and an exciting piece of news (for me at east!) about my work featuring in a new glossy magazine … but I’ll leave that for next time.
You can always find more updates and pictures of my latest works in progress etc by following me on:
Here’s some news about some upcoming exhibitions.
I’m happy to say I have a number of exhibitions in the pipeline for this year and this lot of newly framed work will be heading off to a gallery near you in the coming week. I’ll have some of this work in the Gallery at Fifty Five Spring show opening in Stonehaven on 4th March.
There’s also arTay during Perth Festival of the Arts which takes place in May, and either side of that I’ll have work in the Pittenweem Arts & Galleries Weekend along with fellow Fire Station resident artists in April, and at the Fire Station Creative gallery which will be happening around Open Studios time in June. I’ll post the specifics for all of these nearer the times.
In the meantime, I’ll be working mainly on new oil paintings and etchings, including lots based on my recent Cornwall, Devon and East Lothian trips in the campervan.
A little bit of background on the project Steven Blench designed and I printed as an etching and which has been included at the SSA open exhibition this year. It was great to get the piece on the front cover of the exhibition catalogue and also hung up at the entrance to the show as a huge blow up on vinyl.
Steven and his wife Ffion design and make plasterworks including highly ornate cornices and ceiling roses, among other things. They were to exhibit some of their work in Edinburgh earlier this year and Steven asked me if I had any ideas as to how they could render what they do in a 2D format to hang in a frame alongside their other work.
I pictured an etching featuring several of Steven’s ceiling rose designs as a good way to show off the incredible detail at it’s best. Etching on copper gives a very precise line and Steven’s designs obviously required a huge amount of accuracy. So I prepared a large piece of copper plate onto which Steven enscribed his designs before I etched it and ran off a couple of prints.
We hoped to get something we could at least hang in that exhibition, but when the print was pulled it was probably much better than either of us had expected (see top picture). Steven and I agreed that this could be an interesting collaboration with more prints to come as a sideline to what we normally do. He took one of the prints home and, a couple of days later, came back with it having dusted down some lines and areas leaving the final design more prominent (bottom left).
This process informs the next, which is to render the 2D design into a 3D plasterwork (top photo).
The print was exactly what we had hoped for but then one of those happy accidents occured that added that something extra to the final piece. I’d been keen to show the prints to Steven asap, so they hadn’t been allowed to dry properly. I resoaked and dried them out on an old piece of plywood, not realising there was a residue of sepia watercolour on it. This soft tone bled out across the wet paper giving the prints a lovely ‘antique’ feel.
Prints are available from the RSA building on Princes Street until 24/11/16
£260 unframed (£350 framed)
See link for exhibition details: SSA 2016 Exhibition
See more of Steven and Ffion’s work at: Chalk Plaster Design: Our Story
Just finished these 6 new paintings and will be taking to the framer in edinburgh later this week. They’re off to the Quay Gallery in Aberdour, Fife, in a week or 2 and each is a hand-coloured etching painted in a variety of ways.
The one on the right, The Old Town, Edinburgh, is 65x50cm and was only just finished this morning. It has a watercolour base for the sky and buildings and the hard work was done with my recently aquired Faber & Castell pastel pencils. These were bought on Ebay by accident as I thought I was getting watercolour pencils (I hit the bid button in a bit of a panic to win them). Anyway, I’m glad I did because they are fantastic!
The middle painting, the 4th in my Dean Village series, is maianly watercolour over etching with a little copper acrylic for some of the roofs. It’s roughly the same size as Old Town.
The other four paintings are done over 2 etchings of East Neuk scenes. Again, watercolour base with pastel and gouache for the buildings.
If you have the time do go to the Quay Gallery in Aberdour. It’s a beautiful gallery and just happens to be in one of the loveliest seaside towns in Scotland. But wait a week or two!!
Here’s my latest in the Dean Village hand-finished etching series. This one, the forth in the series, took by far the longest to complete, but I think there is more fine detail and a greater variety of colours in this than any of the other 3 completed so far. I used copper acrylic paint to give some of the rooftops more lustre and if you look very closely you might see some gold dust stars in the night sky.
I’m taking a break from this project now to work on a large-scale oil painting of the Bank of Scotland building, which sits atop The Mound in Edinburgh. This particular building has always been one of my favourites in the city and it helps to make that Old Town skyline one of the best in the world (to my mind anyway).
Here’s how it’s looking after the first wash of colours. A very long way to go as you can see.
I’m delighted to have had an etching accepted for the 2016 Macmillan Art Show. This takes place at Bonhams between 25-28th August and further details can be found in Scottish Art Scene article below (click the link to view the pdf). My etching of Arthurs Seat & Calton Hill is featured in the article, along with a short blurb about how it was made. Some of the other artists who’s works are also going to be on show are also featured.
© All material is copyright of Clive Ramage 2016
Here is my latest version of Dean Village in Edinburgh. It’s another hand-painted etching and I have focused here on the pinks and blues of the setting sun. I have also added a detail of the bottom right-hand corner of the painting below to show better how the colours are built up in layers using various methods.
I currently have work in 4 separate exhibitions this month and also next, including the Royal Scottish Society of Painters in Watercolour at The Meffin in Forfar; Fire Station Creative, Dunfermline and arTay (Perth Festival of The Arts).
We will also be opening our doors once again at the Fire Station Open Studios event over the whole of next weekend from the evening of Friday 27th and all day Sat/Sun 28 & 29th (10-4pm). Celie and me have completely covered our studio’s walls along with half the walls in the building with work to see and buy! Do come along if you’re in the area, or make a special trip and I assure you it will be worth it. Lots of very good work and interesting artists to see and meet and also great entertainment in the cafe throughout the weekend.
Finally, I will be exhibiting and hopefully selling my work alongside a selection of other artists in support of the St Columbas Hospice from the 3-5th June. Please come along to any or all of these events and remember to say hello if you do.
The 125th Society of Scottish Artists (SSA) annual exhibition is about to come to an end (this Monday 18th Jan). To have had my Super Moon print accepted and then described by renowned art historian Duncan Macmillan in his Scotsman review of the exhibition as “elegant” and “lovely” is the career highlight so far for me. I’m now looking forward to a full year of working hard on several new large-scale copper etchings, a new series of oil paintings and many watercolours based on my upcoming travels.
Get in touch if you would like to have your very own Super Moon.
Read the full SSA review below.