Spectacular Winter Show with Graystone Gallery at ‘The Art Hotel’, 24 Royal Terrace, Edinburgh

I am very excited to be showing several of my oil paintings and handmade prints with Edinburgh’s newest purveyor of fine art, Graystone Gallery. Owner Lesley has found a truly inspired space for her inaugural show in what has to be the most exquisite and stylish boutique hotel I’ve ever seen!

And you are invited to the Private View at 24 Royal Terrace this coming Thursday (details below).

 

On any given day, the walls of 24 Royal Terrace, aka The Art Hotel, are full of colour and when I dropped off my own works for this winter show last Friday I was astonished (in a very good way!) to see such a huge variety of great art in one incredible setting. The pictures above give only a tiny taste of what it’s really like in there!

Glitter Moon – Blue
Etching and screen print
58 x 48cm (image size)

The hotel owner, who has personally collected art from around the world and curated each and every room herself, not only has excellent taste but has created a highly unique setting in which you can indulge yourself over a cocktail or a fine whisky while taking in some fabulous contemporary art.

The Bass Rock (Nocturne)
Oil on wood panel
74 x 74cm framed

Alongside some pretty huge and important works by the likes of John Bellany and Alan Davie, there’s a highly ecclectic mix of landscapes, figurative and abstract pieces that should pique the interest of any art enthusiast. I could easily have spent a day in there myself!

Dubh Artach
Oil on wood panel
74 x 74cm framed

For this first Graystone Gallery pop-up show a number of the walls have been rehung with works by around 20 contemporary artists from Scotland and beyond, including 9 by yours truly.

Where There Is Light
Oil on wood panel
78cm x 78cm framed

So if you love art and happen to be in Edinburgh this coming Thursday evening then you need to get along to the private view (details below)!

Rattray Head (Cirrus Clouds)
Oil on canvas
79 x79cm framed

If you can’t make that then the show will run until 2 Jan 2023. And, as you can see below, Lesley has also organised a number of events to run alongside this show, including an Artist’s Night, at which I and a couple of others will discuss our techniques and inspirations.

It all promises to be a very special feast for the eyes and one not to be missed this festive period!

arTay 2022 – Part of Perth Festival Of The Arts

Where There Is Light, oil on wood panel – 78cm x 78cm (framed)

After 2 year’s absence from the art show calendar, I really can’t wait for arTay 2022, which opens at 10am in Perth this coming Thursday 19th May and runs until 7.30pm on Sunday 22nd.

Every May, and as if by magic, a large marquee appears next to Perth’s Concert Hall and is filled to the brim with a great assortment of fantastic artworks.

Dubh Artach, oil on wood panel – 75x75cm (framed)

But all the real magic is what’s on show inside the marquee!

With more than 70 artists taking part and a few hundred pictures to hang and label, it’s a challenge to get it all done and looking great in just a few hours. It’s not all hard work though and there’s always a great atmosphere, with Hugh and his team making it all the more fun by providing lots of coffee and cakes to keep us all going until the show is hung. Remarkably – considering the often competative nature of a typical ‘hang’, and with so many artistic egos to be found in one relatively small compass – I have yet to witness a punch up!

Rattray Head, oil on canvas – 57cm x 57cm (framed)

As well as helping to hang the show on Wednesday, I’m also very much looking forward to catching up with lots of artist friends and maybe matching some new faces to familiar pictures and names too.

So these are the four paintings I’ll have in the show. Three fairly large atmospheric lighthouse oils and my latest dreamscape (or ‘longing’) painting of Edinburgh, as seen at night from across the Firth of Forth.

[Contact Hugh at Frames Gallery, Perth for more details, or if you would like to reserve one of these paintings. Tel: 01738 631085]

Edinburgh Nocturne, oil on canvas – 95x95cm (framed)=

If you happen to be in or near Perth then do come along and see a huge variety of great work by some of the country’s best artists. Along with many of the other artists, I’ll be at the ‘arTay Party’ preview on Friday 20th from 6pm.
Hope to see some of you there too!

Frames Gallery

10 Victoria Street, Perth, Scotland, PH2 8LW
01738 631085
info@framesgallery.co.uk

arTay 2020 is online now … and you can see and buy 2 of my paintings there!

Here’s a quick note to tellk you about two paintings I have available to buy at arTay 2020. It’s an online only show, of course, but still runs for just 4 days (ending on Sunday 31st May). So you best get in quick if you want to buy one of these two or something else from one of the 80 artists also showing.

And here’s a link to what’s available and more details.

Dubh Artach Lighthouse (Nocturne), acrylic on wood panel 67x68cm in frame
St Monans, acrylic on wood panel 108x70cm in frame
 

Just off the easel …

Dubh Artach Lighthouse

Dubh Artach Lighthouse
57x57cm
Acrylic on plywood

This newly finished painting is off to Frames Gallery in Perth soon for their winter show, which opens on 16th Nov.

Dubh Artach Lighthouse sits on an isolated basalt rock which protrudes just 35 meters above sea level at the head of a deep, 80 mile long submarine valley. The strong Atlantic currents rush in along the valley towards the Rhinns of Mull a few miles east before rising up and around the rock, causing a maelstrom of turbulence.

The lighthouse was begun in 1867 following the previous winter’s storms, which sunk 27 vessels in the area. It was built by David and Thomas Stevenson (Robert Louis’ father) to warn ships approaching Oban through the Firth of Lorne and stands 107 feet high above the rock base and is 37 feet in diameter. An incredible feet of engineering considering its extremely remote location 16 miles from land and the rock’s tiny size! It could only be worked on at low tide in calm weather over the 5 years it took to build. Many of the workers lived on the rock in a small hut built on stilts during that time. It was automated in 1971, but it must have been a dreaded posting for many Scottish lighthouse keepers during its 101 years of being occupied.

So here it is, flashing its first beam of the night on a relatively calm summer evening.