Tobermory Whisky, Edinburgh Art Fair and the UK’s 1st Ever Fine Art Crawl

Great news! Tobermory Distillery have invited me to exhibit at their inaugural Edinburgh Art Fair stand and to have my own pop-up gallery on the UK’s 1st ever Fine Art Pub Crawl. My work will be on display at Usquabae Whisky Bar, 2 Hope Street, Edinburgh from this Friday 22 November.

I love whisky and Tobermory has a special place on my palate (pardon the pun!). It was the first whisky I ever bought myself on a visit to the distillery several years ago. I also love that Tobermory is officially know as the Artisan Distiller, so it’s a fitting partnership indeed!

Here’s a link to the article in the Edinburgh Reporter

If you happen to be looking for a new piece of original fine art to treat yourself or someone else to this Christmas, go along to the Edinburgh Art Fair this weekend, or visit one of the pubs included on the Fine Art Crawl. And don’t forget to try the 12 Year Old Tobermory while you’re there!

Some giclee prints of selected works and a few etchings are also available at my Big Cartel shop. Slange!

Gallery Heinzel Winter Show

I have these two large pictures for sale at Gallery Heinzel’s upcoming Winter Show. Opens on the 9th Nov and runs until March 2020.

Three Views of The Bass Rock

Three Views of The Bass Rock
Oil and gold leaf on gesso-primed hand-made paper
(126x52cm framed)

The above painting has been over a year in the making. It glows and looks great in this frame with non-reflect art glass. The tiniest touch of gold leaf adds a very subtle beam and sparkle to each of the lighthouses. I’d liked to have kept this one for myself, but needs must!

Non-reflective glass allows more light and colour to bounce back from the picture rather than off the glass. This also means there’s no annoying reflections that prevent you seeing the picture properly. It’s very expensive but well worth the money and I’ll be using it more from now on.

Harvest Moon

Harvest Moon
Etching & Aquatint
(65x55cm image size)

This Harvest Moon etching is the 3rd variation I’ve made from a single copper plate. This edition is the result of a seemingly never-ending series of painful and time consuming trials with various ink colours (each pigment having its own peculiarities which can make or break a picture). I’m finally happy with this combination. Fellow printmakers have asked how I got the blackest ink and palest orange together without a gap or mixing the two. The simple answer is with great difficulty, as both colours are wiped onto (and off) the plate together for a single pressing. For every successful print two others went in the bin. This is by far the most difficult print I’ve ever made!

This is number 9/20 and is framed and available at the gallery, but there are more unframed copies available. I also have some Super Moons and only a very few Blue Moons left for sale. Contact Gallery Heinzel or myself directly if interested.

The show opens with a preview between 11-2pm at Gallery Heinzel this coming Saturday.

St Columbas Art Friends Charity Exhibition

Blue Moon
Etching and Aquitint
Blue Moon

I have these 2 pictures on show and for sale at the annual St Columbas Hospice charity exhibition in Edinburgh this weekend, which officially opens tomorrow with a drinks reception between 6-8pm. It’s a great cause, with at least 50% of all sales revenue going to help with the wonderful palliative care work they do there.

Dean Village iv

It’s on all weekend and there’s always lots of good art to see and buy. Maybe see you there.

Frames Gallery 40th Anniversary Show … last few days!

Ramsay Garden Edinburgh Castle Esplanade mixed media (18x60cm image size)

Ramsay Garden from Edinburgh Castle Esplanade is available for sale at Frames Gallery in Perth in their 40th Anniversary Show. It’s on until the 19th Oct so still time to see more than 70 works by as many artists, who have shown with Hugh over the decades. It’s a lovely exhibition of work and well worth seeing if you’re in the Perth area.

Fidra Fine Art: Architectural Landscape

This month I’m showing some of my work alongside 5 of Scotland’s finest and best-loved landscape and architecture specialists in a show at the excellent Fidra Fine Art gallery in Gullane.

Along with the 6 paintings below (all of which have been recently completed and were done especially for this show), I will have a few of my etchings included in what looks to be a really interesting exhibition. The show opens at Fidra Fine Art in Gullane this Saturday 25th Feb.

Dean Village (Sunset) 65x50cm (Mixed media on Saunders Waterford 425gsm paper)

The other 5 artists taking part are George Birrell, Ann Cowan, Amy Dennis, Ann Oram and Allan J. Robertson. Though we’re all inspired by architecture, each of us has our own very distinct style and employ different creative techniques to create our work.

The Bell Rock, Dusk 61x61cm (Acrylic on panel)

So if you happen to be in East Lothian between 26th Jan and 24 Feb then go along for a look (closed Mondays). I’ll be at the preview night this Friday (6-8pm), as will some of the other artists showing, so I’ll maybe see you at that.

 

The Bell Rock (Snow) 61x61cm (Acrylic on panel)

St Monans (Sunset) 50x20cm (Acrylic on panel)

Here’s a link for more details on the show at Fidra Fine Art

The Old Town (Morning Light) 65x50cm (Mixed media on Saunders Waterford 425gsm paper)

St Monans (Between The Woods and The Sea) 50x20cm (Acrylic on panel)

Just off the easel …

Dubh Artach Lighthouse

Dubh Artach Lighthouse
57x57cm
Acrylic on plywood

This newly finished painting is off to Frames Gallery in Perth soon for their winter show, which opens on 16th Nov.

Dubh Artach Lighthouse sits on an isolated basalt rock which protrudes just 35 meters above sea level at the head of a deep, 80 mile long submarine valley. The strong Atlantic currents rush in along the valley towards the Rhinns of Mull a few miles east before rising up and around the rock, causing a maelstrom of turbulence.

The lighthouse was begun in 1867 following the previous winter’s storms, which sunk 27 vessels in the area. It was built by David and Thomas Stevenson (Robert Louis’ father) to warn ships approaching Oban through the Firth of Lorne and stands 107 feet high above the rock base and is 37 feet in diameter. An incredible feet of engineering considering its extremely remote location 16 miles from land and the rock’s tiny size! It could only be worked on at low tide in calm weather over the 5 years it took to build. Many of the workers lived on the rock in a small hut built on stilts during that time. It was automated in 1971, but it must have been a dreaded posting for many Scottish lighthouse keepers during its 101 years of being occupied.

So here it is, flashing its first beam of the night on a relatively calm summer evening.

RSA Summer Exhibition 2018 News

Dean Village, Edinburgh (Dusk) – 80x63cm framed – Mixed media over etching

I’m very pleased to have another Dean Village hand-painted etching accepted for the RSA Summer Show this year. Last year the colours were dominated by pinks and inspired by the setting sun. This time the sun has dipped below the horizon, so it’s blues and greens that predominate. It was especially good to get it in as it had to be reframed to meet the 80cm max size rule. The image itself is 65x50cm.

This painting has also been selected for inclusion in what promises to be a lovely and exciting new art book showcasing Edinburgh art and artists; it’s due to be published next year, but I won’t say too much about that for now. More details to follow …

I made the copper etched plate for this scene about 2 years ago and have now done 6 different versions. I really enjoy painting these and like to think I’m following in a tradition set up by the likes of Cezanne and Van Gogh, who would often return to paint familiar motifs and much loved scenes. Cezanne painted the view of Mont Sainte Victoria in Provence, France more than 10 times and Van Gogh did several versions of his sunflowers, blossoming trees and various other motifs over the course of his life. While it might look like repetition on the surface, it’s actually a great way to experiment with colour and technique and that helps any artist to keep improving.

I have to admit though that I do love painting this particular scene, so will probably continue to create more paintings from it at least until I’ve used up all the ideas I have to make each an individual artwork in it’s own right. I’m thinking of doing a couple based on snowy weather next.

Working up my etchings into stand alone paintings is something I initially did in order not to waste what might have been an early proof copy, or perhaps one of the prints that didn’t make it into a final edition. Now I enjoy making line etchings specifically for hand colouring in a variety of media, as it allows me to experiment so much. Sometimes I’ll then go on to produce larger paintings in oils or acrylics that are based on work I consider to have been successful in this hybrid etching/painting format.

The RSA Summer Exhibition is open to the public from 3 June 2018 – 25 July 2018 and should be a highlight of any trip to Edinburgh during this summer!

Here’s last year’s entry for a comparison of the two versions …

Dean Village, Edinburgh (Sunset)

 

Pictures From My Solo Show

I wanted to share some photos from my recent solo show in Edinburgh for those who weren’t able to see it in person. There were 45 pieces hanging in total and it was the biggest collection on my work to be shown in one place to date. 

Three Studies of The Bass Rock

A wall of East Neuk paintings

It was hugely beneficial for me in a creative sense to hang the show myself (well, with a lot of help from my friend Celie) as it gave me the opportunity to put the pieces together into groups that worked as mini collections on each wall.  Every picture being part of a wider context. It took 2 solid days to hang the exhibition and I was glad to see that my combined output over the past 2 years or so also worked as a whole. This is something I have often wondered about (and I’m sure that’s the case for many other artists who work across a variety of media in relative isolation as I do). But the visitor feedback was also very positive in this sense, which helped to make the whole experience an absolute pleasure for me.

Three versions of the full Moon

Of course, selling several pieces and meeting lots of lovely people and hearing their thoughts was also wonderful. As a result, I’m really looking forward to putting together my next solo show in the coming year.

A wall of landscape oil paintings

In the meantime, I have lots more work out there in 6 different galleries this Christmas. A full list and links to those current exhibitions can be found here

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Tuesday 28th Nov is last day of my solo show … that’s tomorrow!

The Gallery

Tomorrow will be the last full day of my show at the Edinburgh Ski Club. 

It has been fantastic to have quite a large body of my work on show in one place again 2 years since my last solo. I’m glad to say the comments and feedback have been very positive from people who already know my work and the many who have come in out of the cold from the street to have a first look.

Harvest, Blue and Super Moons

So if you are able to come along tomorrow or before 2pm on Wednesday 29th November when I’ll begin to take it down then please do come in. 

Here are a couple more pictures and a video to give an idea of how it looks …

Wall of East Neuk hand-painted etchings

(Please ignore the heavy breathing in the video!!)

 

Details for my solo show this November …

There will be a variety of recent watercolours, oil paintings and etchings on show. Proceeds from sales will go towards the costs of a 2 month residency at Castlemaine Press Print Workshop, Australia next year.

Please join me at the private view. I look forward to seeing you there!