The year has only just begun but 2019 has proved to be pretty busy for me already. The recent Architectural Landscape show at Fidra Fine Art saw some of my work heading off to new homes and then I spent the remainder of February visiting lots of different galleries and delivering new paintings and etchings to some of them too. Details below …
But first, take a look at what’s currently on my easel. It has taken over a year on and off to get it finished with lots of thinly painted glazes, drying time in between and fine tuning. Then more glazes … etc etc! But all it needs now is my signature. Gold leaf has been used extremely sparingly, but there’s just enough to provide the subtlest suggestion of a beam of light coming from each of the lighthouses when viewed at a certain angle. If you are interested in owning this oil painting then please feel free to get in touch via the contact page or email me at:
February turned out to be a great month of sales. I was particularly happy to hear from Marchmont Gallery that 3 of my differently coloured moon etchings had been bought by one client to be hung alongside each other. That made my day as they were bought only a couple of days after being dropped off and it was the first time I’ve had all 3 moon variations for sale at the same time. (If you happen to be the new owner and read this then I’d love a photo of them on your wall if possible – and thank you for buying them too, of course!).
I also recently begun to sell limited-edition, signed Giclee prints with Aquila Gallery in Jeffrey Street, Edinburgh. They have the above and following 2 pictures for sale at the moment, but more will follow soon. Marchmont Gallery also have these pictures and I’ll be dropping off more moon etchings there as soon as they are all hot off the press and dry (a week or 2 from now).
Lastly, Morningside Gallery, also in Edinburgh, have a selection of my latest acrylic paintings for sale, including a recent one of the Bell Rock Lighthouse, along with some East Neuk of Fife and Edinburgh pictures. Click the link to see what’s available there.
That’s all my news for now.
I’m about to start on a new series of works and will keep you updated here as things take shape. I’ll also be contacting a number of galleries who’s collections and artists I’ve admired for a while, and hopefully I’ll have work available in some of them soon too. Watch this space!
I love to see how the moon appears to change colour, size and character as it moves through the sky on its nightly arc. For me, the moon is a thing of ever changing beauty, mystery and inspiration.
But where I am now it’s a cold, drizzly November night and unfortunately there’s no moon to see at all as yet, though she is up there in all her glory. So here’s one I made earlier. Inspired by a moonlit night in Marrakech 8 years ago.
I remember being mesmerised watching it rise slowly and lazily above the flat-roofed souks of the Djemaa El Fna in Marrakech. It was a clear late-November night, but the town’s main square was as busy and colourful as I’d heard it always is. Above the seething masses of lost-looking tourists, locals on the make, donkeys and carts, charmers and snakes, children begging, children fighting, shopkeepers bartering and the constant barrage of mopeds and bicycles, horses and goats, the moon’s bright glow cast a beguiling spell over my first Moroccan night. The warm breath of camels condensed then wafted up on the chilly breeze that had begun to sweep down from the High Atlas mountains 30 miles away. Pungent aromas steamed from cauldrons filled to the brim with earthy-tasting snails for curious tourists to try. Spicey flavours sizzled from market stall tagines and exotic vapours oozed out from deep inside the crowded souks. Here I was, only 4 hours after leaving Scotland where the same full moon cast a very different spell across the icy land that would soon be blanketed in deep and heavy snow for over a month.
And a quarter of a million miles above us, indifferent to the bustling world below, the moon appeared frozen in the sky. Familiar features intoned with the cool transparent hues of Prussian Blue, spread thin across a face of brilliant white. And as I looked up, she appeared to look down, watching everyone everywhere that ever was or ever will be. And in turn, each tiny, insignificant character continued to play out their roles, heads down in the darkening night.
So I’ve produced these 3 different coloured versions of my Super Moon etching (image size 48x58cm). They’re off to the framers now, but do go along to the event if you’re in the Perth area and have a closer look at the moon than you’d normally get. There’s a lot more detail thank you might expect in that bright orb hanging in the sky at night. Hopefully, I’ve managed to capture a suggestion of that with these.
There’s also going to be hundreds of works on show by around 60 other artists, so plenty to see.
Here’s the Blue version showing the full-sized print below.
The 125th Society of Scottish Artists (SSA) annual exhibition is about to come to an end (this Monday 18th Jan). To have had my Super Moon print accepted and then described by renowned art historian Duncan Macmillan in his Scotsman review of the exhibition as “elegant” and “lovely” is the career highlight so far for me. I’m now looking forward to a full year of working hard on several new large-scale copper etchings, a new series of oil paintings and many watercolours based on my upcoming travels.
Get in touch if you would like to have your very own Super Moon.
I am delighted to have had this piece, ‘Super Moon’ (etching and aquatint, image size 48x58cm) accepted for the 118th Society of Scottish Artists Open Exhibition. It runs from 21st Dec-18th Jan 2016 and is held in in the galleries on the top floor of the Royal Scottish Academy on Princes Street, Edinburgh.
Though I may not look it in this photo, I am pretty happy right now! Mainly because it has been a fantastic and very busy few weeks!
First of all there was my solo show during November at the Fire Station Creative in Dunfermline. There was a great turnout at the preview night, with over 100 people coming along in total. It was great to sell some paintings and also to have a chance to get some feedback on my most recent work, which I’m glad to say was very positive.
Then there was the Edinburgh Art Fair, where I was showing some of my etchings and demonstrating printmaking techniques alongside my Fife Dunfermline Printmaking Workshop colleagues. Once again, the place was heaving for 3 days and it was wonderful to be part of such a hugely popular event.
And just this past weekend we threw our Fire Station Creative studio doors open to the public (over 1500 of them in all) and let them see where we do our stuff and how we do it. Again, it was fantastic to get to speak to lots of lovely and very interested people about my work in general, my recent lighthouse project and travels in particular and also to share some of my techniques and ideas. I also got lots of encouraging feedback about my work, which is always more than welcome! I’m really looking forward to the next open studios event when it comes.
This afternoon I delivered 4 of my recent paintings of lighthouses to Morningside Gallery in Edinburgh, including this one above of the Bass Rock Lighthouse (80x80cm, oil on canvas). They also have a selection of my etchings and some other paintings for sale too.
I’ll be taking some more paintings and prints to Marchmont Gallery this weekend, including my Super Moon etching (48x58cm) which features below. Despite being rather large, this has proved to be my most popular etching to date and I’ll be busy over the next week or so pulling several more prints from the large etched copper plate in order to meet the orders I’ve taken in the past couple of weeks.
There’s still time to order a Super Moon print or any of my others and have it ready before Christmas if you’re quick by the way! Drop me an email if you are interested. Also, see and ‘like’ my Facebook page Clive Ramage Artist for regular updates on my work, pictures and exhibition info.
It’s been a very busy few months! I’ve settled into my great new studio at Fire Station Creative and have been working hard on preperations for my first big solo show there in November. More to come on that later!
My priority this past week has been to finish and frame some new works for the upcoming exhibition at the beautiful Frames Gallery, Perth. It opens this Friday 12th September and I cordially invite you to come along to the preview if you are able to (6-8pm). I handed my 4 pictures in yesterday and the place was full to brimming with amazing looking work. It’s all very affordable too, everything being under £500.
But now that’s done, I can look forward to the preview on Friday evening and then I’ll be getting back on with my lighthouses project (which will also include non-lighthouse paintings of coastal scenes!).
Anyway, here’s what I’ve included in the Frames show: