The Lights That Never Go Out

Here are the first photos from my journey around Scotland’s amazing coastline (Ardnamurchan, Mull and part of the East Coast). I will be using some of these as the inspiration for new paintings and prints. Plenty more to come, so keep watching this space!

photocrati gallery

Fife Council grant acknowledgement pic

The Lights That Never Go Out – A Map of Scotland’s Lighthouses

Here’s a map of all the Scottish lighthouses that I found at Ardnamurchan Point. There’s a lot of them! Almost 100 and pretty much all built by the Stevenson family within 100 years from the first (the Bell Rock) which was finished in 1810. I hope to get to as many as possible over the next few months as part of my project, The Lights That Never Go Out, An Artistic Odyssey From Muckle Flugga To The Mull of Galloway.

So after a day spent washing clothes and repacking the campervan after the Easter trip to the west coast, I’m off again to spend the next few days and nights sketching and photographing the lighthouses between Montrose and Fraserburgh. Tonight I’m hoping for a clear and starry sky (ie. no fog horn!) spent at the foot of Rattray Head.

Scottish Lighthouses
Scottish Lighthouses

Super Moon in 4 stages … #eclipse

Super Moon (state 4)
Super Moon (state 4)

Since there’s going to be a total eclipse AND a ‘super moon’ tomorrow, I thought I’d try and finish the print I’ve been working on all week, as it is kind of appropriate. When I started it last week I didn’t know about all the celestial events coming up.

It’s an aquatint and spit bite print from a copper plate and is my largest to date at 48x58cm. I found an old photo I took from the Fourth Bridge a few years ago and thought it would make a nice change to do something completely different. I enjoyed making it so now I might do a whole series of planets, moons etc. Watch this space!

Anyway, for those who always like to ask how long it takes to produce a particular work of art, I can tell you that each of the 4 stages of development took a full day (about 8+ hours). To run off the final print takes roughly an hour on average, as it’s a large one at 48x58cm and there’s a lot of ink to put on then wipe off each time before running the plate through the press.

Don’t forget your special eclipse specs for tomorrow!

Moon State1
Super Moon (state 1)
Moon state 2
Super Moon (state 2)
Moon state 3
Super Moon (state 3)

Frames Gallery Exhibition of Dunfermline Printmakers Workshop

St Monan
St Monans Harbour (hand painted etching)

 

am delighted to say we had a fantastic opening night at Frames Gallery, Perth on Friday night. Hugh and his team have done a fantastic job of putting our exhibition together and promoting it and the place was heaving with gallery regulars, our friends and families as a result. This doesn’t always happen with preview shows, so all that preparation was very much worthwhile and appreciated!

It was really great to see all of our combined efforts hung so beautifully together in one place for a change. Each of us is used to producing our work in each others’ company then sending it off to various galleries around the country, but we rarely get the chance to see it all hung as a collection. So this show was a great opportunity for us all to see how distinctive and individual our methods, ideas and output are. Yet the show works very well together as a whole and shows the quality and diversity of work being produced at our humble wee cooperative in Dunfermline. Looking round the exhibition, I felt proud to be involved in the workshop. Without wanting to sound like I’m blowing my own or anyone else’s trumpet, I reckon this exhibition is worthy of any gallery in the country. 

So please do take some time out to visit Frames Gallery and have a look for yourself. The exhibition is on until 4th April. You wont be disappointed!

My page at Frames Gallery

Dunfermline Printmakers Exhibition Page at Frames Gallery

Frames Gallery on Facebook

Dunfermline Printmakers Exhibition at Frames Gallery, Perth

Come along and see some amazing prints from our very diverse cooperative of artists working across a huge range of printing methods and styles. You are welcome to join us at the preview this Friday evening, 6-8pm (details below). Hope to see you there!

Here’s a link to my own page at Frames Gallery

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Awaiting the Turn of the Tide

If there’s one thing I know I’ve always been good at, it’s procrastinating! So my New Year’s resolution is to try to get to my studio (or at least start working from home or wherever I happen to be) before 9am Monday through to Friday … from now on and for ever more!

Ok, I know we’re only half way through the first full working week of the year, but I have managed to keep to my new regime and – I have to say – I’m pretty impressed with myself!

So here’s my output so far for the week; 4 small paintings based on previous etchings and larger paintings, all finished and delivered for the latest mini works exhibition at Morningside Gallery in Edinburgh (which begins in a couple of week’s time).

Hope your New Year has gotten off to a good start!

 

Awaiting the Turn of the Tide 1-4 (8x6" mixed media)
Awaiting the Turn of the Tide 1-4 (8×6″ mixed media)

 

At the banquet (or not)!

I wish it wasn’t just my paintings and prints that will be attending tonight’s wonderful looking banquet at the Abbot House. They’ll be adorning these fine medieval walls for the coming weeks, so drop by and have a gander if you’re in the vicinity. All are for sale just in case you’re still on the hunt for something with a very personal touch and created by my own not-so-fair hands!

The Banqueting Hall at Abbot House, Dunfermline
The Banqueting Hall at Abbot House, Dunfermline

Open Studio again!

I’ve decided to throw open my medieval studio door again this weekend, but it’ll be on Sunday instead of Saturday. Hopefully that means a few more folk who couldn’t make it last time can do so this time round. So please come along between 11am and 4pm for a final chance to pick up a great bargain limited edition etching or painting before Christmas!!

Edinburgh Castle From The Grassmarket
Edinburgh Castle From The Grassmarket

 

A Fantastic Open Day and a magical night in Edinburgh!

Yesterday’s open studio day turned out to be fantastic in many ways. I met some lovely new people who made the extra effort to climb all those stairs to my studio and, thankfully, their thoughts and impressions of my work were very positive – always good to hear! It was also great to catch up with a few old friends too.

As well as being an opportunity to sell and show my work to new clients, the viewing also provided me with a chance to see a lot of the work I’ve been doing over the last couple of years framed and hung together as a collection, instead of being shipped off to various galleries, where there is often little opportunity to see that or to get a feel for how it’s all going or any feedback from clients. That was very useful, as sometimes it’s difficult for me to see the cohesion that exists between the individual pieces I’m working on at any given time. This is particularly the case with the etchings, as it can take a pretty long time to complete the whole process of making them and I usually like to work on just the one or two at a time. I think it all worked well together as a whole though, and seeing it all together gave me a few ideas for new pieces to add to my series of etchings and paintings.

I enjoyed the whole experience so much I will be doing it all again this coming Sunday. So if you couldn’t make it this time, please come along between 11-4pm at the Abbot House!

So after a very long but productive week and a successful day yesterday, I decided to crack open the gluhwein and sample the Christmas festivities on offer at Edinburgh’s Winter Wonderland. I feel very lucky to have what I think is probably the most beautiful city in the world – especially at Christmas – right on my doorstep. And what artist could fail to be inspired by scenes such is this!

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Edinburgh’s Spectacular Winter Wonderland